Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 1 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:44:31 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 193 · shots 714–716. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1, frame:3
- People
- Granny (named at t:104:51): woman in dark coat and hat, older, standing visible, audible
- man in dark suit, visible in profile visible
- man in uniform, standing near doorway visible
- man in uniform, holding furniture visible
- woman, mentioned as being in bedroom mentioned
- Seen happening
- A man in a suit walks past covered furniture. [frame:1]
- A woman in a coat and hat stands and speaks. [frame:2]
- Uniformed men move furniture in a room with a doorway to a bedroom. [frame:3]
- Also said
- “In the bedroom. Who are you?” 104:49 · “I'm her grandmother.” 104:51
- Seen
- covered furniture [frame:1, frame:3], uniforms [frame:3], hat [frame:2], coat [frame:2]
- Interpretation
- Model opinion, not evidence: mood: tense and dramatic; themes: family, conflict, intervention; style notes: medium shots, dim lighting with strong shadows, static camera, period costumes
A woman in a dark coat and hat identifies herself as a grandmother while others, including uniformed men, are present in a room with covered furniture. The transcript includes commands and questions about a woman's location and identity.
“If there's anything I can do for the little lady, I should be glad to do it. She would appreciate your attending to the production of the Beverly Hills House.” 104:34 · “Where is she?” 104:48 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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