Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 47:50 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 33 · shots 90–91. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1
- People
- Chris (named at t:48:54): woman, mid-20s to 30s, wearing a light-colored robe, dark hair styled in waves visible, audible
- Roberts (named at t:48:06): man, mid-30s to 40s, wearing a light shirt and trousers, seated then standing, thin build visible, audible
- Seen happening
- A woman in a robe stands beside a seated man, speaking to him. [frame:1]
- The man stands with his back to the camera, facing a wall. [frame:2]
- Also said
- “I hope that portable rack isn't too uncomfortable for you.” 48:14 · “Oh, Chris, forgive me.” 48:54
- Seen
- robe, light-colored shirt, light-colored shirt, trousers, belt
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: confinement, threat, gendered power dynamics; style notes: medium close-up and medium shot, high-contrast black-and-white lighting, static camera
A woman in a robe speaks to a man seated in a room, then the man stands with his back to the camera. The dialogue indicates she is locking him in and threatens police involvement if he leaves.
“I'm going to bed.” 47:55 · “Good night, Roberts. Don't try and sneak away during the night. All the doors are locked.” 48:06 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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