Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 39:04 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 22 · shots 159–163. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1
- People
- woman with dark hair, wearing a striped robe, standing at a vanity visible
- man with light hair, wearing a white shirt and tie, sitting on a bed visible
- Seen happening
- Man counts money while seated on the bed. [frame:2]
- Man continues handling money and a small object. [frame:3]
- Woman holds a book and looks at her reflection. [frame:4]
- Also said
- “You even bought me a book, honey. You're supposed to be an actress, aren't you? Shakespeare, for Pete's sake.” 39:14 · “I'm going to go.” 39:23
- Seen
- book [frame:4], money [frame:2], vanity mirror [frame:1], stuffed animal [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: financial strain, gender roles, performance vs. reality; style notes: static medium shots, high-contrast lighting, confined framing emphasizing character proximity
A woman stands at a vanity mirror holding a book while a man sits on a bed counting money; the dialogue suggests a tense exchange about finances and the woman's acting career. The setting is a dimly lit room with decorative objects visible in the mirror.
“Say, is this all you've got?” 39:08 · “I'm lucky I have that left the way you were throwing it around last night.” 39:10 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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