Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 49:53 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 100 · shots 337–343. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- woman, wearing a dark coat, white collar, and a patterned hat with netting visible, audible
- man, wearing a military uniform with insignia and a tie visible, audible
- Seen happening
- The woman and man face each other in a room. [frame:1]
- The man speaks while looking at the woman. [frame:2]
- The woman turns away toward a mirror, holding a book. [frame:3]
- The woman faces the man again, speaking. [frame:4]
- Also said
- “Mother told me we escaped from a German internment camp, but...” 50:05 · “Do you mind very much telling me the truth?” 50:11
- Seen
- mirror, door, vase, book, hat with netting, military uniform
- Interpretation
- Model opinion, not evidence: mood: tense and interrogative; themes: identity verification, wartime secrecy, personal history; style notes: medium close-ups, static framing, high-contrast lighting typical of 1940s studio films
A woman and a man in uniform stand in a room with furniture and a mirror; they speak about a past encounter and an internment camp. The woman holds a book and turns toward a mirror while the man listens.
“I have seen you before.” 49:54 · “Weren't you at the field hospital in the morning?” 50:00 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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