Protect And Survive 5 Choosing A Fall Out Room (1980)
Crown copyright, not a US Government work. Made 1975–76 by Richard Taylor Cartoons for the Central Office of Information and the Home Office; first shown publicly in 1980. 17 U.S.C. 105 covers only works of the United States Government, so Public Reel's registry rules do not clear this film. The Imperial War Museum reproduces the series as © Crown copyright under delegated authority. The Archive uploads carry an uploader's public-domain mark, which is a claim, not a licence. The atlas indexes it because the series is a landmark of government public information film; the video stays on the Archive.
How this page was made
5 shots over 2:04, read from the Internet Archive copy ProtectAndSurvive5ChoosingAFallOutRoom (Protect_and_Survive_5_Choosing_a_Fall-Out_Room.mp4, 636×360, 25.00 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Part of Protect And Survive. JSON
Measurements: colour film on its keyframes (5 of 5 shots judged colour), average shot 24.8s long, a frontal face detected in 0% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1980 (Internet Archive).
4 beats in 3 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 4 of 4 beats annotated, 4 passed the checks, 0 flagged.
Beats
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
0:161 of 1 shots sampled
0:421 of 1 shots sampled
1:401 of 1 shots sampled
Transcript
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 28 segments kept. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
- 0:00 *Burrish*
- 0:10 You must now choose a room in your home which will give the best protection from fallout.
- 0:16 If you live in a house,
- 0:17 The safest place is the ground floor or basement.
- 0:21 Choose a room with the smallest amount of outside wall.
- 0:25 The farther you are from outside walls and the roof,
- 0:28 the better the protection.
- 0:32 If you live in a block of flats,
- 0:34 which is more than five floors high
- 0:37 it is important not to use the top two floors.
- 0:44 The safest places are inside passages away from outside walls and windows.
- 0:53 If the block is four floors or less...
- 0:56 The best place for a fallout room is the basement...
- 1:00 or ground floor.
- 1:05 If you live too high up to be safe,
- 1:08 You must make arrangements now with your neighbors in the lower floors.
- 1:12 or make some suitable arrangements to shelter with someone close by.
- 1:17 If you live in a one-story house,
- 1:20 like a bungalow or prefab.
- 1:22 The building itself will not give you much protection.
8 more segments
- 1:25 So the best thing is to make arrangements now to shelter with someone close by.
- 1:33 If this is not possible...
- 1:36 Look for a space in your home
- 1:38 which is farthest from the roof
- 1:40 and the outside walls.
- 1:44 Later.
- 1:45 We shall be telling you how to strengthen and improve your fallout room.
- 1:51 No.
Similar frames
By the average clip vector of the keyframes; a measurement, not a judgement