THE HITCH-HIKER (1953)
314 shots over 1:10:47, read from the Internet Archive copy Hitch_Hiker (Hitch-Hiker.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: THE HITCH-HIKER No renewal found. JSON
Measurements: black-and-white film on its keyframes (0 of 314 shots judged colour), average shot 13.5s long, a frontal face detected in 43% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Transcript
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as es. 650 segments kept, 252 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
- 1:33 Help!
- 3:33 I'm going to go.
- 4:03 Well, that was the idea, wasn't it? Yeah, I guess so. We might just pick up a drink in Mexicali. Remember Florabel at the Alhambra club? Yeah. She's probably dead by now. That was a long time ago. Yeah. Poor old Florabel. Well, there's no harm in drinking a toast to her.
- 4:30 Okay. You know, except for the war, this is the first time I've been away from Morty and the kids. You want to turn back? No, no, no. We've come this far. Mexicali's beginning to sound good.
- 4:48 Oh, there's babies.
- 5:02 Have a natural.
- 5:18 Welcome, ladies. Welcome to Mexico. This is the place, sir. Come ride in. Juanita is just starting her famous fan dance. You are just in time. Might as well take a look. Hey, Gil. Gil?
- 5:48 Yes.
- 5:50 Sorry friend, no sin.
- 5:53 Oh, well. It's time to leap. Here we go.
- 6:23 - You want gas? - Yeah, hop in.
- 6:33 We're going to San Felipe. You can pick up some gas and I'll hit you right back. - Waiting out that long? - Yeah.
- 6:45 You'll let me see around.
- 6:54 No.
- 6:57 What are you doing, Roland?
- 7:01 Face front
- 7:05 And keep driving.
- 7:09 Sure, I'm Emmett Myers.
- 7:12 Do what I tell you. And don't make no fast moves. There are a lot of dead heroes back there getting nervous. Yes.
- 7:21 From now on, while you're driving, keep both hands high on that wheel.
630 more segments
- 7:24 And you, keep one hand along the top of this seat.
- 7:28 The other hand high on that window.
- 7:31 All right. Now turn off the next side road we come to.
- 7:48 Pull up.
- 7:55 Open the glove compartment.
- 8:02 What's the box?
- 8:04 Cartridges, 22s. Give them to me.
- 8:18 Now this is how we get out.
- 8:20 After this.
- 8:21 First, give me the keys.
- 8:26 And we all got out the same side. This one.
- 8:29 I get out first.
- 8:30 than you.
- 8:31 Stand away from the car.
- 8:33 And then you.
- 8:35 Let's go.
- 8:43 I'm going to go.
- 8:44 Drop your jackets around your elbows.
- 8:56 Turn around.
- 9:00 We're gonna open the trunk.
- 9:02 Move.
- 9:10 Pull your jackets up.
- 9:16 Open the trunk.
- 9:17 Both of you, keep your hands on the lid.
- 9:22 - Throw me the keys.
- 9:26 I'll get the blankets.
- 9:28 You'll never make it.
- 9:32 Get the groceries, you.
- 9:38 Whose gun is that? Mine. They like to shoot?
- 9:41 Yeah.
- 9:43 So do I.
- 9:44 Some warning you don't try anything smart with me.
- 9:48 Move.
- 10:18 I told you my name. What's yours? Mine's Gilbert Bowen.
- 10:39 He's Roy Collins. What do you do for a living? I'm a draftsman. He runs a garage. That makes you smarter.
- 10:49 Or does it?
- 10:50 You ought to be all over that windshield. I got lucky. It hit an empty chamber and had to use it a while back. Now, don't make any more fast moves. I told you the last guy made that mistake. No.
- 11:03 I'm sorry.
- 11:35 No particular time.
- 11:38 Yeah, we told our wives to expect us home when we got there. You got wives, huh? Any kids? I have. Just keep thinking how nice it'll be to see them again.
- 11:55 There's the checkpoint. Slow down. No talking. If I give you the word, step on it.
- 12:03 This car rides very good.
- 12:33 If I get where I'm going, I think I'll sell it. Where are we going?
- 12:40 Pull in the next pump. We'll fill up with gas and get a road map. I got an idea. Pretty good one.
- 13:08 - Here, sir. - Thank you.
- 13:10 Speak English, you. I told you he doesn't understand English.
