Apartment
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 37:18 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 22 · shots 154–155. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- apartment (living room, interior) evidence: frame:1
- People
- man, wearing a suit and hat, seen from behind in frame 1, later lying on a bed in frame 2 visible, audible
- Miss March (named at t:37:29): woman, wearing a dark dress and hat, seen from behind in frame 1, later standing beside the bed in frame 2 visible, audible
- Mr. Jones (named at t:37:38): man, wearing a suit, seen from behind in frame 1 visible, audible
- Seen happening
- Three people stand in a room looking at sketches on the wall. [frame:1]
- A man lies on a bed while a woman stands beside him. [frame:2]
- Also said
- “What's the rent, Mr. Jones? 150.” 37:38 · “I don't like the wallpaper.” 37:54
- Seen
- sketches on wall, hat, bed, bedspread
- Interpretation
- Model opinion, not evidence: mood: tense and ambiguous; themes: property, art, power dynamics, unspoken tension; style notes: static medium shots, high-contrast lighting, confined framing
A man and a woman tour an apartment, discussing rent and artwork, before the woman leads the man into a bedroom where he lies down. The woman then urges him to leave, repeating 'Come on' as he remains on the bed.
“The sketches on the wall are Rivera's.” 37:19 · “Are you an artist, Miss March? - Uh-huh. Where's the bedroom?” 37:29 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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