Theatre
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 20:21 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 37 · shots 133–139. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- theatre (theatre, interior) evidence: frame:3
- People
- Norman (named at t:20:30): man in dark suit and tie, medium build, dark hair visible, audible
- woman with dark hair, visible in frame:2, wearing light-colored dress or shawl visible
- man with mustache, wearing dark suit, visible in frame:4 visible
- man wearing hat, visible in frame:4 visible
- Seen happening
- Norman is visible in a medium shot, seated among other audience members. [frame:2]
- A group of people, including Norman, are standing in the aisle. [frame:4]
- Also said
- “- Right, Norman.” 20:30 · “- Come back and sit down. Everybody's laughing at you.” 20:30
- Seen
- suit [frame:1], theatre seats [frame:2], hat [frame:4]
- Interpretation
- Model opinion, not evidence: mood: tense and socially awkward; themes: social embarrassment, public scrutiny, theatrical setting; style notes: low-key lighting, tight framing on faces, medium shots showing audience context, dark tones dominate
A man in a suit is addressed by others in a dark auditorium; he is told to sit down as people laugh. The scene includes multiple audience members and a brief wider shot showing a group standing.
“- Come back and sit down. Everybody's laughing at you.” 20:30 · “- All right, all right.” 20:30 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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