Forest
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 50:34 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 60 · shots 147–148. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- forest (forest, exterior) evidence: frame:1
- People
- shirtless man, dark hair, medium build visible, audible
- woman with dark curly hair, wearing a patterned garment visible, audible
- Seen happening
- The man and woman are shown near goats in a wooded area. [frame:1]
- The man embraces the woman closely. [frame:2]
- Also said
- “You die, too. Oh, now that's a lot of hooey.” 51:33 · “Now, look. It's getting dark. Now, if we were in San Francisco, bingo.” 52:13
- Seen
- goats [frame:1], patterned garment [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and intimate; themes: romantic conflict, clash of cultures, superstition vs. modernity; style notes: close-up framing, high-contrast lighting, natural setting with minimal props
A shirtless man and a woman are shown in close proximity in a natural, outdoor setting with goats nearby; dialogue references planes, a volcano, and returning to civilization. The man speaks of building a house and taking the woman home, while she resists, citing a volcanic curse.
“Look, Waker. Now you have planes. Hey, Nick, I didn't build that house for the goat. I built it for you and me. You do everything. Yeah, I'm a great guy.” 50:36 · “I won't let you go. You belong to me now, B.” 51:19 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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- https://publicreel.org/cards/moment/Bird_of_Paradise_1932/b105.png
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