Public Reel

Scarlet Street · Beat 110 · permalink

Living room

1:11:27–1:12:12 Registered 1945

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:11:431:11:43Frame at 1:11:591:11:59Frame at 1:12:041:12:04Frame at 1:12:101:12:10

Play from 1:11:27 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 46 · shots 263–266. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1, frame:2, frame:3, frame:4
People
  • man wearing a dark suit and fedora, middle-aged, average build visible, audible
  • Kitty (named at t:71:52): woman with wavy hair, wearing a dark dress with a light collar, middle-aged visible, audible
  • man in a dark suit and hat, partially visible behind a door, then adjusting his hat near a fireplace visible
Seen happening
  • A man and a woman stand close, facing each other in a room. [frame:1]
  • A man peeks from behind a door, smiling. [frame:2]
  • A man adjusts his hat near a fireplace. [frame:3]
  • A woman stands in a room with paintings and a camera on a tripod; a man is partially visible on the left. [frame:4]
Also said
“Well, that gives me a little authority around here.” 71:48 · “I want to paint your picture, Kitty. How about it? Come with me.” 71:52
Seen
lamp with fringed shade, fireplace, camera on tripod, paintings on wall
Interpretation
Model opinion, not evidence: mood: tense and intimate; themes: marriage, authority, art, refusal; style notes: static medium shots, high-contrast lighting, staged composition with props suggesting domesticity and artistry

A man and a woman interact in a room with paintings and a lamp; the man asks to paint her picture, and she refuses. Another man is seen peeking from behind a door and later adjusting his hat near a fireplace.

“Why, just like we were married. Only I take your name.” 71:43 · “All right.” 71:47 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Scarlet Street (1945) at 1:11:43 (passage 1:11:27–1:12:12); US record: No renewal found

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