- 13:13 And I don't understand Mexicans. Never mind the change. Let's get out of here.
- 13:22 Loco.
- 13:27 Give me the map
- 13:44 Take the first side road we come to
- 13:58 I'm going to go.
- 14:06 Pull up
- 14:11 Case.
- 14:14 All right, now get out like I told you.
- 14:22 Hey, you're the smart guy spread the map out on the hood
- 14:30 Get your hands up in the car.
- 14:33 Look for a town called Santa Rosalia.
- 14:38 How far is it?
- 14:41 About 500 miles. Is it on the Gulf of California? Yeah. Say anything in there about a ferry across the Gulf?
- 14:49 Friday.
- 14:51 Not bad.
- 14:54 We're loaded with time.
- 14:56 We can make that easy.
- 15:03 After that, I won't be needing you guys anymore.
- 15:10 Well, I guess we won't be having a rabbit for dinner.
- 15:13 I wasn't trying.
- 15:22 Collins.
- 15:23 Put the can out in that rock there.
- 15:30 Give me the map
- 15:41 Not that one!
- 15:43 The other one.
- 15:46 That's it!
- 15:51 All right, Collins, put the can back on the rock.
- 16:00 Don't forget, this is loaded, too.
- 16:02 I see you try it.
- 16:03 See how good you are.
- 16:11 Go ahead.
- 16:19 I bet.
- 16:21 Collins! Pick up the can! Take it out on that point there. If you don't, I'll let Bowen have it. Out on the point, that's right. Further! Now hold it up!
- 16:46 You won't get hurt. Your buddy's good with guns.
- 16:50 You're crazy. I won't do it. That's just a game. Go ahead. Collins! Hold it closer to you.
- 16:58 What's the matter? Are you scared? Hold it closer. You want me to try it again? I might miss this time.
- 17:11 Shoot.
- 17:16 Come on, Gil, get going.
- 17:46 Nervous? Relax.
- 17:54 All right, Collins, come on in. Fun's over.
- 18:01 You guys worked out quite a sweat.
- 18:16 Collins.
- 18:32 Collins! What do you want? Turn on the radio. Why bother? All you get is Mexican commercials. Never mind. Turn it on.
- 18:46 Get something else. Like what? One of those news guys from the States.
- 19:16 Myers. Reports have placed the killer in Florida, Detroit, and Seattle within the last 24 hours, although most of these tips have been discounted by police authorities. His latest victim, William Johnson, a salesman from Portland, Oregon, was found late yesterday in Imperial County, California. The victim's car, possibly with Myers in it, has not yet been found.
- 19:39 United Nations passed all important resolutions by near unanimous... They're not even close. You guys don't have to worry. Not yet.
- 19:52 You can start sweating when they put me in this car. If they ever do.
- 20:02 And a good good evening, ladies and gentlemen. This is Sam Hayes reporting your news final. At the top of the news tonight is the report that the hitchhike murderer Emmett Myers is still at large.
- 20:10 Yesterday, the devil thumbed another eye, and William Johnson of Portland asked him to hop in.
- 20:15 Now, William Johnson is dead. In an all-out effort to apprehend Myers, the police have set up roadblocks on all major highways in the western states.
- 20:22 and all border stations are being closely watched. Myers is slight, 28 years of age. He's wearing a dark shirt, dark gray trousers, and a black leather jacket. His right eyelid is partially paralyzed. If you are in possession of any information regarding the whereabouts of this individual, please communicate with your nearest office of police or office of the Federal Bureau of Investigation.
- 20:55 Pull up.
- 21:02 Cheese.
- 21:03 Out.
- 21:13 I'm going to go.
- 21:20 Move!
- 21:21 Each of you take one
- 21:36 Get around the car.
- 21:41 We camp here tonight.
- 21:45 I'm going to go.
- 21:54 I know what you're thinking, Collins.
- 21:57 Yeah, we got a chance.
- 22:01 You guys are gonna die, that's all.
- 22:04 Just a question of when.
- 22:07 Santa Rosalia? Santa Rosalia?
- 22:09 That's the end of the line.
- 22:12 If the cops find out we're together...
- 22:15 Or if you try to cross me up.
- 22:22 You know, you make pretty good targets from where I sit.
- 22:30 Anyway, you couldn't tell if I was awake or asleep.
