Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 48:51 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 27 · shots 291–292. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1
- People
- woman, lying in bed, wearing light-colored nightwear, dark hair styled in waves visible
- man, wearing glasses, leaning over p1, dark hair, partially in shadow visible, audible
- Seen happening
- A woman lies in bed, looking up and speaking. [frame:1]
- A man leans over the woman, speaking to her. [frame:2]
- Also said
- “Your Majesty. Right. Now then, an ambassador. Your Excellency. Your Grace. The Queen.” 49:47 · “It's three o'clock.” 50:02
- Seen
- bed, lamp, glasses
- Interpretation
- Model opinion, not evidence: mood: instructional, slightly tense; themes: social class, etiquette, education, power dynamics; style notes: close-up shots, high contrast lighting, dramatic shadows, intimate framing
A woman lies in bed while a man leans over her, speaking. The transcript indicates a lesson on formal address is underway, with references to ambassadors, archbishops, and royalty.
“No good, sir. May I have the pleasure, Mr. Doolittle?” 48:52 · “Wake up Eliza. How do you address an ambassador?” 49:31 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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