Public Reel

DISHONORED LADY (1947)

Frame from the Internet Archive copy dishonored_lady

510 shots over 1:24:00, 1623 transcript segments, from the Archive copy dishonored_lady. Registry dossier: DISHONORED LADY No renewal found. JSON

Lands on the shot covering that second.
How this page was made

510 shots over 1:24:00, read from the Internet Archive copy dishonored_lady (dishonored_lady.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: DISHONORED LADY No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 510 shots judged colour), average shot 9.9s long, a frontal face detected in 66% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 1623 segments kept, 233 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 0:03 No.
  2. 1:10 What are you doing?
  3. 1:12 You know, it's getting me down eating in the
  4. 1:13 hamburgers
  5. 1:14 One thing you gotta learn, eat when the truck driver's eating.
  6. 1:17 You know the right spot.
  7. 1:18 I saw a funny thing up the road just now. Good-looking dame sitting in a car all alone. Yeah, what was she doing? That's just it. She wasn't doing nothing. Just sitting there. I got a rule about women. If they ain't breaking the law, let them alone.
  8. 1:47 I didn't mean to disturb you, miss.
  9. 1:49 Just wanted to be sure everything was okay.
  10. 1:53 Excuse me, lady.
  11. 1:54 But are you sure you're all right?
  12. 1:59 I'm going to go.
  13. 2:16 I'm going to go.
  14. 3:01 How is she?
  15. 3:02 happier than she
  16. 3:03 - I'm not sure.
  17. 3:04 I just checked on her up the road. She was acting kind of strange then.
  18. 3:08 I'd better call that ambulance.
  19. 3:09 I doubt if it's serious, and I'm as good a doctor
  20. 3:11 as you'll find at this time of night.
1603 more segments
  1. 3:13 Let's take her inside.
  2. 3:22 Well, no bones broken.
  3. 3:24 Bruises, that's all.
  4. 3:26 I think you'd better rest here for the night.
  5. 3:29 I'm a little surprised.
  6. 3:31 You're a beautiful young woman.
  7. 3:33 been in an accident?
  8. 3:34 You haven't asked for a mirror.
  9. 3:37 Perhaps that fits with the way you were driving tonight.
  10. 3:41 Perhaps you find the idea of living not very attractive.
  11. 3:43 Is that any of your business, Doctor?
  12. 3:46 As a matter of fact, it is my business.
  13. 3:48 I happen to be a psychiatrist.
  14. 3:51 I don't need a psychiatrist.
  15. 3:53 You won't mind if I disagree with you.
  16. 3:56 Here's a beautiful young woman, apparently well to do.
  17. 4:00 Apparently in good physical condition.
  18. 4:02 who just doesn't care what happens to him.
  19. 4:04 This is interesting.
  20. 4:05 Not altogether unusual, but interesting.
  21. 4:08 Of course, there are the obvious deductions
  22. 4:11 It's my life doctor and I prefer to run it myself.
  23. 4:14 and you don't want anyone to see inside it.
  24. 4:16 Perhaps you don't even want to take a look yourself.
  25. 4:19 Many women haven't the courage to face themselves.
  26. 4:21 So they look for escape in one excitement after another.
  27. 4:24 Half my patients are like that. But I'm not one of your patients.
  28. 4:30 You tell me how much I owe you, Alice.
  29. 4:32 I'll be going back to town.
  30. 4:34 Very well.
  31. 4:35 I'll drive you to the station.
  32. 4:52 Miss Damien.
  33. 4:54 You're an intelligent woman, not an idiot.
  34. 4:56 Will you promise me one thing?
  35. 4:58 When you get ready to throw yourself off Brooklyn Bridge,
  36. 5:01 Will you come and see me?
  37. 5:07 fine.
  38. 5:12 I
  39. 5:20 I'm going to go.
  40. 5:56 Just what is our trouble?
  41. 5:57 But I want to know. Our trouble is Miss Damien.
  42. 6:00 He came in again.
  43. 6:00 He's as pretty as a picture and as stubborn as a mule.
  44. 6:04 But this time there's a lot more involved than just...
  45. 6:15 Come in, Miss Damien.
  46. 6:16 We were just ripping you up back a little bit. So I gathered. There's nothing personal. It's about Mr. Cortland.
  47. 6:21 caught them.
  48. 6:21 Oh yes, he runs a jewelry store. He owns Cortland and Company.
  49. 6:26 London, Paris, Fifth Avenue. You may remember them as one of our biggest advertisers. Oh, what Shirley wants to say. I know what Shirley wants to say.
  50. 6:32 I always know what Shirley wants to say.
  51. 6:35 He wants to know why I killed the art layout on Mr. Cortland's famous jewels.
  52. 6:39 And I understand the April number goes to press without it. That's right. In the first place, it's no art layout. It's a press agency.
  53. 6:45 But the result is we stand a good chance of losing the Cortland account.
  54. 6:50 Now am I running my department or am I not?
  55. 6:52 I haven't said anything, Miss Damien.
  56. 6:55 Well, I had a talk with Cortland, and he was decidedly acid about it.
  57. 6:58 I'm not interested in Cortland.
  58. 7:00 But if this magazine is going to submit to advertisers blackmail, I'd like to know about it. - Now, please, Miss Damien. - If that's the policy, Mr. Cranich, you'd better get someone else to take my place.
  59. 7:09 Please, Miss Damien, just a moment.
  60. 7:11 Gentlemen, if you don't mind.
  61. 7:13 I'll talk to you later.
  62. 7:15 I thought I should bring this to your attention.
  63. 7:17 - Can't blame us for trying. - No, no, no. No harm done, gentlemen.
  64. 7:22 Madeline.
  65. 7:23 You've got yourself all worked up.
  66. 7:25 Thumbs it out.
  67. 7:27 I'll get you a drink.
  68. 7:30 No?