- 22:36 That one bum eye.
- 22:39 Don't stay closed.
- 22:42 Pretty good, huh?
- 23:49 We're getting out here and buy some grub.
- 23:51 We got out of the car like usual.
- 23:53 You guys go in a store ahead of me.
- 23:56 No Mexican.
- 23:57 I'm talking to you.
- 23:59 He tells you how much you pay. Is that clear?
- 24:03 Now, one other thing.
- 24:04 I'm going to have my hand in my pocket.
- 24:06 So far, my record makes it clean. I want to keep it that way.
- 24:10 Let's go.
- 24:16 Oh,
- 24:19 Buenos días, señores.
- 24:35 Good morning, gentlemen. I have a great supply of fruits and vegetables, clothes, and clothes, at the same price as Tijuana.
- 24:44 What do you say about your honor?
- 24:45 He says their prices are about the same as in Tijuana.
- 24:48 Never mind a kid.
- 24:50 What do you want? Some beans and stuff.
- 24:55 And tomato soup. I like that. Got four cans.
- 24:57 He wants four cans of beans, four cans of tomato soup, three cans of chili...
- 25:04 It's now yours. He doesn't understand English.
- 25:06 Well, you're not talking Mexican.
- 25:08 Take the cans off the shelves. Give them to Collins.
- 25:11 Come on.
- 25:20 *knock*
- 25:24 I can take some more.
- 25:28 I'm sorry.
- 25:29 I
- 25:33 Go on, load it up.
- 25:36 That'll hold us. Pay him.
- 25:40 15 pesos, 10 centavos, senor.
- 26:00 get her away from me.
- 26:05 Put the kid down. Let's get out of here. Come on, Collins. Hasta luego, señores. Muchas gracias.
- 26:15 Buena usted con Dios. What'd you say to her?
- 26:18 You wouldn't understand what did you say to her?
- 26:23 I said, go ye with God, little one.
- 26:47 Hey, mister. You live in El Centro?
- 26:50 I live there sometime. Nice place, huh?
- 27:53 Oh, my God.
- 28:02 *Bell rings*
- 28:05 Where'd you get the watch, Bowen?
- 28:08 My wife gave it to me.
- 28:11 Throw it over here.
- 28:17 *pops*
- 28:17 Didn't you hear me? I told you to throw it over here.
- 28:39 I had a watch like this once when I was 17.
- 28:44 Nobody gave it.
- 28:46 I took...
- 28:48 Not coffee.
- 28:49 Broken-down jewelry store in a little jerk town outside of Tulsa.
- 28:54 It was a cinch.
- 28:58 You guys are soft.
- 29:03 You know what makes you that way?
- 29:07 You're up to your necks and I owe yous.
- 29:11 You suckers.
- 29:14 You're scared to get out on your own.
- 29:17 You always had it good, so you're soft.
- 29:21 Well, let me...
- 29:25 Nobody ever gave me anything.
- 29:27 So I don't owe nobody.
- 29:30 Okay.
- 29:31 My folks were tough.
- 29:34 When I was born, they took one look at this...
- 29:37 Puss of mine and tell me to get lost.
- 29:40 I didn't need it.
- 29:42 Don't need any of them.
- 29:45 Got what I wanted my own way.
- 29:49 You got the know-how and a few bucks in your pockets.
- 29:52 You can buy anything and...
- 29:55 Anybody.
- 29:57 Especially if you got him at the point of a gun.
- 30:01 That really scares him.
- 30:04 You ever been at the other end of a gun?
- 30:07 No.
- 30:08 And I never will be.
- 30:14 I'm going to listen to the news.
- 30:26 All right.
- 30:33 Turn it up. We'd like to hear what's going on. You just get the grub ready.
- 30:37 Anything interesting, I'll let you know.
- 30:40 I've got to find an excuse to raise the hood of the car and put that radio out of commission.
- 30:47 First time he finds out they're looking for us together, we're through.
- 30:50 Never mind the radio. I'm not going to take it anymore. We've got to get him. You can't beat him that way.
- 30:55 You give him one good reason, and he'll kill us.
- 30:58 We gotta take the chance. As long as he needs us.
- 31:02 we'll stay alive.
- 31:03 When he gets ready to jump us we'll jump him up before I
- 31:07 Maybe today, maybe tomorrow.
