Ship
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 0 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 59:24 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 257 · shots 869–873. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- ship (ship, exterior) evidence: frame:2, frame:3
- People
- man lying on ground, wearing dark uniform with buttons, eyes closed visible
- man standing over p1, wearing dark uniform, hand visible on p1's shoulder visible
- silhouette of sailor on ship's rigging, holding object visible
- silhouette of sailor on deck, holding rifle visible
- silhouette of sailor standing near p4 visible
- Seen happening
- A man lies on the ground while another stands over him. [frame:1]
- Silhouettes of sailors are visible on a ship's rigging. [frame:2]
- Two sailors stand on a ship's deck; one holds a rifle. [frame:3]
- Two gauges are shown in close-up. [frame:4]
- Also said
- “The...” 60:32 · “I'm sorry.” 60:36
- Seen
- gauges [frame:4], rifle [frame:3], ship rigging [frame:2], ship deck [frame:3]
- Interpretation
- Model opinion, not evidence: mood: tense and somber; themes: conflict, authority, mechanization; style notes: high-contrast black-and-white, silhouetted figures, close-ups on machinery and faces
A man lies on the ground while another stands over him; silhouettes of sailors are seen on a ship's rigging and deck; gauges are shown in close-up. Spoken lines include 'I'm going to go,' 'Okay,' and 'I'm sorry.'
“I'm going to go.” 60:00 · “Okay.” 60:04 automatic transcript, may be wrong
The record
A Soviet work restored in the US in 1996 under the Uruguay Round Agreements Act for a term that ran to 1 January 2021. Public domain now; it was not between 1996 and 2020. The registry does not yet model restoration. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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