  69. 7:33 What is this private blackmail of yours?
  70. 7:36 ...threatening to quit in order to win an argument.
  71. 7:38 Oh, I just as...
  72. 7:39 - I mean it.
  73. 7:40 Now, now, tell me.
  74. 7:41 What's happened?
  75. 7:42 You're wound up.
  76. 7:43 Oh, nothing's bothering me.
  77. 7:45 You know I don't want you to quit.
  78. 7:47 I won't go into my personal feelings, but...
  79. 7:50 You are the best art editor we've ever had.
  80. 7:53 How's the insomnia?
  81. 7:54 Or I found some new sleeping pills.
  82. 7:56 Red ones this time. Red pills to put you to sleep.
  83. 7:59 White pills to wake you up. Doesn't sound very sensible, my dear.
  84. 8:02 What are you doing this evening?
  85. 8:04 Dining with Freddie Tancher.
  86. 8:05 Oh.
  87. 8:06 Freddy again.
  88. 8:07 I couldn't get out of it, Victor. We're using some of his drawings next month.
  89. 8:12 It'll be the last time I promise.
  90. 8:14 Madeline?
  91. 8:16 to a bundle of lies.
  92. 8:17 It's a very lovely bundle.
  93. 8:19 beautifully tied together.
  94. 8:20 I'm trying to be honest.
  95. 8:22 You won't believe me, will you? No idea.
  96. 8:26 because I don't really think you believe yourself.
  97. 8:49 Why do you have to go?
  98. 8:51 for Freddie Fancher.
  99. 8:52 They haven't even given me a chance to make love to.
  100. 8:55 You've been doing all right.
  101. 8:57 You know something?
  102. 8:59 It's hard to love a woman who makes more money than I do.
  103. 9:02 It's much easier if you made love to me.
  104. 9:04 Would it?
  105. 9:06 Oh.
  106. 9:08 You're trying to give me the brush off, are you?
  107. 9:10 Well, finally we understand each other.
  108. 9:13 Well, there you are, Petty.
  109. 9:15 Here's your grill and no bones broken.
  110. 9:17 I'll see you at the office.
  111. 9:20 Join you if somebody asks.
  112. 9:22 What is that?
  113. 9:24 Fair enough.
  114. 9:27 Why do you have to dance for that Pollywag?
  115. 9:30 Look, I told you not to drink. I always drink particularly when I'm with you.
  116. 9:35 Oh.
  117. 9:36 Am I that hard to take sober?
  118. 9:38 You're a voluptuous pain in the neck.
  119. 9:42 I'm going home.
  120. 9:44 You're not gonna walk out on me.
  121. 9:46 Come on, be yourself. I told you I'm going to leave early. You can't leave me just sitting here in the snow. I'm mad about you.
  122. 9:53 In my own foul way.
  123. 9:56 Good night.
  124. 10:06 Come on.
  125. 10:08 Any chance?
  126. 10:08 I'm not getting a cab, Jim.
  127. 10:09 I'll try, Miss Damien.
  128. 10:10 Oh, Miss Damien.
  129. 10:12 I KNOW.
  130. 10:14 Mr.
  131. 10:14 Felix caught the lead.
  132. 10:15 one of our most prominent advertisers.
  133. 10:17 How do you do, Miss Davy?
  134. 10:20 How do you do?
  135. 10:22 Mr. Garrett, this is...
  136. 10:23 soul of tech, don't you think?
  137. 10:24 He's just been telling me all about you. Oh, I hope he wasn't that blunt.
  138. 10:29 Oh, you needn't worry. I always form my own...
  139. 10:33 Can I give you a lift anywhere? My car's just outside.
  140. 10:38 They're getting my tests.
  141. 10:39 Oh, I'm very sorry.
  142. 10:46 - I'm sorry, Mr. Amiens.
  143. 10:47 cab around.
  144. 10:48 How long do you think it'll be?
  145. 10:50 *crickets*
  146. 10:58 Are you sure you don't want to lift?
  147. 11:02 Well, there doesn't seem to be any alternative.
  148. 11:08 Good night, Mr. Garrett.
  149. 11:12 Good night, sir.
  150. 11:20 I wasn't very polite, was I?
  151. 11:22 Neither was Garrett, for that matter. Oh, he always enjoys uncomfortable.
  152. 11:26 You're aist.
  153. 11:27 still feel uncomfortable.
  154. 11:30 No.
  155. 11:31 Frankly, I don't.
  156. 11:33 Good, no do I.
  157. 11:34 You know...
  158. 11:34 Not at all what I imagined.
  159. 11:36 Yeah.
  160. 11:38 No.
  161. 11:39 the big international jeweler.
  162. 11:41 I haven't heard the business
  163. 11:43 runs itself very nicely.
  164. 11:45 As a matter of fact, you don't look like an art editor.
  165. 11:48 More like a work of art.
  166. 11:51 That layout on your jewels.
  167. 11:52 Still a wretched piece of copy.
  168. 11:54 I can only admire your good taste.
  169. 11:56 And I'm still not going to... I wouldn't try and persuade you for the world.
  170. 12:01 Mr. Cawdnett.
  171. 12:02 I think you're very dangerous.
  172. 12:05 I only wish it was so.
  173. 12:07 The truth is I'm a very ordinary one.
  174. 12:18 Oh, I'm sorry, I forgot to give you my address. It's my fault, I forgot to ask you.
  175. 12:22 Won't you come in for a minute?
  176. 12:23 No, I don't think so.
  177. 12:25 Oh, but you really must see those jewels you've been insulting. They're much handsomer than the vodegas.
  178. 12:30 I'll need you in about 15 minutes.
  179. 12:32 But I said I wasn't coming in. Oh yes, so you did.
  180. 12:55 Let me take your ass. Well, I'm only going to stay a minute to
  181. 12:59 Of course.