- 31:11 All right, now.
- 31:15 They found Johnson's car.
- 31:23 They know I'm in Mexico.
- 31:26 And they're looking for you, too.
- 31:28 In the Chocolate Mountains.
- 31:32 Where are the chocolate mountains?
- 31:34 In Arizona, near home. Not in Mexico? No.
- 31:42 Well, what do you know?
- 31:46 That's where you told your wives you were going, huh?
- 31:49 Then you came to Mexico.
- 31:53 What for?
- 31:55 Baines
- 31:59 You boys ought to be ashamed of yourselves.
- 32:02 causing all that trouble.
- 32:03 Telling lies.
- 32:07 They got everybody and his brother looking for you in the mountains.
- 32:24 I told you to turn the radio on. I did. Takes time to warm up.
- 32:32 Try another station.
- 32:37 Stop it! Stop it! I can't. I gotta pull up. I'm disconnected. Then pull up!
- 32:54 Or raise the hood. Keep your hands on it.
- 33:01 All right, Collins, get to work. Get the right one the first time.
- 33:07 Go pull the radio wire.
- 33:18 Faster, faster. I thought you were a mechanic. I'm going as fast as I can. The threads are frozen.
- 33:33 *thud*
- 33:35 Watch.
- 34:00 Throw the tools in the back.
- 34:07 *knock*
- 34:08 I'm going to go.
- 34:18 The radio, remember? Make it work.
- 34:21 I can't. Pull up.
- 34:32 So you did bust it, Collins.
- 34:35 Cut it out! He didn't do it. It's the static in the hills.
- 34:40 Stations aren't strong enough in the daytime tonight. It'll work tonight. It better
- 34:45 Take the wheel.
- 34:49 Now!
- 34:50 in Punta Prieta.
- 34:52 In August the 7th, three Americans stopped for provision at a store owned by Jose Andrade.
- 34:58 Andrade gave an accurate description of Meyer as being one of them.
- 35:02 Another witness stated that three men came out of the store and drove away in a green sedan
- 35:09 bearing the same plate. This confirms our theory that Collins and Bowen are with them.
- 35:14 He seems to be heading south, all right.
- 35:16 Staying clear of all main highways. Exactly. Now, to the west, this is more or less barren.
- 35:22 and would afford no means of escape.
- 35:24 His most logical move would be
- 35:27 Santa Rosalia, then Guamas.
- 35:34 Make sure that fire's out. Pull the coffee out.
- 35:40 Get down!
- 35:51 I gotta get a closer look at that car, on your feet.
- 35:57 Another inline flat. Get going.
- 36:34 Get a move on what are you trying to do record drive like I tell you I
- 36:59 Out!
- 37:05 What did I tell you? Shut up! Get that spare tire out and go to work. Move!
- 37:14 Come on.
- 37:17 I'm going to go.
- 37:29 You keep working.
- 37:30 Keep your traps set no matter what. I'll be watching.
- 37:34 I'm sorry.
- 37:38 - Good morning, gentlemen. Are you Americans? Do you need a Michel? - What a strange thing. They don't answer me. - Well, let's go.
- 38:03 The search for Gilbert Bowen and Roy Collins, now believed to have been last seen with Emmett Myers, mass killer, is being stepped up by the hour.
- 38:10 Helicopters are working in ships, scouring the entire area from El Centro South to the Gulf of California. The planes are maintaining close liaison with the ground, reporting isolated cars and cambers. The Mexican police have now joined this strange race against death.
- 38:42 Excuse me.
- 38:43 Did you see someone on the road?
- 38:44 Yes, sir. We have a car. What's the name?
- 38:47 I don't remember the name.
- 38:48 It was a green one. It was a yellow one, and two men were going to do it. Two men?
- 38:53 - Please, go down. - With pleasure.
- 39:04 I think they know something.
- 39:05 If we show you the photo, possibly...
- 39:08 You passed two people on the road.
- 39:11 - No one of the two that happened like this.
- 39:14 We don't know, sir.
- 39:17 How many kilometers from here are you?
- 39:19 Well, you will see.
- 39:20 How many kilometers?
- 39:22 - On the same path? - On the same path, sir.
- 39:24 - Thank you. - Of course.
- 39:26 You can come. Stay in this place. I'll see if I can.
