Public Reel

Detour · Beat 40 · permalink

Vehicle interior

34:36–35:13 Registered 1945

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 34:4634:46Frame at 35:0435:04

Play from 34:36 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 27 · shots 49–50. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
vehicle_interior (vehicle interior, interior) evidence: frame:1
People
  • man, wearing a fedora and suit, driving visible
  • Sue (named at t:34:59): woman, light-colored top, head tilted back, eyes closed or looking up visible
Seen happening
  • The man drives the car while looking at the woman in the passenger seat. [frame:1]
  • The woman rests with her head tilted back; the man looks at her with a serious expression. [frame:2]
Also said
“The poor kid probably had had a rough time on that day. Who was she anyway? And why was she going to Los Angeles? And where'd she come from in the first place?” 34:59 · “The only thing I knew about it was her name. Not that it made any difference. A few hours more and we'd be in Hollywood. I'd forget where I parked the car and look up Sue.” 34:59
Seen
car interior, fedora hat, suit, light-colored top
Interpretation
Model opinion, not evidence: mood: tense and introspective; themes: isolation, moral ambiguity, travel as escape; style notes: close two-shot framing, high-contrast black-and-white lighting, focused on character expressions

A man and a woman are in a car; the man is driving and looking at the woman, who appears to be asleep or resting. The transcript reveals the man's internal monologue about his changing feelings toward her and his plans after reaching Los Angeles.

“It wasn't that this girl still worried me. I'd gotten over that funny feeling I had when she looked at me, which I put down as just my jangled nerves.” 34:50 · “clothes and the test was gone out of her. She seemed harmless enough. And instead of disliking her, I began to feel sorry for her.” 34:59 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Detour (1945) at 34:46 (passage 34:36–35:13); US record: No renewal found

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