Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 7 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 14:15 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 17 · shots 53–54. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- man in dark suit and fedora, holding a hat visible
- man in dark suit and fedora, holding flowers visible
- man in light suit, standing with hands in pockets visible
- man in dark suit, facing p2 visible
- woman in light dress, standing beside p3 visible
- man in dark suit, holding flowers, embracing p7 visible
- woman in light dress, embracing p6 visible
- Seen happening
- A man holds flowers and speaks to another man. [frame:1]
- A man and woman embrace near a window. [frame:2]
- Also said
- “Now look here, Tuttle. I'm warning you, it's man to man. Hold it, I'll be right back.” 14:42
- Seen
- flowers, hat, lamp, window, table
- Interpretation
- Model opinion, not evidence: mood: tense yet intimate; themes: romance, conflict, friendship; style notes: medium shots, studio lighting, formal attire, floral props
A group of men and a woman stand in a room; one man holds flowers and speaks to another. The scene shifts to a man and woman embracing near a window, with flowers on a table nearby.
“Well, aren't they both my closest friends?” 14:29 · “And your happiness is ours. Well, we'll be seeing it.” 14:36 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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