- 39:56 I'm going to go.
- 40:00 The
- 40:34 I'm going to go.
- 40:43 Hold it right there
- 40:48 I
- 40:49 Around.
- 41:01 Break a lock.
- 41:09 *thud*
- 41:10 Oh!
- 41:14 Oh!
- 41:15 Help!
- 41:16 Hello?
- 41:17 Oh!
- 41:21 Oh!
- 41:22 Oh!
- 41:26 Okay, one of you on the pump.
- 41:28 Oh!
- 41:29 Oh!
- 41:30 Oh!
- 41:31 Hey!
- 41:33 Oh!
- 41:50 Oh!
- 42:02 "The gasoline doesn't matter, my dog, they killed my dog."
- 42:08 - I'm sorry, my friend. We're going to try to explain this.
- 42:11 I found this ring with the gas pump and it has an inscription inside.
- 42:17 Marty
- 42:18 and Gilbert Boyne.
- 42:22 May 12, 1941.
- 42:26 Si, si, fronto.
- 42:28 Now,
- 42:30 As you will notice.
- 42:31 When interrogated at the roadblock, the man and his wife were very definite in their statement that they only saw two men.
- 42:38 This was below El Arco.
- 42:39 There is a point, however, which we feel is of importance.
- 42:43 The couple stated that the behavior of the men seemed strange, that they refused to talk to them.
- 42:49 Of course, there's a possibility that Myers may seal nearby, covering the two men.
- 42:53 Which would account for their behavior. We are following true on that possibility. Now...
- 42:57 On the assumption that Myers is listening to the car radio...
- 43:00 We're issuing these broadcasts in the States, containing false information as to its whereabouts...
- 43:05 and not connecting the two men with him.
- 43:07 We'd appreciate your cooperation in following the same procedure.
- 43:27 Oh,
- 43:28 This ought to be the main highway.
- 43:30 It hasn't.
- 43:31 What do you mean?
- 43:32 Looks like an abandoned air strip.
- 43:34 Amen.
- 43:34 Well, it's okay for the night. Head over there.
- 43:45 No, Ray, you're wrong. You're wrong. Snow, you should try to talk me out of it. Tonight, I'm going to chance it. You're out of your mind. I played it your way long enough.
- 43:52 From now on, we'll reach on our own. It's no good. We've got to stay together. I told you that. I've got a break. I'm going to take it. You do whatever you want. I...
- 45:00 Oh! Oh!
- 45:09 oh
- 45:47 Across the runway, there's trees.
- 46:01 Keep going!
- 46:17 You guys are really dumb. Why, you dirty... Thought I was asleep, huh?
- 46:28 You know, you're beginning to get ideas.
- 46:31 I don't like that.
- 46:34 Load him in the car.
- 46:36 Everybody's all washed up for the night.
- 47:11 over there. Move.
- 47:39 You, Collins, throw a rock down that shaft.
- 47:55 nice and deep.
- 48:07 This is fine.
- 48:09 Cut it out if you're going to kill a steward and get it over with.
- 48:11 Thought you never killed without a reason.
- 48:14 Go get the rest of canned goods out of the car.
- 48:19 We'll have a real good meal.
- 48:31 I'm
- 48:40 Oh, my God.
- 48:50 I'm going to go.
- 49:00 Save them for the next guy that picks you up.
- 49:05 Anything you say.
- 49:08 We interrupt this hour of music to bring you a flash full of...
- 49:10 California and Mexican police officials have abandoned their previously held theory
- 49:14 that Emmett Myers is connected
- 49:16 were the disappearance of Gilbert Bowen
- 49:18 and Roy Collins of El Centro, California.
- 49:21 They have been missing since last Sunday night.
- 49:23 Supposedly on a fishing trip.
- 49:25 The police on both sides of the border now feel that Myers is traveling alone.
- 49:29 and has apparently abandoned his attention...
- 49:31 I'm seeking escape.
- 49:32 by way of Santa
- 49:34 Rosalia.
- 49:36 I'm going to go.
- 49:39 What do you know?
- 49:42 This kind of changes my plans.
- 49:46 Looks like you and me are going fishing after all.
- 49:52 On your feet.
- 49:53 After the car, let's go.
- 49:57 We're not going anyplace.
- 50:00 Stand up!
