Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:00:12 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 58 · shots 317–317. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- older man, seated, wearing a robe or blanket, neck wrapped in a bandage or scarf visible, audible
- Mr. Peabody (named at t:60:32): older man, standing, wearing dark suit and bow tie, holding a small object visible, audible
- Seen happening
- A man in a suit stands over a seated man wrapped in a blanket. [frame:1]
- Also said
- “Too scared to sleep in a haunted house when I got a chance to make a thousand dollars.” 60:40 · “What happened? Did Miss Carmen push you in? Now, you just keep her name out of it.” 60:59
- Seen
- lamp, blanket or robe, small object held by standing man
- Interpretation
- Model opinion, not evidence: mood: tense and defensive; themes: fear, ghosts, family remedy, denial of cowardice; style notes: black-and-white, medium shot, high-contrast lighting with shadows, static framing
Two men are in a dimly lit room; one is seated and wrapped in a blanket, the other stands over him holding a small object. The standing man speaks dismissively while the seated man responds defensively about being unafraid and mentions a ghost and a haunted house.
“This is Aunt Charity Spears' paper art remedy.” 60:22 · “Here, Law. I'll take this. Now, get away with that stuff.” 60:29 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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