Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 44:39 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 33 · shots 83–84. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1, frame:2
- People
- woman, mid-20s to 30s, wearing a light-colored robe, seated on a bed visible
- Roberts (named at t:44:52): man, mid-20s to 30s, wearing a white shirt and dark trousers, standing visible, audible
- Seen happening
- A woman sits on a bed wearing a robe. [frame:1]
- A man stands in the room, facing the woman. [frame:2]
- Also said
- “Maybe you're right. I'm always right.” 44:48 · “You know, I don't like your attitude, Roberts.” 44:52
- Seen
- robe [frame:1], bed [frame:1], lamp [frame:2], side table [frame:2], wall decor [frame:2]
- Interpretation
- Model opinion, not evidence: mood: tense; themes: confrontation, control, intimacy under strain; style notes: static medium shots, high-contrast lighting, minimal set dressing
A woman in a robe sits on a bed while a man in a white shirt stands nearby; dialogue suggests tension between them. The setting is an interior room with furniture and wall decor visible.
“If I had your troubles, I'd stay sober.” 44:39 · “And I've got the key to that door.” 44:41 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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