Public Reel

Behind Green Lights · Beat 35 · permalink

Private office

23:27–23:48 Registered 1946

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 23:3523:35Frame at 23:4623:46

Play from 23:27 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: topic shift in dialogue. Sequence 17 · shots 62–63. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(private office, interior) evidence: frame:1
People
  • Mr. Calvert (named at t:23:28): man in fedora, patterned tie, suit, mustache, standing visible, audible
  • older man with glasses, seated, dark suit visible, audible
Also said
“I found traces of poison in his mouth.” 23:42 · “Well, don't.” 23:47
Seen
fedora hat, patterned tie, desk lamp, glass jars on shelf, wall-mounted light fixture, framed picture on wall
Interpretation
Model opinion, not evidence: mood: tense and secretive; themes: mystery, concealment, corruption; style notes: medium close-up and two-shot framing, high-contrast lighting, classic noir office setting

Two men discuss the cause of Walter Bard's death in an office; one reveals Bard was poisoned before being shot. The standing man, wearing a fedora and suit, speaks while the seated man listens.

“Yes, but the only hitch, Mr. Calvert, is that Walter Bard didn't die of a gunshot wound.” 23:28 · “He was poisoned before he was shot.” 23:36 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Behind Green Lights (1946) at 23:35 (passage 23:27–23:48); US record: No renewal found

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