Public Reel

The Dark Hour · Beat 52 · permalink

Living room

21:11–21:36 Registered 1936

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 21:1721:17Frame at 21:3021:30

Play from 21:11 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 24 · shots 123–124. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • man in dark suit, medium build, dark hair, standing visible
  • older woman, seated, wearing patterned dress and cardigan, light hair visible
  • Mr. Foote (named at t:21:13): older man, balding, in dark suit and tie, standing visible
Also said
“So I settled down to read a book called Passions in the Purple.” 21:21 · “I must say, those two was as deserving a pair of young lovers as you could ever hope to find. Exactly.” 21:29
Seen
bookshelf, armchair, curtains, wall sconce
Interpretation
Model opinion, not evidence: mood: formal and conversational; themes: domestic hierarchy, class and ownership, romantic idealization; style notes: medium shot, static framing, studio lighting, three-person composition

Three people are in a room with bookshelves and furniture; one man speaks about Mr. Foote and silver polishing while another mentions reading a book titled Passions in the Purple. No names are visually confirmed, and no time of day or period is established.

“Not like that Mr. Foote who thinks he owns the house. Skip that.” 21:13 · “Mr. Foot had some silver to polish in the pantry.” 21:17 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from The Dark Hour (1936) at 21:17 (passage 21:11–21:36); US record: No renewal found

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