Park
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:37:39 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 64 · shots 331–331. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- park (other, exterior) evidence: frame:1
- Time of day
- night evidence: frame:1
- People
- dark coat, standing in snow visible, audible
- Johnny (named at t:97:44): dark coat, standing near p1 visible, audible
- Rick (named at t:99:28): not clearly visible, likely standing nearby audible, mentioned
- Charlie (named at t:101:05): not visible mentioned
- Mr. Telecom (named at t:100:36): not visible mentioned
- Also said
- “He killed a couple of people five or six years ago. Can't get it off his mind. Always trying to give himself up.” 99:30 · “I really hate the partial. For $10,000, I shouldn't think you'd mind, Mr. Telecom.” 100:36
- Seen
- snow, fence, dark coats
- Interpretation
- Model opinion, not evidence: mood: tense and somber; themes: guilt, redemption, social exclusion; style notes: low-key lighting, high contrast, static framing, period costume
A man is confronted in a snowy park at night by another man who orders him to leave, referencing past crimes and a desire for execution. A third person observes, and dialogue mentions a 'masterpiece' and a payment of $10,000.
“I love you, Johnny.” 97:44 · “Oh, it's you. Haven't I told you to keep out of this park?” 99:00 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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