Shots like this one
48 nearest shots across the atlas
Nearest by cosine distance between CLIP embeddings of the keyframes; shots immediately before or after this one in the same film are left out.
IMPACT (1949), 1:36:25 match 0.93
IMPACT (1949), 1:36:19 match 0.88
IMPACT (1949), 1:44:15 match 0.79
IMPACT (1949), 1:44:01 match 0.79
IMPACT (1949), 1:34:10 match 0.78
IMPACT (1949), 1:25:09 match 0.78
IMPACT (1949), 1:35:10 match 0.78
PENNY SERENADE (1941), 1:28:12 match 0.77
IMPACT (1949), 1:44:19 match 0.77
IMPACT (1949), 1:36:41 match 0.77
IMPACT (1949), 1:35:14 match 0.76
IMPACT (1949), 1:33:00 match 0.76
ANGEL ON MY SHOULDER (1946), 38:53 match 0.76
IMPACT (1949), 1:35:27 match 0.75
DISORDER IN THE COURT (1936), 5:52 match 0.75
IMPACT (1949), 43:46 match 0.75
IMPACT (1949), 1:33:36 match 0.74
PENNY SERENADE (1941), 1:26:12 match 0.74
HIS GIRL FRIDAY (1939), 40:00 match 0.74
IMPACT (1949), 1:19:55 match 0.74
ANGEL ON MY SHOULDER (1946), 39:28 match 0.74
IMPACT (1949), 1:20:30 match 0.74
PENNY SERENADE (1941), 1:30:33 match 0.74
IMPACT (1949), 1:41 match 0.74
PENNY SERENADE (1941), 1:29:18 match 0.74
IMPACT (1949), 1:47:56 match 0.74
IMPACT (1949), 1:23:58 match 0.74
IMPACT (1949), 1:20:04 match 0.74
SUDDENLY (1954), 44:08 match 0.74
BEHIND GREEN LIGHTS (1946), 28:42 match 0.73
CAPTAIN KIDD (1945), 21:18 match 0.73
BEHAVE YOURSELF (1951), 57:20 match 0.73
IMPACT (1949), 1:26:05 match 0.73
BEHIND GREEN LIGHTS (1946), 28:03 match 0.73
DRESSED TO KILL (1946), 29:04 match 0.73
ANGEL ON MY SHOULDER (1946), 20:57 match 0.72
HIS GIRL FRIDAY (1939), 35:47 match 0.72
BEHIND GREEN LIGHTS (1946), 8:46 match 0.72
DRESSED TO KILL (1946), 35:00 match 0.72
IMPACT (1949), 1:20:14 match 0.72
DETOUR (1945), 53:24 match 0.72
BEHAVE YOURSELF (1951), 1:04:59 match 0.72
BEHIND GREEN LIGHTS (1946), 53:02 match 0.72
SUDDENLY (1954), 43:39 match 0.72
IMPACT (1949), 1:36:16 match 0.72
PENNY SERENADE (1941), 1:27:46 match 0.72
HIS GIRL FRIDAY (1939), 38:19 match 0.72
IMPACT (1949), 1:34:16 match 0.72