Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 1 name checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:00:14 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 103 · shots 356–356. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- Sherry (named at t:60:33): woman, dark hair, wearing a light-colored period dress with a fitted bodice and full sleeves, visible from chest up visible, audible
- Also said
- “I stood on Texas Street. I saw two drunken trailhands fight it out with guns until one was dead.” 60:26 · “I was ten years old. I saw a man's blood running a little stream into the gutter at my feet. That's been Abilene to me ever since. It won't be that way much longer. It'll always be that way. No one can ever change it. Don't you try. Sherry, do you know what you're saying? Yes, I know what I'm saying. I'm saying I'm afraid.” 60:33
- Seen
- period dress, dark interior with single light source
- Interpretation
- Model opinion, not evidence: mood: somber, tense; themes: memory, fear, violence, fate; style notes: low-key lighting, tight framing on the speaker, high contrast between light and shadow
A woman speaks in a dimly lit interior, recounting a childhood memory of witnessing a gunfight in Abilene. She expresses fear that the town’s violent nature is unchangeable.
“Dan.” 60:15 · “There's something I want you to know.” 60:16 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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