- 50:03 Oh, my God.
- 50:07 Come on.
- 50:08 Come on.
- 50:11 What did you do to it?
- 50:12 There's a great big hole in that crankcase.
- 50:21 All right?
- 50:22 We'll walk.
- 50:25 Just for that sore ankle of yours needs, Collins. A nice long hike.
- 50:32 I'm going to go.
- 50:36 Get up!
- 50:42 Now get the fishing gear out of the back. Move.
- 51:18 stay with it can never leave you out here alive yeah cut the gap
- 51:31 Get down!
- 51:48 Let's get going.
- 51:56 Maybe we'll have to leave you here
- 52:00 Too bad.
- 52:06 Come on, Roy, try.
- 52:11 I'm going to go.
- 52:40 so
- 52:50 There we are! Here we are! Can't you see us? Look, here we are! Down here! Oh, please,
- 53:20 Hear me! Hear me!
- 53:25 Come back! Come back!
- 53:36 Leave him alone. Can't you see he's praying?
- 53:50 Come on.
- 54:20 I'm going to go.
- 54:49 Get under the bridge, quick!
- 54:50 I'm going to go.
- 55:06 I'm going to go.
- 55:13 Relax.
- 55:24 Oh
- 55:29 I'm sorry.
- 55:36 Go ahead if you can stand the filthy.
- 55:40 I'm not sure.
- 55:49 What?
- 55:55 You know Collins?
- 55:57 You're just about my side.
- 55:59 Pushing a black shirt and dark pants.
- 56:03 With a leather jacket.
- 56:06 He looks just like Emmet Meyer.
- 56:09 To anyone who never saw it.
- 56:12 Ain't nobody in Santa Rosalia ever saw him.
- 56:17 Let's change.
- 56:25 Get up in the bank and take your clothes off.
- 56:27 I'm going to go.
- 56:47 Come on get up
- 57:27 Get out of there!
- 58:05 Looks great, doesn't it?
- 58:06 You won't be there long. Collins!
- 58:09 The cops down there! And those clothes, they might shoot you! That'd solve all your problems, wouldn't it?
- 58:16 Not if they found they made a mistake, it wouldn't.
- 58:19 We'll hit some little joy in the outskirts.
- 58:22 I might even buy you boys a beer. Get moving.
- 58:32 Come on.
- 58:34 Buenas tardes, señores. Buenas tardes.
- 58:36 Let's give us three beers.
- 58:38 I don't speak English.
- 58:42 He doesn't speak English.
- 58:44 Tres, tres services.
- 58:46 Yes, yes.
- 58:47 When I want you to talk next, I'll tell you.
- 58:50 Sit down, Collins.
- 58:51 Rest your sore foot.
- 58:54 I'm going to go.
- 58:57 You can talk it now.
- 58:58 Ask him about the ferry to Guimas. I'll be watching his face.
- 59:02 If he starts looking frightened, I start shooting.
- 59:06 Quanto sale el chalon para huanas...
- 59:10 The Saturdays and Saturdays at 9am.
- 59:13 Friday, that's today, Tuesday at 9 o'clock.
- 59:16 Ask him where we catch him.
- 59:17 Donde hay poe, though, embarcar?
- 59:20 and then we
- 59:21 But now they can't get up, because last month it was burned and they're repairing it in Weimar.
- 59:28 You're out of luck.
- 59:30 The ferry burned up. It's being repaired in the Wymas.
- 59:35 You're lying.
- 59:36 Ask him if he knows anyone speaks English.
- 59:39 I'm going to speak Spanish.
- 59:41 uh...
- 59:41 No comprendo.
- 59:43 uh,
- 59:44 - You don't speak English? - No, but my first Jose is...
- 59:48 Venga conmigo. He says he has a cousin who speaks English. Follow him.
- 59:52 app
- 59:54 José, get up! Get up!
- 59:57 I'm going to go.
- 1:00:00 Sí, despierta. ¿Qué hubo? ¿Qué pasó?
- 1:00:03 Estos americanos quieren hablar contigo.
- 1:00:06 Gracias.
- 1:00:06 Los dejo aquí con mi primo. Si algo necesitan...
- 1:00:10 Confianza, eh?
- 1:00:17 Gracias.
- 1:00:18 Queremos saber sobre el ferro de Guaymas.
