Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 22:32 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 26 · shots 76–76. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1
- People
- woman, mid-20s to 30s, wearing a robe, holding a pillow and quilt visible, audible
- man, mid-30s to 40s, wearing a dark suit with a pocket square visible, audible
- Seen happening
- A woman in a robe holds a pillow and quilt while speaking with a man in a suit. [frame:1]
- Also said
- “Will you give my apologies to the dear boy for my attitude last night? He's an awfully nice chap. Thank you.” 23:02 · “Flannels, I wash them myself.” 23:18
- Seen
- pillow [frame:1], quilt [frame:1], suit [frame:1], robe [frame:1], flower arrangement [frame:1]
- Interpretation
- Model opinion, not evidence: mood: light, conversational, slightly tense; themes: domestic routine, social etiquette, personal habits; style notes: medium two-shot, studio lighting, formal attire, static framing
A woman in a robe holds a pillow and quilt while speaking with a man in a suit in a bedroom; she mentions not sleeping on the balcony and having breakfast with Eric. The man asks about laundry and she replies she washes flannels herself.
“The windows and the people. Oh, I didn't sleep on the balcony.” 22:40 · “Sometimes I come in late, Sometimes I never come in at all.” 22:52 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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