Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 6 names checked for a spoken or on-screen source; 0 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 51:40 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 49 · shots 272–277. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1, frame:3, frame:4
- People
- man, wearing a top hat, dark suit, and patterned tie visible
- man, light-colored hair, wearing a light coat visible
- man, older, white hair, wearing a dark suit and bow tie visible
- woman, dark hair, wearing a dark dress, holding a telephone receiver visible
- woman, dark hair, wearing a striped dress visible
- man, wearing a suit, standing near a fireplace visible
- Seen happening
- A man in a top hat speaks with a serious expression. [frame:1]
- Two men stand facing each other near a doorway, appearing to argue. [frame:2]
- A woman sits on a sofa holding a telephone receiver, smiling. [frame:3]
- A woman and a man stand near a fireplace, conversing. [frame:4]
- Also said
- “All right, Mom. Where's that house you want me to haunt? Or that haunted house you want me to sleep in? Good for you, Abner. I know you wasn't scared of ghosts.” 52:06 · “I'll see you this afternoon. Bye, Granny.” 52:45
- Seen
- top hat, framed artwork, telephone receiver, flowers in vase, sofa, fireplace, clock, lamp
- Interpretation
- Model opinion, not evidence: mood: tense and conspiratorial; themes: debt, deception, family pressure, planning a scheme; style notes: medium close-ups and two-shots; high-contrast lighting; static camera; period costumes and decor
A man in a top hat speaks in a room with framed art; two men converse near a doorway; a woman on the phone sits beside flowers; a woman and a man stand near a fireplace with a clock visible. Dialogue references a pony railroad, a $10,000 debt, a haunted house, and a meeting with Miss Corman.
“And you're gonna pay back every cent that we invested in that pony railroad, Yorn?” 51:43 · “Abner, we've got to raise that $10,000 some way or other.” 52:01 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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- Card image
- https://publicreel.org/cards/moment/2_weeks_to_live/b116.png
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