Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 34:01 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 40 · shots 200–200. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- Barbara Foster (named at t:34:11): woman, dark dress, hat with floral decoration, holding telephone receiver visible, audible
- man, older, suit, bow tie, glasses, standing behind woman visible
- Seen happening
- Woman holds telephone receiver to ear while man stands behind her. [frame:1]
- Also said
- “Not a word to anybody, Albert. Oh, heavens no, Miss Mac... Hello, Matt.” 34:13 · “Look, I'm at Fred's.” 34:17
- Seen
- telephone receiver, hat with floral decoration, suit and bow tie, glasses, lamp, doorway
- Interpretation
- Model opinion, not evidence: mood: tense and secretive; themes: secrecy, telephone communication, social class; style notes: black-and-white, medium shot, studio lighting, formal attire, static framing
A woman in a dark dress and hat speaks on the telephone while a man in a suit and bow tie stands behind her. The transcript indicates she is calling Dr. Higgins, identifying herself as Barbara Foster, and mentions someone named Matt and a person who took a plane to St. Louis.
“Hello, Dr. Higgins, please.” 34:09 · “This is Barbara Foster.” 34:11 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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