Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 1 name checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 49:18 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 34 · shots 95–95. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- Mary (named at t:50:04): woman with curly hair, seen from behind, wearing dark clothing visible, audible
- Seen happening
- A woman is seated at a vanity, holding a telephone receiver to her ear. [frame:1]
- Also said
- “was just as rotten in the morning as she'd been the night before.” 49:59 · “All right, all right, I'm coming. Look, Mary, it's almost noon. So what? The dealers will be there all day? They'll be there all year, too, but they're just gonna wait that long. Shut up. You make us like a husband.” 50:04
- Seen
- telephone receiver, vanity mirror, blinds, bottles and papers on vanity
- Interpretation
- Model opinion, not evidence: mood: tense and cynical; themes: moral decay, romantic disillusionment, self-aware narration; style notes: low-key lighting, tight framing on character, static camera, noir aesthetic
A woman is seen from behind at a vanity in a dimly lit room, speaking on the phone. The transcript includes her dialogue about a relationship and a character named Vera, followed by an off-screen sound and a shift to a conversation with someone named Mary about dealers and time.
“If this were fiction, I would fall in love with her, marry her and make a respectable woman of her, or else she'd make some supreme class A sacrifice for me.” 49:40 · “But Vera, unfortunately...” 49:57 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
Share
Paste the permalink anywhere that shows link previews and it carries the frame, the time and the finding. The card image can be saved and used with a credit.
- Permalink
- always the current cut
- Permalink to this version
- warns if the beats are recut later
- Card image
- https://publicreel.org/cards/moment/Detour/b61.png
- Figure for a newsletter or page
- Cite