Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 58:08 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 38 · shots 234–236. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- Miss March (named at t:58:26): woman, dark hair, wearing a light-colored blouse with a bow at the collar visible, audible
- Johnny (named at t:58:26): man, dark hair, wearing a suit and bow tie, standing to the right of p1 visible, audible
- man, older, balding, wearing a dark suit and tie, standing on the left in frame 1 and 3 visible
- man, medium build, wearing a dark jacket, standing on the right in frame 1 and 3 visible
- Seen happening
- Four people stand in a room; two men face two others across a doorway. [frame:1]
- A woman gestures while speaking to a man in a suit. [frame:2]
- Three men stand together; one looks toward the camera, another looks at the third. [frame:3]
- Also said
- “She's funny about her painting. Never lets anyone see it. Doesn't even put her name on her pictures. So I observed. You're an extraordinary artist, Miss Marjorie. Oh, no.” 58:37
- Seen
- doorway, curtained window, small table, bow tie
- Interpretation
- Model opinion, not evidence: mood: tense and secretive; themes: secrecy, artistic identity, social performance; style notes: medium shots, static framing, high-contrast lighting typical of film noir
A woman speaks to a man in a room while two other men stand nearby; one man is described as being in bed and another is addressed as Johnny. The woman is said to be secretive about her painting and does not sign her work.
“No, Johnny, no. Oh, don't be so modest, Miss March. Now, you see, you got me in bed. She made me promise not to tell.” 58:26 · “That's why I made out like I didn't know.” 58:34 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
Share
Paste the permalink anywhere that shows link previews and it carries the frame, the time and the finding. The card image can be saved and used with a credit.
- Permalink
- always the current cut
- Permalink to this version
- warns if the beats are recut later
- Card image
- https://publicreel.org/cards/moment/ScarletStreet/b95.png
- Figure for a newsletter or page
- Cite