Front door of a house
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 6:11 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 8 · shots 39–41. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- front door of a house (other, exterior) evidence: frame:1
- People
- man in dark suit, side view, medium build visible
- woman in striped blouse and dark skirt, light hair styled back visible, audible
- Seen happening
- A man and a woman stand facing each other at a front door. [frame:1]
- The woman speaks to the man, her expression serious. [frame:2]
- The woman continues speaking, looking directly at the man. [frame:3]
- Also said
- “Oh, it's no use pretending I love my uncles. I don't.” 6:17 · “But they need me, Jim.” 6:24
- Seen
- front door with decorative glass panels [frame:1], potted shrubs on either side of door [frame:1], woman's striped blouse [frame:2], man's dark suit [frame:2]
- Interpretation
- Model opinion, not evidence: mood: tense and confessional; themes: family obligation, emotional conflict, duty versus desire; style notes: medium close-up shots, static framing, high-contrast lighting typical of 1930s cinema
A man and a woman stand at a front door, speaking. The woman says she does not love her uncles and that they would not let her do something after her parents died, but adds they need her.
“Won't you please say, yes, dear? Yes.” 6:13 · “I can't now.” 6:16 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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