  182. 13:05 What a wonderful room.
  183. 13:06 I've had this place a long time. In fact, I'm pretty disgustingly rich.
  184. 13:10 find out in other places.
  185. 13:12 Oh, it's not so hard to take once you get the hang of it.
  186. 13:15 I think I know all the troubles
  187. 13:17 come with money.
  188. 13:19 And all the pleasure.
  189. 13:22 Well, have you got me all figured out?
  190. 13:24 Only what I see here.
  191. 13:27 Fine pictures.
  192. 13:29 Well, if you ever look at them.
  193. 13:31 But I do, I'm a lonely bachelor and I spend hours here all by myself
  194. 13:34 pouring over old manual.
  195. 13:37 You don't expect me to be
  196. 13:40 Didn't my father think that?
  197. 13:41 - Dad?
  198. 13:41 Was Stephen Damien your father?
  199. 13:44 Uh-huh.
  200. 13:47 Is it?
  201. 13:48 I remember when he came here to paint that picture of my mother.
  202. 13:51 Everybody was fascinated by him.
  203. 13:53 Especially mother.
  204. 13:54 father ended by chasing him out of the house.
  205. 13:56 I'm afraid that's
  206. 13:57 Wait, you said.
  207. 13:59 My father was very much in love with me.
  208. 14:01 life.
  209. 14:02 That's a Hungarian customer.
  210. 14:03 Amen.
  211. 14:05 and get
  212. 14:06 What are you going to?
  213. 14:07 Show me your juice.
  214. 14:09 Of course.
  215. 14:11 I quite forgot me.
  216. 14:12 That's the reason we came in here, wasn't it?
  217. 14:15 Come on.
  218. 14:16 Come on.
  219. 14:20 You ought to feel very flattered, Miss Damien.
  220. 14:22 one of my darkest
  221. 14:23 secrets.
  222. 14:25 - You really want to see it?
  223. 14:27 Not particularly.
  224. 14:29 I can tell a brilliant from a diamond.
  225. 14:32 Not one president or another can.
  226. 14:36 Well then very few people are intelligent enough.
  227. 14:39 How about another day?
  228. 14:48 You know, you need relaxing, lots of relaxing.
  229. 14:51 I can hear your nerves snapping like rubber bands.
  230. 14:53 I'm not nervous at all, see?
  231. 14:57 You're a very curious mixture.
  232. 14:59 A highly moral voice. That's not me, that's my mind.
  233. 15:02 A man's mind, I'd say. Why not? I do a man's work.
  234. 15:05 and desperate eyes
  235. 15:07 I...
  236. 15:07 full of shadows.
  237. 15:22 thing.
  238. 15:23 Miss Damien, give you her secretary.
  239. 15:28 Miss Damien's office.
  240. 15:30 No, Mr. Courtland, she's not here yet. Shall I have her call you?
  241. 15:33 Yes, ma'am.
  242. 15:36 Where's Glamour?
  243. 15:36 She hasn't come in yet.
  244. 15:38 Well, who sent these? Mr. Felix Cawson. Mr. Cawson.
  245. 15:42 Very interesting.
  246. 15:44 She never misses, does she?
  247. 15:46 Mm-hmm.
  248. 15:47 Jealous?
  249. 15:47 If I'd given it any thought, I could have predicted it.
  250. 15:51 Gladys, I won my bet.
  251. 15:54 She's got a new boyfriend.
  252. 15:55 I guess those dames gotta have no excitement all the time.
  253. 15:59 Yeah, here today, gone tomorrow.
  254. 16:02 Personally, I don't see what she sees in it all.
  255. 16:04 Is that any concern of yours?
  256. 16:06 No, Miss Damon.
  257. 16:08 I didn't hire you to gossip about my private life.
  258. 16:10 No, Miss David.
  259. 16:12 Go get your money, you're through.
  260. 16:23 Damien, come in again.
  261. 16:25 What's the matter, sweetheart?
  262. 16:26 Miss Damien's fired me. Why, as you, what for?
  263. 16:30 He heard me talking about Mr. Corlin. Corlin, eh?
  264. 16:34 Don't you worry, baby, I'll fix that.
  265. 16:38 Understand you fired June. - That's right. - That's the idea.
  266. 16:41 I don't like people to gossip about me.
  267. 16:44 You don't hey no I don't but it's pretty late to be thinking about a thing like that and so rotten pretty to take it out on your secretary get out.
  268. 16:50 don't think your life is a secret.
  269. 16:52 Boys were betting eight to five this morning that the Cortland layout would be in the next issue.
  270. 16:58 Here, dear.
  271. 16:59 disgusting.
  272. 17:00 Madeline, why don't you get wise to
  273. 17:01 Everybody else is.
  274. 17:02 One romance after another that's your whole life and you adore it.
  275. 17:06 Get out.
  276. 17:07 You try to dress it up with pretty words, but you don't fool anybody. They know what you are, and you will never change. Get out!
  277. 17:12 You don't care because it's too much fun.
  278. 17:20 It isn't.
  279. 17:22 It isn't true.
  280. 17:23 It isn't.
  281. 17:24 I'm going to get through.
  282. 17:30 Yeah.
  283. 17:34 surprise.
  284. 17:35 Here's a beautiful.
  285. 17:37 just doesn't
  286. 17:37 I DON'T CARE WHAT HAPPENED.
  287. 17:46 many will.
  288. 17:49 So they look for escape in one excitement after another.
  289. 18:01 find the idea.
  290. 18:07 Ladies, if you want to kill yourself, watch it while the prince.
  291. 18:15 I'm glad I was right.
  292. 18:18 An intelligent woman, not an idiot.
  293. 18:26 That's right.
  294. 18:29 Now, if you feel like talking, just go ahead and talk.
  295. 18:35 You're afraid, aren't you?
  296. 18:37 Well, it's our job to find out why.
