Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 13:50 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 17 · shots 51–51. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- man in dark suit, mustache, mid-30s, medium build visible
- man in light suit, standing behind p1, mid-30s, medium build visible
- Henry (named at t:13:54): woman in patterned robe and light skirt, mid-30s, medium build visible, audible
- Seen happening
- A man in a suit arranges flowers on a table. [frame:1]
- A woman gestures toward the man arranging flowers. [frame:1]
- Also said
- “And he sent me those lovely flowers.” 13:56 · “No, the roses.” 14:00
- Seen
- bouquet of flowers [frame:1], curtains [frame:1], armchair [frame:1]
- Interpretation
- Model opinion, not evidence: mood: light, conversational; themes: romantic gesture, social interaction, gift-giving; style notes: medium shot, studio lighting, static framing, period costume
A man in a suit arranges flowers while a woman in a patterned robe gestures toward him; another man stands behind them. The transcript includes dialogue about Henry sending flowers and a remark about roses.
“You ought to take that out of you.” 13:51 · “Henry's really been very kindly considerate.” 13:54 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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