Public Reel

Angel on My Shoulder · Beat 95 · permalink

Private office

35:50–36:02 Registered 1946

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 35:5435:54Frame at 36:0036:00

Play from 35:50 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: topic shift in dialogue. Sequence 40 · shots 210–211. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man, dark suit, tie, short hair, mid-30s, medium build visible, audible
  • woman, dark hat with floral decoration, light blouse, mid-30s, slender visible
Seen happening
  • The man and woman face each other closely in a room with framed pictures on the wall. [frame:1]
  • The woman looks at the man with a neutral to concerned expression. [frame:2]
Also said
“This is okay.” 35:56
Seen
framed pictures [frame:1], woman's hat with floral decoration [frame:1], man's dark suit and tie [frame:1]
Interpretation
Model opinion, not evidence: mood: tense but controlled; themes: power exchange, personal agency, dialogue-driven moment; style notes: medium close-up, studio lighting, black-and-white, formal attire, static camera

A man and a woman are in close conversation in an interior setting; the man speaks and the woman reacts. The dialogue suggests a moment of permission or handover regarding the woman.

“Go ahead, Eddie. Make the moose of it. She's all yours.” 35:51 · “Hey.” 35:54 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Angel on My Shoulder (1946) at 35:54 (passage 35:50–36:02); US record: No renewal found

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