  297. 18:40 to explore the shadows and throw light on what we find there.
  298. 18:44 then you'll be able to see yourself clearly and face yourself honestly.
  299. 18:48 When you can do that?
  300. 18:50 You won't be afraid anymore.
  301. 18:59 I was living with my father.
  302. 19:02 Mother had left him before we came to America.
  303. 19:07 I was
  304. 19:07 Ten.
  305. 19:09 and to me though
  306. 19:10 where he lives in
  307. 19:12 romantic and
  308. 19:13 Wonderful.
  309. 19:15 He was a successful painter
  310. 19:17 women at the office.
  311. 19:20 went his own way and did what he pleased.
  312. 19:23 just as you've been trying to do.
  313. 19:26 So,
  314. 19:27 But why did it make him so very happy?
  315. 19:30 Oh, yeah, what's this?
  316. 19:30 He certainly was the happiest man in the world.
  317. 19:33 Until...
  318. 19:36 Until he killed himself.
  319. 19:38 and you couldn't understand.
  320. 19:39 stand away.
  321. 19:43 Stand down.
  322. 19:46 I think I do.
  323. 19:48 Did you ever do any painting yourself?
  324. 19:51 Why did you give it up?
  325. 19:53 Oh...
  326. 19:53 Didn't pay enough.
  327. 19:55 Besides, I didn't want to be like my father.
  328. 19:58 I wanted my own life.
  329. 19:59 And have you seen it?
  330. 20:00 - In living your own life?
  331. 20:03 Of course I have.
  332. 20:04 the kind of life you really want?
  333. 20:07 I don't know. I don't know.
  334. 20:09 You don't think you've been hiding from yourself?
  335. 20:12 Did you ever try and discover the person you really were deep down underneath?
  336. 20:17 I never cared to.
  337. 20:19 I'm not so sure I do now.
  338. 20:22 In that case, I'm afraid I can't help you.
  339. 20:27 Of course, that's entirely up to you.
  340. 20:33 Shall we go on then?
  341. 20:41 I was doing what I wanted to do.
  342. 20:44 Paying my own way and making my own rules.
  343. 20:47 Nobody was hurt.
  344. 20:48 Nobody but yourself.
  345. 20:50 And it didn't really make you happy, did it?
  346. 20:52 Wasn't that because down underneath you knew there was something missing?
  347. 20:56 something important
  348. 20:59 I suppose.
  349. 21:00 were you wouldn't.
  350. 21:02 And then you would drug yourself with
  351. 21:03 the excitement of
  352. 21:04 more excited.
  353. 21:06 Oh, I know the pattern, Miss.
  354. 21:09 You're suffering from a disease of the times.
  355. 21:11 A neurotic malady as commonplace as
  356. 21:13 20 alcoholics.
  357. 21:15 Suppose for a moment that you were an alcoholic.
  358. 21:18 They're much the same, you know.
  359. 21:19 unsure of themselves underneath?
  360. 21:21 and seeking reassurance from new excited.
  361. 21:24 instead of getting at the cause,
  362. 21:26 the drunkard solves his problem.
  363. 21:27 by taking another drink.
  364. 21:31 and eventually we find him sprawled hopelessly
  365. 21:34 without the strength
  366. 21:35 or even the desire.
  367. 21:37 I can't go on with this.
  368. 21:39 You're not helping me, you're insulting me.
  369. 21:42 You've been insulting yourself
  370. 21:45 and insulting your soul.
  371. 21:48 Your life hasn't been there.
  372. 21:49 gay and glamorous at all.
  373. 21:51 just been muddled and
  374. 21:53 You know that now.
  375. 21:55 And if you really want to change it,
  376. 21:57 You can start right away.
  377. 21:59 Now it's up to you.
  378. 22:06 You can have my apartment, Ethel. The rents pay till the end of the month.
  379. 22:09 Darling, I feel like a vulture, wheeling over your head.
  380. 22:12 Not even whoever did.
  381. 22:14 It's Damien's office.
  382. 22:15 - Ah.
  383. 22:16 No, no, she still hasn't come in, Mr. Cortland.
  384. 22:19 Well, I don't know exactly. Later in the day, I...
  385. 22:23 Did he hang up? Yes, good.
  386. 22:25 Let me call him back, darling. You may be sorry later. Everything in this pile returned without comment. This I would ask to see more of their work and...
  387. 22:32 These you may be...
  388. 22:33 But you haven't given me on you at last.
  389. 22:35 I'm not giving it to anyone.
  390. 22:37 Hello, Madeline.
  391. 22:39 Beautiful. Would you mind popping out for a minute?
  392. 22:40 That's just 60 seconds. You better talk fast.
  393. 22:43 I'm on a jam. I've got to raise some money. I need about $5,000.
  394. 22:48 What do you expect me to do about it?
  395. 22:49 Well, I thought you might talk to Cortland.
  396. 22:51 I'm sure unless you have it
  397. 22:55 You're really quite a rat, aren't you?
  398. 22:58 Look, Marilyn, I'm undead up to here.
  399. 22:59 I only make $100 a week and you know I can't live on that.
  400. 23:02 $5,000 doesn't mean a thing to Cortland.
  401. 23:05 You better get out of here before I lose my temper.
  402. 23:08 You're forcing me to say things that I don't want to say, but if you're going to act cold and virtuous about it, you'll hear them.
  403. 23:14 Suppose I tell Crainish
  404. 23:17 Tell him what?
  405. 23:18 About Cortland.
  406. 23:20 You know, you've got a very nice job here, but you won't have it very long if I tell Cranish.
  407. 23:24 I don't want to tell him, but...
  408. 23:27 What's so funny?
  409. 23:29 As a blackmailer, you are pitiful.
  410. 23:31 Go on, tell him.
  411. 23:32 Tell him what a rat I am, and you are, and he is.
