Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 7 names checked for a spoken or on-screen source; 1 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 18:02 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 17 · shots 65–67. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- woman in dark dress with cape, smiling visible
- man in tuxedo, seated, smiling visible
- man in tuxedo, standing with arms crossed visible
- man in tuxedo, standing near doorway visible
- man lying on floor, partially visible visible
- Professor Janney (named at t:18:06): unseen speaker audible
- Mr. Wong (named at t:18:25): unseen speaker audible
- Seen happening
- A woman laughs while seated among formally dressed guests. [frame:1]
- Two men in tuxedos stand near a doorway, one with arms crossed. [frame:2]
- A man lies on the floor while others look on in a dimly lit room. [frame:3]
- Also said
- “Professor Janney.” 18:08 · “Will you make an effort, Mr. Wong?” 18:25
- Seen
- tuxedos [frame:1], cape [frame:1], carpeted floor [frame:3], curtained windows [frame:3]
- Interpretation
- Model opinion, not evidence: mood: tense and dramatic; themes: mystery, social gathering, suspense; style notes: black-and-white, high-contrast lighting, formal attire, staged composition
In a dimly lit room with formally dressed guests, a man is seen lying on the floor while others react with surprise. A speaker calls on Professor Janney and then addresses Mr. Wong, asking him to make an effort.
“Oh, my God.” 18:02 · “I call on the eminent criminologist” 18:06 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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