Public Reel

Behind Green Lights · Beat 20 · permalink

Private office

11:53–13:02 Registered 1946

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 12:1912:19Frame at 12:5412:54

Play from 11:53 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 10 · shots 29–30. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man in dark suit, back to camera, standing near door visible
  • Sam (named at t:12:16): man in suit and fedora, standing near desk, holding coat visible
  • man in suit and tie, seated behind desk, facing camera visible, audible
Seen happening
  • A man in a fedora stands near a desk holding a coat while another man faces him from behind the desk. [frame:1]
  • A man in a suit sits behind a desk looking at another man in a fedora who is seated or standing close by. [frame:2]
Also said
“I'm a policeman, not a politician.” 12:36 · “Well, you're not letting a pretty face affect your better judgment, are you, Sam? I'm not letting that tablo to yours spare that girl's reputation so you can stop Luther Bradley on Tuesday.” 12:59
Seen
desk, telephone, chair, fedora, suit, curtains, inkwell, papers
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: corruption, political pressure, professional integrity, media influence; style notes: medium shots, static camera, high-contrast lighting typical of 1940s noir, formal attire, office setting with wood paneling and heavy furniture

Two men converse in an office; one sits behind a desk while the other stands near the door. The dialogue references a police investigation, an upcoming election, and a woman named Bradley.

“It will take a few minutes to make comparisons. You don't mind waiting.” 11:55 · “Thanks, Sam.” 12:16 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Behind Green Lights (1946) at 12:19 (passage 11:53–13:02); US record: No renewal found

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