Public Reel

Behind Green Lights · Beat 40 · permalink

Private office

26:11–26:38 Registered 1946

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 1 name checked for a spoken or on-screen source; 1 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 26:2426:24

Play from 26:11 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 18 · shots 75–75. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man, mid-30s to 40s, wearing a trench coat and fedora, holding a telephone receiver visible, audible
Seen happening
  • A man in a trench coat and fedora is on the phone in a room with a lamp and typewriter. [frame:1]
Also said
“Certainly, I'm your lawyer.” 26:18 · “Here's the lab report on the lipstick on the cigarette stuff.” 26:34
Seen
trench coat [frame:1], fedora [frame:1], telephone receiver [frame:1], lamp [frame:1], typewriter [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and procedural; themes: legal defense, evidence handling, nocturnal urgency; style notes: black-and-white, medium shot, studio lighting with shadows, classic film noir framing

A man in a trench coat and fedora is on the phone in a dimly lit room with a lamp and typewriter. He is told he hasn't been out all evening, will be picked up in 20 minutes, and is handed a lab report on lipstick from a cigarette.

“Remember, you haven't been out all evening.” 26:12 · “I'll go with you.” 26:16 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Behind Green Lights (1946) at 26:24 (passage 26:11–26:38); US record: No renewal found

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