Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 8 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 0:00 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: start of film. Sequence 1 · shots 0–7. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- man in suit and fedora, mid-40s, average build visible, audible
- man in suit, standing, mid-40s visible
- man in suit, standing in crowd, mid-40s visible
- woman in evening dress, 30s-40s, with pearls visible
- man in suit, embracing woman, mid-40s visible
- Mrs. Borg (named at t:6:23): woman with short hair, 30s-40s, in dark dress audible, mentioned
- Charlie Riggs (named at t:4:40): man, mentioned only mentioned
- Max von Borg (named at t:3:11): man, mentioned only mentioned
- Also said
- “Max von Borg, bullet wound in head.” 3:11 · “He take his own life.” 6:27
- Seen
- fedora hat, glass of water, lamp, window with blinds, evening dress and pearls, suit and tie, bedside lamp, dancing couple
- Interpretation
- Model opinion, not evidence: mood: tense and suspicious; themes: corruption, racial prejudice, media influence, suicide vs. murder; style notes: black-and-white, medium close-ups, high-contrast lighting, static camera angles
A district attorney and his assistant investigate the suicide of Max von Borg, a printer linked to hate groups, while discussing corruption and racial prejudice. A woman, Mrs. Borg, insists her husband killed himself, but the investigators suspect murder and a larger conspiracy.
“Yes, you can quote me.” 3:04 · “This thing's a coroner's report.” 3:09 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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