Road
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 2 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 21:48 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 50 · shots 353–355. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- road (road, exterior) evidence: frame:1
- People
- man in light shirt and tie, dark hair, medium build visible, audible
- Betty (named at t:22:02): woman in light blouse, dark curly hair, medium build visible, audible
- Seen happening
- A man embraces a woman seated outdoors near a car. [frame:1]
- The man and woman stand together, holding hands, looking toward the camera. [frame:2]
- The car is shown parked alone in darkness under trees. [frame:3]
- Seen
- car, car, car, trees
- Interpretation
- Model opinion, not evidence: mood: tense and urgent; themes: fear of weather, departure, comfort in crisis; style notes: black-and-white, medium close-ups transitioning to wide shot, high contrast lighting
A man comforts a woman outdoors near a car as rain begins; they prepare to leave. The scene ends with a wide shot of the car parked in darkness under trees.
“Nail, Nail, you're a big girl now. I can't help it. You know what lightning does to me. We better go. Hey, kids, it's going to rain.” 21:51 · “Oh! Holy smoke, you didn't have to take me seriously. Yes, Betty, come on and go.” 22:02 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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- https://publicreel.org/cards/moment/Fear_in_the_Night/b104.png
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