  412. 23:35 Go on, use my phone if you want, and my desk, and my office. I'm through with all of them.
  413. 23:45 Come on.
  414. 23:49 Yeah.
  415. 23:50 Boulevard Magazine.
  416. 23:52 No, Miss Damien hasn't been back.
  417. 23:54 Just a moment.
  418. 23:58 I'm sorry, she doesn't work here anymore.
  419. 24:01 You might try at her home.
  420. 24:02 Waldorf apartment.
  421. 24:04 Call up apartments.
  422. 24:06 Miss Damien?
  423. 24:08 Oh, no, she gave up her apartment.
  424. 24:11 Why don't you try the post office?
  425. 24:13 - Drogon? Drogon?
  426. 24:16 - No.
  427. 24:18 Damien.
  428. 24:19 Here, Richard Caleb, 137.
  429. 24:21 50th Street.
  430. 24:27 Well, I've nothing to do with that.
  431. 24:28 Damien has taken my advice as
  432. 24:31 She's been living in an area of infection and she's removed herself from it.
  433. 24:35 I take it you consider me part of the general contamination.
  434. 24:38 You come here for information, not diagnosis.
  435. 24:41 I usually charge a fee for insulting people.
  436. 24:44 I'm willing to pay for data of any kind.
  437. 24:47 Yes, I gathered that.
  438. 24:49 But I have nothing for sale.
  439. 24:52 I suppose you're being very ethical, but I'd like to talk to Madeline.
  440. 24:55 In your presence, if you wish.
  441. 24:57 Miss Damien is living under a different name in a different world.
  442. 25:01 She told me to tell you.
  443. 25:02 if you inquired.
  444. 25:03 that she was busy growing a new soul.
  445. 25:06 Now, would you please keep off the grass?
  446. 25:09 Goodbye, Mr. Cortland.
  447. 25:11 Bye, Doctor.
  448. 25:14 Doesn't it ever worry you playing the Almighty in this fashion?
  449. 25:18 Not particularly.
  450. 25:19 I'm used to it.
  451. 25:42 How's it look?
  452. 25:44 It's better than torn wall people. So you think I'll tell it then? You two better have to get the hang of it. I only hope the new tenant will like it.
  453. 25:51 It seems awful particular.
  454. 25:53 He's a floor walker at Macy's.
  455. 25:54 Oh, well, you can always give it back to me.
  456. 25:56 You'll never sell it, you know.
  457. 25:58 Take my advice and try something more cheerful. You know, like flowers and butterflies.
  458. 26:03 I'll do that.
  459. 26:04 Thank you, Mrs. Geiger.
  460. 26:25 - You saved my life.
  461. 26:26 Monsieur?
  462. 26:27 Mrs. Gargoyle.
  463. 26:28 if she knew I could.
  464. 26:29 You have mice in my room. Well, why do you keep mice?
  465. 26:32 Oh, uh...
  466. 26:35 shouldn't bring these fellas out of the lab but
  467. 26:43 Hey.
  468. 26:45 Women are supposed to scream.
  469. 26:46 Aren't you afraid of mine?
  470. 26:48 Well, no.
  471. 26:49 Next time I'll scream.
  472. 26:56 Good afternoon.
  473. 26:57 - Hello, how are we going? - Oh, all right, I think.
  474. 27:20 Come in.
  475. 27:22 Hello.
  476. 27:23 Hello.
  477. 27:24 Say, you're an artist, aren't you?
  478. 27:26 Well, I don't know.
  479. 27:28 Mrs. Geiger said yesterday that you were.
  480. 27:31 She's an authority if I ever saw one.
  481. 27:33 I was wondering, could you do a job for me?
  482. 27:36 Want your portrait painted?
  483. 27:37 Me? Oh, no.
  484. 27:39 No, nothing like that.
  485. 27:40 I'm doing some research and it has to be illustrated.
  486. 27:42 Oh.
  487. 27:43 What do you want me to draw?
  488. 27:44 Nothing fancy, just blood cells and...
  489. 27:48 things.
  490. 27:50 Sounds fascinating.
  491. 27:51 No, it is, really.
  492. 27:52 You see, it's a lot like...
  493. 27:54 You'll be surprised, it's really fascinating once you get in it.
  494. 27:58 Of course, I'm on a fellowship and I couldn't pay you very much.
  495. 28:01 Matter of fact, I, uh...
  496. 28:02 I couldn't pay anything until the first of the month.
  497. 28:05 Don't be all right.
  498. 28:06 Oh, fine. Swell. So I'll settle that.
  499. 28:08 I'll steal my place about six o'clock.
  500. 28:10 Oh, but I couldn't I? Oh, sure you can.
  501. 28:12 I just lived downstairs.
  502. 28:14 You know, the mouse trap.
  503. 28:18 Oh, uh...
  504. 28:18 My name is Cousins.
  505. 28:21 Mine is Dixon.
  506. 28:23 - I'm glad I know you, Mr. Dixon.
  507. 28:28 that
  508. 28:34 What am I drawing? Am I allowed to find out?
  509. 28:36 Sure.
  510. 28:37 In fact, the antiveticular serum on cell tissues.
  511. 28:41 That's all I wanted to know.
  512. 28:42 Oh, say, say, that's quite good.
  513. 28:45 I'll take it to the lab with me in the morning.
  514. 28:47 It's about ready for the next one.
  515. 28:48 Do you realize it's 12 o'clock?
  516. 28:51 I haven't had my dinner yet.
  517. 28:52 You hadn't either.
  518. 28:54 Oh, gosh, I'm sorry, but I got so wound up on this. So did I, but now I'm hungry.
  519. 29:01 Well...
  520. 29:02 Tell you what let's do.
  521. 29:03 We'll go out and eat.
  522. 29:04 That's a brilliant idea.
  523. 29:07 I'll get you coated.
