Public Reel

Bird of Paradise · Beat 106 · permalink

Other

52:22–52:54 Registered 1932

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 52:2552:25Frame at 52:4152:41

Play from 52:22 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 60 · shots 149–150. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1, frame:2
People
  • woman with dark hair, wearing a light-colored top, lying on a mat visible
  • man with dark hair, shirtless, sitting and looking outward visible
  • Anna (named at t:52:28): unspecified, mentioned in dialogue mentioned
  • Johnny (named at t:52:22): unspecified, mentioned in dialogue mentioned
Seen happening
  • A woman lies on a woven mat, smiling. [frame:1]
  • A man sits shirtless, looking out at a crowd and hills, while the woman remains lying down. [frame:2]
Also said
“See, where do you see it? Markets, streets with all the traffic and lights. People going to theaters. Hotels, grand, piled bathrooms. Upwater running into steaming tubs. Restaurants where they serve grand food. Parties, football games, dances, speedboats, airplanes roaring through the air.” 52:33 · “G-Lo on a civilization...” 52:52
Seen
woven mat [frame:1, frame:2], wooden railing or fence [frame:2], crowd in distance [frame:2], hills in background [frame:2]
Interpretation
Model opinion, not evidence: mood: contemplative and contrasting; themes: contrast between primitive and civilized life, romanticized view of nature versus urban amenities, dialogue-driven reflection on modernity; style notes: black-and-white, medium shots, natural lighting with shadows, static framing focusing on characters and distant landscape

A woman lies on a woven mat while a man sits nearby, looking out at a crowd and landscape. The transcript includes a monologue praising civilization's amenities, mentioning markets, theaters, and airplanes, and addressing someone named Anna.

“Oh, Johnny. But it is so nice in the dark.” 52:22 · “Say hello, Anna. You certainly make civilization look silly. But it's not really. It's great.” 52:28 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Bird of Paradise (1932) at 52:25 (passage 52:22–52:54); US record: No renewal found

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