Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 25:43 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 17 · shots 80–84. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1, frame:2, frame:3, frame:4
- People
- woman with dark, wavy hair, wearing a light-colored robe visible
- woman with short, curly hair, wearing a dark patterned dress or robe visible, audible
- Seen happening
- The two women face each other in the bedroom, one seated, one standing. [frame:4]
- Also said
- “You leave Johnny out of this. If you're nothing bigger, you could get any man you want.” 25:55 · “But there's only one I want. Yeah, and he's making a tramp out of you.” 26:06
- Seen
- bed [frame:2, frame:3, frame:4], robe [frame:1, frame:4], patterned dress/robe [frame:2, frame:3, frame:4], radiator [frame:3]
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: romantic conflict, gender roles, personal agency; style notes: close framing on characters, high-contrast lighting, static camera emphasizing dialogue
Two women argue in a bedroom; one is seated on a bed, the other stands in a robe. The dialogue reveals tension over a man named Johnny and accusations of being made into a tramp.
“You never could get to work on time after you met that Johnny.” 25:48 · “I'm in love, crazy in love. With a man that pushes you around the way I wouldn't push a cat around.” 25:55 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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