Public Reel

Behind Green Lights · Beat 8 · permalink

Other

5:42–6:13 Registered 1946

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 1 name checked for a spoken or on-screen source; 1 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 5:575:57

Play from 5:42 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 5 · shots 9–9. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • man wearing fedora, suit, and tie, seated, holding telephone receiver visible, audible
Seen happening
  • A man is seated holding a telephone receiver to his ear. [frame:1]
Also said
“Evidently a definite slap of the present administration. You can call it a culmination of the hoodlum war that's been going on.” 5:54 · “Everybody's going to be taking pot shots at the administration over this little deal, and the Express is its only friend.” 6:08
Seen
telephone receiver, fedora, suit
Interpretation
Model opinion, not evidence: mood: tense and conspiratorial; themes: corruption, media manipulation, political fallout; style notes: black-and-white, medium close-up, high-contrast lighting, studio set

A man in a fedora and suit holds a telephone receiver to his ear while seated; the transcript mentions a murdered private eye and political fallout. No named individuals appear, and the setting is not visually identifiable beyond being an interior space.

“Come on, son. Give me Charlie to make it snack. Hold on to your wig, Charlie. Come here.” 5:45 · “Walter Barth, the private eye, was just found shot to death in his car, right at the front door of the joint.” 5:50 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Behind Green Lights (1946) at 5:57 (passage 5:42–6:13); US record: No renewal found

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