  524. 29:12 Do you do this all the time? Only since I got out of the army.
  525. 29:16 I was lucky to get this job of research.
  526. 29:18 Now I've got to get it finished.
  527. 29:20 Then what?
  528. 29:21 Oh, then I go back to Oregon, become the usual respectable small town doctor.
  529. 29:26 No mice?
  530. 29:28 No.
  531. 29:30 No mice.
  532. 29:32 Head colds and belly aches.
  533. 29:34 $5 a visit.
  534. 29:36 Maybe you like it.
  535. 29:38 You'll get some rest. Oh, I'll get plenty of rest, all right, but I don't think I'll like it.
  536. 29:44 You folks going out this time of night? That's right.
  537. 29:47 We're meeting a few friends at the Busy Bee cafeteria. We don't want to miss the floor show. We'll have to hurry.
  538. 29:51 - This is the heat.
  539. 29:52 He hasn't got any more sense than a goose.
  540. 29:54 I'll feed him with a spoon.
  541. 29:58 I got onto it first up in a little town in Germany while I was still in the army.
  542. 30:01 I've met a couple of Russian medical officers who were working on anti-verticular
  543. 30:05 Well, they were pretty steamed up about it.
  544. 30:07 crisis.
  545. 30:09 We got together the first night over a bottle of vodka.
  546. 30:13 I remember this.
  547. 30:14 town was
  548. 30:14 still burning
  549. 30:17 Well, maybe it was the vodka, but...
  550. 30:18 Anyhow, we got to talking about anti-reticular and...
  551. 30:21 Well, I guess I got pretty excited.
  552. 30:23 You mean you speak Russian? Over a bottle of vodka, anybody speaks Russian.
  553. 30:30 One, please.
  554. 30:31 At any rate, I promised myself that night that...
  555. 30:34 Just as soon as the war was over, I was...
  556. 30:36 job of it.
  557. 30:38 Stop to eat ever since.
  558. 30:40 That's an error I'm just about to rectify.
  559. 30:42 One dollar even.
  560. 30:46 Hey, what?
  561. 30:51 You were...
  562. 30:58 You know, I don't think you're much of a doctor.
  563. 31:00 You call this a sensible diet pancakes and pickles.
  564. 31:04 Well, scientifically, there's two kinds of diets.
  565. 31:06 the kind of doctors prescribe and the stuff they eat themselves.
  566. 31:09 But you're always in such a rush, you can't make scientific discoveries that way.
  567. 31:14 Sure you can.
  568. 31:16 Take Banny.
  569. 31:17 He saw some flies nibbling in a piece of pancreas.
  570. 31:19 figured out the must be sugar and then one minute he had the idea for instance
  571. 31:24 You know, you're a very lovely girl.
  572. 31:29 You're not being very scientific.
  573. 31:31 Oh, but I am. It's a very heart of science.
  574. 31:34 the troops.
  575. 31:36 Let's talk about insulin.
  576. 31:52 Come on.
  577. 32:11 Come in.
  578. 32:14 Hello.
  579. 32:15 Hello.
  580. 32:17 Say, did you buy these new manuscript covers?
  581. 32:20 Yes, honey, all right? Oh, sure, sure, they're fine.
  582. 32:22 How much they cost?
  583. 32:23 Nothing at all. Something like 20 cents.
  584. 32:26 Oh, nothing at all, huh? You know you can buy a pair of good mice for 20 cents? Ha ha ha! David, I have some wonderful news. I just sold a picture.
  585. 32:34 No fooling. Who bought it? The floor walker downstairs. He said,
  586. 32:38 It's almost as good as a photograph. Boy, the man has great taste. Oh, I think it's wonderful. I'm proud of you.
  587. 32:43 And I...
  588. 32:44 I'm a little proud of myself, too.
  589. 32:47 David Cousins.
  590. 32:48 on anti-reticulous.
  591. 32:50 Oh, David, it looks fine.
  592. 32:53 It's important, isn't it?
  593. 32:54 I mean, not just to you, but really important.
  594. 32:57 Well, it's...
  595. 32:58 It won't cure all the ills of man or beast, but...
  596. 33:03 Yes.
  597. 33:04 Yes, I think it may be important.
  598. 33:08 And I also think that I better hand it in before I start changing it again.
  599. 33:12 Like to come along?
  600. 33:14 - Or could I? - Sure, why not? I think you've been drawing blood cells long enough.
  601. 33:18 It's time now for you to meet one of them face to face.
  602. 33:46 I hope your text
  603. 33:48 good as your illustration.
  604. 33:49 I hope so too, sir.
  605. 33:56 Well...
  606. 33:56 That's that.
  607. 33:57 You didn't tell him there were your drawings.
  608. 33:59 Did you?
  609. 34:00 I didn't tell him they weren't. Come on, I'll show you my laugh.
  610. 34:05 Hmm, coffee.
  611. 34:06 I wouldn't try and drink it if I were you.
  612. 34:10 Assistant pathologist.
  613. 34:11 WHISTLE BLOWS
  614. 34:14 Well, this is me. How do you like it? I think it's wonderful.
  615. 34:21 But how do you find anything in this place?
  616. 34:24 Been here for six months and I haven't lost anything yet.
  617. 34:27 It doesn't matter anyway.
  618. 34:28 If boss okays my research, I'll...
  619. 34:31 the other here in a week.
  620. 34:36 Back to Oregon.
  621. 34:37 Yes.
  622. 34:38 Back door.
  623. 34:40 All that way just to make a living.
  624. 34:44 bad as all that.
  625. 34:47 What's the use in kidding, Madeline? I'm so much in love with you, I can't see straight.
  626. 34:51 I haven't done any work in here for days. I just...
  627. 34:53 Sit around, waiting until I can see you.
  628. 34:58 That's just what I do.
  629. 34:59 Wait to see you.
  630. 35:01 Darling.
