Public Reel

Pygmalion · Beat 40 · permalink

Private office

27:30–28:35 Registered 1938

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 27:3127:31Frame at 27:5127:51Frame at 28:0428:04Frame at 28:3528:35

Play from 27:30 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 13 · shots 120–128. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man seated, wearing dark coat and glasses, appears middle-aged visible, audible
  • Doolittle (named at t:27:31): man standing, wearing dark coat, cap, and scarf, appears middle-aged with mustache visible, audible
  • Pickering (named at t:28:24): man seated, wearing dark coat, appears middle-aged visible, audible
Seen happening
  • A man sits at a table, listening. [frame:1]
  • A man in a cap stands and confronts the seated men. [frame:2]
  • The standing man gestures while speaking to the seated man. [frame:3]
  • The standing man smiles broadly. [frame:4]
Also said
“You sent her here on purpose. - No, then this is a plot, a plant.” 28:00 · “You know, Pickering, this fellow has a certain natural gift of rhetoric.” 28:24
Seen
table [frame:1], teapot [frame:1], cup [frame:1], hat [frame:4], scarf [frame:2]
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: class conflict, parental authority, social manipulation; style notes: static medium shots, high-contrast lighting, theatrical staging

A man in a coat and cap confronts two seated men in a room with a table and kitchenware, demanding to know who wants his daughter and accusing them of a plot. The transcript reveals a tense exchange where the standing man claims parental rights and threatens to call the police, while one seated man comments on his rhetorical style.

“What do you want, Doolittle?” 27:31 · “Who wants my daughter? That's what I want. Well, of course you do.” 27:34 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Pygmalion (1938) at 27:31 (passage 27:30–28:35); US record: No renewal found

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