- 1:00:20 ¿Quieres ir a pescarte?
- 1:00:23 ¡Tú bad!
- 1:00:24 No hay más para el próximo mes, tal vez.
- 1:00:27 she burned up
- 1:00:28 Gracias.
- 1:00:29 La pesca es bastante buena.
- 1:00:31 No es tan bueno como Guaymas o La Paz, pero bueno.
- 1:00:35 ¿Tú tienes motor?
- 1:00:36 ¿Y conoce alguien que tiene un poate?
- 1:00:38 ¡Suscríbete!
- 1:00:39 Mi amigo Jaime, tiene una.
- 1:00:42 ¿Cómo se ha llegado a este Jaime?
- 1:00:45 No hay nadie, pero no hay que trabajar. Vamos.
- 1:00:47 No se terminó hasta las 6.
- 1:00:49 ¡Vamos a ir ahora!
- 1:00:54 ¡A 6!
- 1:00:55 Cuando mi amigo se prepara el barco, no hay luz.
- 1:00:59 ¡Ah!
- 1:01:00 Gracias.
- 1:01:01 Mi amigo no le gusta usar mucho el barco.
- 1:01:06 Sí.
- 1:01:07 Cuando se encuentra su esposa...
- 1:01:09 ¡Chicos!
- 1:01:10 ¡Given los dos!
- 1:01:13 ¿Para mí?
- 1:01:14 ¿Puedes pagar mi amigo también? Sí.
- 1:01:17 ¡Vamos a la cerveza a las 8.30!
- 1:01:19 El nombre del bode es Estrella.
- 1:01:22 Gracias.
- 1:01:23 Muchas gracias, señor.
- 1:01:26 Gracias.
- 1:01:26 Gracias.
- 1:01:28 Gracias.
- 1:01:31 Seguimos a la ciudad y esperar a la agua hasta que se quede tan tarde.
- 1:01:34 Vamos.
- 1:01:39 ¡Suscríbete al canal!
- 1:01:42 Gracias.
- 1:01:43 Gracias.
- 1:01:44 Gracias.
- 1:01:45 ah
- 1:01:55 Gracias.
- 1:01:58 Gracias.
- 1:02:01 ¡Gracias!
- 1:02:03 Gracias.
- 1:02:04 Gracias.
- 1:02:06 Gracias.
- 1:02:07 Gracias.
- 1:02:18 ¡Alejame un minuto!
- 1:02:20 ¡Vamos!
- 1:02:23 Gracias.
- 1:02:24 ¡Gracias!
- 1:02:33 Gracias.
- 1:02:39 - ¿Qué pasa? - ¿Qué pasa?
- 1:02:48 better go fishing when you get a chance
- 1:02:52 Eso es lo que te quedaste aquí, ¿no?
- 1:02:56 Gracias.
- 1:02:56 ¡Vamos!
- 1:03:00 Si no hubiera sido uno de ustedes.
- 1:03:04 Pero siempre pensaba sobre los demás.
- 1:03:06 Así que te has dado un chance.
- 1:03:09 ¡Está bien!
- 1:03:11 ¡Suscríbete!
- 1:03:13 ahora es bastante tarde
- 1:03:17 Ya, mañana voy a Guaymas.
- 1:03:21 Too bad you're not making the whole trip with me.
- 1:03:25 Eso sería algo así, ¿no?
- 1:03:33 ¡No te lo pegas, Myers!
- 1:03:36 ¡Vamos!
- 1:03:37 ¡Just like your clothes!
- 1:03:39 ¿Estás seguro que te hará, Guaymas?
- 1:03:42 Pero ellos se encuentran con ustedes.
- 1:03:43 ¡Y le hagas de tu miseria!
- 1:03:46 ¡No tienes una oportunidad!
- 1:03:48 No tienes nada que hacer excepto esa arma.
- 1:03:51 ¡Has mejor que se sienta!
- 1:03:53 Porque sin ti, no hay nada.
- 1:03:55 ¡Estás terminado!
- 1:03:56 ¡Claro!
- 1:03:59 Gracias.
- 1:04:02 Gracias, Carlos.
- 1:04:04 Gracias.
- 1:04:05 Gracias.
- 1:04:08 Gracias.
- 1:04:08 Gracias.
- 1:04:13 ¡Caramba!
