Jail
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 40:31 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 58 · shots 178–179. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- jail (jail, interior) evidence: frame:1
- People
- man in uniform with cap, standing behind bars visible
- Henry Tuttle (named at t:40:55): man in white suit, tie, holding hands with woman visible
- Helen (named at t:41:22): woman in plaid suit, hat, holding handbag, holding hands with man visible
- Seen happening
- A uniformed man stands behind bars and speaks. [frame:1]
- A man and woman in formal wear hold hands outdoors. [frame:2]
- Also said
- “Of course you can ignore me if I'm too personal, but... but what's it all about, Henry? Huh? Oh, forgive me, Helen. I'm afraid I'm not even being decently polite. What's what all about? Oh, this little three-cornered honeymoon and... and you and... Helen, will you please understand that I don't want to talk about it? You don't have to, Henry Tuttle. I'm way ahead of you. You're in love. I have been for a long time. You seem to be the first one to have suspected it.” 41:22 · “But you're sweet, Henry, and if I can help you, just give me a cue and I'll play my part and try to like it. Helen, you're a brick. Well, I suppose your little bride will be coming home from jail any minute now, so I'll be running along. But you're coming tonight, Henry. I most certainly am.” 41:52
- Seen
- bars [frame:1], uniform [frame:1], white suit [frame:2], plaid suit [frame:2], handbag [frame:2], hat [frame:2]
- Interpretation
- Model opinion, not evidence: mood: tense and conversational; themes: romantic triangle, social class, marriage, law enforcement; style notes: black-and-white, medium shots, studio lighting on outdoor scene, formal attire suggests 1930s setting
A man in a uniform stands behind bars while speaking to someone off-screen; a man and woman in formal attire hold hands outdoors. The transcript reveals a conversation involving a character named Henry Tuttle, a woman named Helen, and a police officer, discussing a romantic triangle and a recent arrest.
“Well, I'm very glad to see that you've come to your senses at last, officer.” 40:31 · “When you got a nice fellow like Tuttle for a husband.” 40:55 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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