FESTSPIELE IN OSTIREICH, ca. 1945 - ca. 1955
no date · National Archives and Records Administration (via FedFlix)
Finding US Government work
The record names a federal body as the creating agency: US Information Agency. A work prepared by an officer or employee of the United States Government as part of that person's official duties has no US copyright (17 U.S.C. 105; before 1978, section 8 of the 1909 Act).
The record names a federal body as the creating agency. A work prepared by an officer or employee of the United States Government as part of that person's official duties has no US copyright (17 U.S.C. 105; before 1978, section 8 of the 1909 Act). This says nothing about copyright outside the United States, or about music, stock footage or other material the film may incorporate.
- Creating body, as recorded
- US Information Agency
- National Archives Identifier
- 46941 (local identifier 306.61)
- Internet Archive item
- gov.archives.arc.46941 (uploader's licence mark: http://creativecommons.org/licenses/publicdomain/)
The record
The Internet Archive item's description, as transcribed by the uploader from the source archive's record. Check it against the National Archives catalog entry linked above.
National Archives and Records Administration FESTSPIELE IN OSTIREICH, ca. 1945 - ca. 1955 U.S. Information Agency. (1982 - 10/01/1999) ARC Identifier 46941 / Local Identifier 306.61. Documentary: Surveys the various musical and theatrical productions offered during the Salzburg summer festival. R.1 and 2. An orchestra plays Beethoven's 9th Symphony; dancers perform a ballet atop the Festspiele Theater. Max Reinhardt produces Jedeman in a public square. Leopold Stokowski plays the harpsichord in Mozart's home. Scenes from the Magic Flute and Shakespeare's As You Like and A Midsummer Night's Dream R. 3. Scenes from Strauss' Rosenkavelier and Beethoven's opera Fidelio. The Philharmonic and the State Opera Choir concludes with excerpts from Beethoven's 9th Symphony and selections by Wagner. Made possible by a donation from Daniel Cornwall.