- 1:04:17 ¡Pronto, llámenle a la policía! ¡Este hombre estaba en la cantina de mi primo!
- 1:04:21 Se va esta noche en la estrella el barco de Memiu Jaime.
- 1:04:24 No Carlos, no estoy borracho Llámele a la policía Bueno, bueno La policía No, no, no, no, la policía
- 1:04:40 Gracias.
- 1:04:49 ¿Qué?
- 1:04:50 Gracias.
- 1:04:55 Gracias.
- 1:04:58 ¡Vamos!
- 1:05:00 Gracias.
- 1:05:01 Gracias.
- 1:05:02 ¡Gracias!
- 1:05:06 ¡Cantan!
- 1:05:11 ¡Mamá!
- 1:05:14 Gracias.
- 1:05:15 Bien, Collins.
- 1:05:17 Ahora tienes que tomar una pequeña camisa de todo por ti mismo. Tras la calle y en la calle.
- 1:05:22 Me y Bowen nos sigamos. Si intentas que alguien te despegue, te debo que el dejo.
- 1:05:26 Gracias.
- 1:05:27 No te gustaría que suceda, ¿no?
- 1:05:29 ¡Vamos!
- 1:05:30 Gracias.
- 1:05:32 Gracias.
- 1:05:33 Gracias.
- 1:05:34 No.
- 1:05:40 Gracias.
- 1:05:42 Gracias.
- 1:05:43 ¡Vamos!
- 1:05:45 Gracias.
- 1:05:47 Gracias.
- 1:05:48 ¿Qué?
- 1:05:50 ¡Gracias!
- 1:05:53 Gracias.
- 1:05:56 Gracias.
- 1:06:00 Gracias.
- 1:06:01 Gracias.
- 1:06:02 Gracias.
- 1:06:03 ¿Qué?
- 1:06:07 no
- 1:06:09 Gracias.
- 1:06:10 Gracias.
- 1:06:13 Gracias.
- 1:06:14 Gracias.
- 1:06:17 Gracias.
- 1:06:17 Gracias.
- 1:06:19 Gracias.
- 1:06:19 Gracias.
- 1:06:21 Gracias.
- 1:06:23 Gracias.
- 1:06:24 Gracias.
- 1:06:33 ¡Va, Collins!
- 1:06:35 All the way out.
- 1:06:37 ¡Suscríbete al canal!
- 1:06:42 Gracias.
- 1:06:43 Gracias.
- 1:06:45 Gracias.
- 1:06:47 Gracias.
- 1:06:49 Gracias.
- 1:06:53 Gracias.
- 1:07:20 Gracias.
- 1:07:25 Gracias.
- 1:07:27 Gracias.
- 1:07:57 Gracias.
- 1:07:58 ¡Aquí!
- 1:08:53 ¡Ajú, ajo!
- 1:08:54 and walk this way
- 1:08:58 Lo que le dice, Myers.
- 1:09:00 ¡Vamos!
- 1:09:01 ¡Vamos!
- 1:09:02 ¡No!
- 1:09:03 ¡Vamos!
- 1:09:33 ¡No!
- 1:10:00 I'm sorry
- 1:10:02 Gracias.
- 1:10:03 ¡Nos tenemos que tener un vuelo de barco!
- 1:10:05 ¿Ya entiendes?
- 1:10:06 Gracias.
- 1:10:10 Es todo bien, Roy. Es todo bien.
- 1:10:36 La Iglesia de Jesucristo de los Santos de los Últimos Días

























































































































































































































































































































