Public Reel

Nosferatu_most_complete_version_93_mins. · Beat 220 · permalink

Private office

34:50–35:10 Released 1922

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 1 name checked for a spoken or on-screen source; 1 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 34:5334:53Frame at 34:5834:58Frame at 35:0535:05

Play from 34:50 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 145 · shots 498–500. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • person wearing a long robe, seated at a desk, then standing; appears to be adult visible
Seen happening
  • Person sits at a desk in a dim room, looking up. [frame:1]
  • Person stands up from the desk and turns toward the window. [frame:2]
  • View through a window at night, showing a balcony with checkered flooring. [frame:3]
Seen
desk lamp, bust sculpture, bookshelf, framed painting, curtains, balcony with checkered floor
Interpretation
Model opinion, not evidence: mood: somber and suspenseful; themes: isolation, nighttime tension, interiority; style notes: static framing, high-contrast lighting, use of shadows and silhouettes, expressionist composition

A person in a robe sits at a desk in a dimly lit room, then stands and moves toward a window. The final frame shows a view through the window at night, with a balcony visible outside.

The record

Published 1922, so any US term has expired; no US registration under this title appears in the catalog. The status is a calculation from the date, not a finding about a record. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Nosferatu_most_complete_version_93_mins. (1922) at 34:53 (passage 34:50–35:10)

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