  631. 35:04 Darling, I...
  632. 35:05 I never felt like this about anyone before.
  633. 35:09 Tell me, when did you first know?
  634. 35:10 Oh.
  635. 35:11 When I first saw you, I think. Yeah, me too.
  636. 35:14 I'll never forget you standing in that hall.
  637. 35:17 with a mouse in your hand.
  638. 35:19 Only I didn't know then what was happening.
  639. 35:21 I thought I had the flu.
  640. 35:24 Will you marry me?
  641. 35:27 Oh, David.
  642. 35:32 What will do?
  643. 35:37 We don't know each other.
  644. 35:38 I mean...
  645. 35:40 You don't know me.
  646. 35:41 Oh, but I do.
  647. 35:43 Of course I...
  648. 35:43 know you...
  649. 35:44 Now what do you want to know about me?
  650. 35:47 MD University of Oregon Captain Medical Corps Reserve young healthy
  651. 35:51 That's right.
  652. 35:52 much in love.
  653. 35:54 Will you marry?
  654. 35:57 Oh, please don't ask me now.
  655. 35:59 Well, I've got to ask you now.
  656. 36:01 How often are you now?
  657. 36:04 Please, give me...
  658. 36:05 time to.
  659. 36:06 I'm all mixed up.
  660. 36:10 I'd like to go home now.
  661. 36:13 All right.
  662. 37:15 You have an answer to rather important
  663. 37:17 question I asked.
  664. 37:20 I can't say no.
  665. 37:23 I wouldn't mean it.
  666. 37:27 Darling.
  667. 37:33 David, I do love you.
  668. 37:36 No.
  669. 37:42 Good night, darling.
  670. 37:47 Good night.
  671. 38:01 And you better close the door.
  672. 38:09 A gentleman I hired provided me with your new address and the proper keys.
  673. 38:14 I suppose someone had seen you.
  674. 38:16 You wouldn't have cared, would you?
  675. 38:18 I didn't think it mattered.
  676. 38:20 You see, I expected to find you wretched and lonely, grappling with your comely.
  677. 38:24 rather naive of me.
  678. 38:26 Will you please go? Of course I will go.
  679. 38:30 But before I do, wouldn't you like to tell me about him?
  680. 38:33 Fry.
  681. 38:34 I'm in love.
  682. 38:35 Now laugh if you want.
  683. 38:38 I don't feel like laughing.
  684. 38:40 I've always wondered if it were possible for people like you and me
  685. 38:43 And you think you've really got it? Love Eternal, the fireside, the slippers, the whole thing? Yes.
  686. 38:48 The whole thing.
  687. 38:50 I'm very glad for you.
  688. 38:51 I think I'm a little sad for myself.
  689. 38:54 You haven't told him, have you?
  690. 38:57 Tell him what?
  691. 38:58 Well, about me, for instance.
  692. 39:00 Why should I tell him?
  693. 39:01 You're absolutely right, you shouldn't. Men prefer to keep their illusions, don't they?
  694. 39:06 Please go.
  695. 39:08 If you need me, let me know. Don't call the past too many names.
  696. 39:19 Come on.
  697. 39:23 I'm sorry.
  698. 39:36 Don't care what you say, I'm going to marry him just as soon as it can be arranged. You want to run away from your problem? I'm not running away.
  699. 39:42 You're looking for security from someone else instead of building it within yourself.
  700. 39:47 But I love him.
  701. 39:49 I can't talk to you if you don't believe me.
  702. 39:51 Falling in love doesn't cure everything overnight.
  703. 39:54 What do you mean? Let's be honest.
  704. 39:56 There's a side of you that hasn't fully changed.
  705. 40:00 - That's true.
  706. 40:03 That is true, isn't it?
  707. 40:10 Yes.
  708. 40:15 Have you still not told David about yourself?
  709. 40:18 I couldn't tell him.
  710. 40:19 You let him fall in love with an illusion.
  711. 40:21 with someone who doesn't exist.
  712. 40:23 I could never tell him.
  713. 40:25 You might stop loving me.
  714. 40:26 isn't that a risk you'll have to take?
  715. 40:28 You're being very careless about it.
  716. 40:30 You can't build a lifetime relationship on a lie.
  717. 40:33 If you're really in love, you'll tell him.
  718. 40:35 With the others it was different.
  719. 40:36 But if you love him,
  720. 40:37 Will you please stop saying "if"?
  721. 40:40 How many times must I tell you I love him? But real love is a sharing.
  722. 40:44 If you're strong enough to face this yourself, you're strong enough to face it
  723. 40:47 with David.
  724. 40:49 I can't do it.
  725. 40:51 I can't risk the only happiness I've ever had.
  726. 40:54 That's up to you, Miss Damien.
  727. 41:12 Hello, darling. You're home early, aren't you?
  728. 41:15 Well, I didn't get fired.
  729. 41:18 Dr. Lutz read my paper.
  730. 41:19 Really? What did he say?
  731. 41:21 Well, he...
  732. 41:23 He liked it.
  733. 41:23 Oh, no.
  734. 41:24 I know.
  735. 41:25 The only trouble is he thinks it's so important he wants to
  736. 41:27 you go to Chicago and read about it.
  737. 41:28 for the convention.
  738. 41:30 David, no. Oh, that's not my idea. I don't want to go. Well, when will you have to leave?
  739. 41:34 Tonight.
  740. 41:35 Got to catch the 8 o'clock plane.
  741. 41:37 When will you come back?
  742. 41:39 few days.
  743. 41:40 But I'll tell you what.
  744. 41:41 Soon as I get back, let's get married.
  745. 41:43 You can get a license in three days and it only takes 15 minutes to get married.
  746. 41:49 You still want to marry me, don't you?
  747. 41:52 More than anything in the world.
  748. 42:03 Oh.
