Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 1 name checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 36:23 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 61 · shots 235–236. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1
- People
- Oliver (named at t:36:25): man, dark hair, lying in bed, wearing pajamas or shirt, appears to be in his 30s or 40s visible, audible
- Seen happening
- A man is asleep in bed with a clock visible on a nightstand. [frame:1]
- The man is awake and holding a telephone receiver to his ear. [frame:2]
- Also said
- “*whistling*” 36:32
- Seen
- clock, telephone, bed
- Interpretation
- Model opinion, not evidence: mood: intimate, slightly tense; themes: personal conversation, rest and interruption, addressing someone by name; style notes: close-up shots, low-key lighting, focused on the character's face and immediate surroundings
A man is shown in bed, first asleep with a clock visible, then awake and speaking on a telephone. A voice off-screen addresses him as Oliver and mentions he is entitled to oppression.
“Listen, Oliver, you've worked hard.” 36:25 · “You're entitled to oppression.” 36:27 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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