Public Reel

Steamboat Willie (1928)

Copyright term expired Free in the US since 1 January 2024: the full term of registration MP2124 of 1928 by Walter E. Disney has run out. Record.

Poster for Steamboat Willie
Copy
steamboat-willie_1928 on the Internet Archive; released 1928
Read
3 shots over 7:41 · 3 beats in 3 sequences · 23 transcript lines · JSON
Record
Steamboat Willie Copyright term expired
Poster
Wikimedia Commons, public domain
Wrong?
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Lands on the beat covering that second.
Check before citing the shot count. Few shot boundaries: 3 shots in 7:41 is under one a minute. The detector misses cuts on dark, faded or damaged prints and treats dissolves as continuous; the count is a floor, not a measurement. A 5:55 shot at 1:45 (shot 2): either a static hold or a run of missed cuts. Treat it as unverified.
How this page was made

3 shots over 7:41, read from the Internet Archive copy steamboat-willie_1928 (steamboat-willie_1928.mp4, 1300×1080, 23.98 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Steamboat Willie Copyright term expired. JSON

Measurements: black-and-white film on its keyframes (0 of 3 shots judged colour), average shot 153.7s long, a frontal face detected in 0% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1928 (Internet Archive).

3 beats in 3 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 3 of 3 beats annotated, 3 passed the checks, 0 flagged.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

Sequence 2 from 1:32

Frame at 1:39, shot 11:39
1 of 1 shots sampled

2. Other

1:32–1:45 Machine checks passed

Model synopsis: A cartoon cat character is shown in profile, looking toward the left. The scene is a simple interior with a plain wall and corner visible.

1 person observed.

Evidence, details and a link to share

Sequence 3 from 1:45

Frame at 4:43, shot 24:43
1 of 1 shots sampled

3. Kitchen

1:45–7:41 Machine checks passed (partial)

Model synopsis: Mickey Mouse is visible in a kitchen, interacting with a pot and a duck. A bell rings and a character whistles, with exclamations of 'Oh, my God' heard. No names are spoken that identify the characters.

  • Mickey Mouse stirs a pot while a duck watches. [frame:1]

2 people observed.

“I'm going to go.” 2:00 · “Oh!” 3:09

Evidence, details and a link to share

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 23 segments kept, 36 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 0:47 Come on.
  2. 0:48 Oh, yeah!
  3. 0:54 Ah!
  4. 1:03 Come on.
  5. 1:04 Ah!
  6. 1:08 Come on.
  7. 1:14 Come on.
  8. 2:00 I'm going to go.
  9. 2:42 I'm sorry.
  10. 3:09 Oh!
  11. 3:09 Oh, my God.
  12. 4:05 Come on.
  13. 4:46 I
  14. 5:54 Whistling
  15. 6:14 Oh.
  16. 6:15 Oh, my God.
  17. 6:47 *Bell rings*
  18. 6:49 *Bell rings*
  19. 6:51 Grrr!
  20. 6:58 Whistling
3 more segments
  1. 7:01 Oh, my God.
  2. 7:03 Oh, my God.
  3. 7:37 Captain.

Similar frames

By the average clip vector of the keyframes; a measurement, not a judgement