Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 0 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:02:04 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 86 · shots 434–440. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:3
- People
- man, middle-aged, wearing pinstripe suit and fedora, reclining visible
- man, middle-aged, wearing dark suit, standing and gesturing visible
- Eddie Cagle (named at t:62:12): man, middle-aged, wearing dark high-necked clothing, seated visible
- Seen happening
- A man in a pinstripe suit reclines in a chair. [frame:1]
- The same man smiles while reclining. [frame:2]
- A standing man gestures while speaking to two seated men in an office. [frame:3]
- A man in dark clothing looks sideways with a slight smile. [frame:4]
- Also said
- “Eddie Cagle.” 62:12 · “Eddie ain't around anymore.” 62:20
- Seen
- pinstripe suit [frame:1], fedora [frame:1], leather chair [frame:3], window blinds [frame:3], desk with telephone [frame:3], dark high-necked garment [frame:4]
- Interpretation
- Model opinion, not evidence: mood: tense and conversational; themes: negotiation, death, power dynamics; style notes: medium and close shots, chiaroscuro lighting with blinds casting stripes, static camera
A man in a pinstripe suit and fedora reclines in a chair while another man stands and speaks; a third man in dark clothing is seated nearby. The dialogue mentions Eddie Cagle and his death after college graduation.
“I got conditions, too.” 62:04 · “There's only one question.” 62:09 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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