Street
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 2 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 11:26 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 3 · shots 33–36. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- street (street, exterior) evidence: frame:2
- People
- man in dark formal suit, bow tie, and top hat visible
- man in overcoat and fedora, medium build visible
- woman in dark coat, hat, and skirt, mid-adult visible
- Seen happening
- Two men stand facing each other near a door. [frame:1]
- A woman in dark clothing stands on a cobblestone street. [frame:2]
- The woman walks past the two men, who are now near a postbox. [frame:3]
- The two men stand again near the door, one holding a basket. [frame:4]
- Also said
- “Tucked with nails, you whore. Here, take the ice-bloomin' basket for sixpence.” 11:32 · “A reminder.” 11:42
- Seen
- top hat, bow tie, overcoat, fedora, postbox, basket
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: class conflict, public humiliation, transactional interaction; style notes: black-and-white, medium shots, static framing, high-contrast lighting typical of 1930s studio production
Two men in formal and overcoat attire stand near a door while a woman in dark clothing and a hat appears in a street scene; one man is later seen holding a basket. A transcript includes an aggressive exchange with insults and a reference to a basket for sixpence.
“Oh, you liar. You just said you could change half the crown.” 11:26 · “You want to be safe?” 11:30 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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