Public Reel

Behind Green Lights · Beat 7 · permalink

Police station

5:12–5:42 Registered 1946

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 8 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 5:175:17Frame at 5:325:32

Play from 5:12 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: topic shift in dialogue. Sequence 4 · shots 7–8. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
police_station (police station, interior) evidence: frame:2
People
  • man in suit and fedora, seated at desk, holding telephone receiver visible
  • man in suit and fedora, standing behind desk, looking at seated man visible
  • man in suit and fedora, standing near doorway, facing desk visible
  • man in suit and fedora, standing near car outside, looking at body visible
  • man in suit and fedora, standing near car, speaking to p4 visible
  • man in suit and fedora, standing near car, looking at body visible
  • man in suit and fedora, standing near car, looking at body visible
  • man in suit and fedora, standing near car, looking at body visible
Mentioned
  • A man is found dead in front of the police station. [t:5:12]
Also said
“He was mixed up on everything.” 5:34 · “I never saw a dead man before.” 5:40
Seen
telephone, desk, fedora hats, police station sign, car, body on ground, uniformed officers, windows with bars
Interpretation
Model opinion, not evidence: mood: tense and grim; themes: crime, corruption, mortality, police procedure; style notes: black-and-white, high-contrast lighting, medium shots focused on character reactions, period costumes and props

A man is found dead in front of a police station; officers react and discuss his political connections. A character named Johnny expresses shock at seeing a corpse for the first time.

“Hey, Sam Carson's first gonna step on the sidewalk in front of the station. That's the name of the game, gin. Don't forget you owe me two bits.” 5:12 · “Check this gun with ballistics as soon as you can, then have the car going over for free. Hey, Sam, who's the... Hey, it's Waller Barton. Dumped right in front of his face. Couldn't get any closer. Boy, there's going to be a stink about this.” 5:21 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Behind Green Lights (1946) at 5:17 (passage 5:12–5:42); US record: No renewal found

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