Bar
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 11:37 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 21 · shots 78–79. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bar (bar, interior) evidence: frame:1, frame:2
- People
- Eddie Cagle (named at t:11:43): bald, wearing dark formal attire, middle-aged, medium build visible, audible
- dark hair, wearing a suit, middle-aged, medium build visible, audible
- Seen happening
- The bald man is visible in a dimly lit interior, looking toward the other man. [frame:1]
- The two men are seated together, one holding a glass, conversing. [frame:2]
- Also said
- “You drink to him.” 11:44 · “Ever see that place before?” 11:55
- Seen
- glass [frame:2], decorative wall panel [frame:1, frame:2]
- Interpretation
- Model opinion, not evidence: mood: noirish, tense; themes: moral ambiguity, criminal underworld, dialogue-driven tension; style notes: high-contrast lighting, tight framing on faces, dark costumes, shadowy background
Two men are in a dimly lit interior, one bald and wearing dark clothes, the other with dark hair and a suit; they discuss a person named Eddie Cagle while one holds a glass. The setting appears to be a bar or similar establishment, with decorative wall elements visible.
“You mean the doomed soul that was here, Kegel at the Kegel?” 11:39 · “Eddie Cagle.” 11:43 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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