  749. 42:04 You know, I'm gonna feel kinda silly at that convention. Course, it's a great honor and all that, but...
  750. 42:08 You realize that I'll be talking before some of the biggest men in the field?
  751. 42:14 What's the matter, darling?
  752. 42:16 Nothing.
  753. 42:18 I was just thinking how I'd feel if you didn't love me. Oh, don't be silly. Not a chance.
  754. 42:22 Baby.
  755. 42:23 Could you ever stop loving me? That's really a gruesome thought, of course not.
  756. 42:27 Even if there was a reason,
  757. 42:29 The world is bothering you.
  758. 42:32 I just...
  759. 42:32 wanted to be sure.
  760. 42:34 Sure about what?
  761. 42:35 Achoo!
  762. 42:36 love me and not a
  763. 42:38 The illusion you built up about me?
  764. 42:40 Scientists can't believe in illusions.
  765. 42:42 I believe in you.
  766. 42:43 the best thing that's ever happened to me.
  767. 42:45 I wonder if that's enough.
  768. 42:47 I think it'll have to be, that's all I've got.
  769. 42:49 Socks?
  770. 42:51 Well...
  771. 42:52 Just about does it.
  772. 42:56 Madeline.
  773. 42:58 Was there something special on your mind?
  774. 43:00 Something that you wanted to tell me?
  775. 43:05 Just that I love you.
  776. 43:15 - That's the plane. 941 now loading at 8-6 for Chicago.
  777. 43:21 Flight 21.
  778. 43:23 write me every day
  779. 43:24 Every day.
  780. 43:26 Hope you suffer like a maniac.
  781. 43:27 I will, I promise.
  782. 43:29 Oh, gosh, I hate to be.
  783. 43:31 You know, I'm going to be jealous.
  784. 43:32 Tell us of what?
  785. 43:34 Oh, whatever.
  786. 43:34 Nobody, everybody.
  787. 43:36 Just jump.
  788. 43:37 done.
  789. 43:37 I belong to you, don't you know that?
  790. 43:40 I'm only alive because you love me.
  791. 43:42 We'll be married the minute I get.
  792. 43:46 Well, look who's here.
  793. 43:48 If it isn't Madeline,
  794. 43:50 How are you?
  795. 43:51 It's been a long time.
  796. 43:52 David, this is Mr. Garrett.
  797. 43:54 I used to work with him on a magazine.
  798. 43:56 - Want to go?
  799. 43:56 I quit the racket, though.
  800. 43:58 Perhaps the racket quit me.
  801. 43:59 Garrett's doing some confidential work for me now.
  802. 44:02 How are you, Miss Dixie?
  803. 44:05 Mr. Cortland, David.
  804. 44:07 Dr. Cousins.
  805. 44:07 This is my FLC.
  806. 44:08 You're a very lucky man, Doctor.
  807. 44:12 Well, uh...
  808. 44:14 - Hmm.
  809. 44:15 My congratulations to you both.
  810. 44:19 Good night.
  811. 44:22 I don't believe a minute of it, do you?
  812. 44:24 Garris, you're a very cynical man.
  813. 44:26 You don't believe in true love?
  814. 44:30 I don't know.
  815. 44:30 But I've always been fascinated by Merck.
  816. 44:37 Come in.
  817. 44:40 Telegram for you, Miss Dixon.
  818. 44:44 I thought I'd bring it up myself.
  819. 44:45 I thought it might be important.
  820. 44:47 The news?
  821. 44:50 He won't be back till Friday.
  822. 44:52 That's men for you. You never can count on them.
  823. 44:55 Oh, I forgot.
  824. 44:56 A doctor somebody called you said you were to call Miss Ethel Royce. She's been trying to get in touch with you.
  825. 45:01 Friend of yours?
  826. 45:03 Yes.
  827. 45:04 I suppose you've got your own reasons.
  828. 45:06 But you ought to get out and see your friends.
  829. 45:08 instead of sitting in this room all day and all night. Thanks, Mrs. Geiger.
  830. 45:12 None of my business, mind you.
  831. 45:27 Eso?
  832. 45:28 This is Madeline.
  833. 45:30 Madeline!
  834. 45:31 Darling! But this is really a voice from the dead.
  835. 45:34 I pestered that doctor of yours for hours. I just have to talk to you.
  836. 45:38 Well, what about?
  837. 45:39 Will you remember that art supplement? The one you started? Well, I do need your help, dear. I'm in an awful mess.
  838. 45:45 Sorry, dear.
  839. 45:46 I'll never come into that office again as long as I live.
  840. 45:49 Oh, but I wouldn't ask you to do that. Just meet me.
  841. 45:52 It'll only take an hour, I promise.
  842. 45:55 Well...
  843. 45:56 If it's just the two of us,
  844. 45:59 All right.
  845. 46:00 I'll be there, Todd.
  846. 46:02 Oh, so relieved. We were really desperate. Wonderful. I'm just dying to see you. Bye, dear.
  847. 46:08 She'll do it. Good.
  848. 46:10 Wonderful thing, professional pride, it never dies.
  849. 46:13 Halt yourself.
  850. 46:14 Awful. What do you expect?
  851. 46:15 too bad
  852. 46:16 Victor, I don't want you to be there. Wouldn't think of spoiling your reunion, my dear.
  853. 46:21 I don't trust Madeline doctor or no doctor.
  854. 46:25 No, you either, my sweet.
  855. 46:34 Hello, Miss Davis.
  856. 46:35 back.
  857. 46:36 Excuse him.
  858. 46:43 Hello, Luigi. Is Miss Royce here? She just came in, Miss Damien.
  859. 46:47 We missed you, Miss Dagan. Have you been away?
  860. 46:50 But it's nice to be back, doesn't it?
  861. 46:52 Hello, I saw.
  862. 46:53 Daddy, you look wonderful. A little pale, but so interesting. You know, I can't stay very long. I understand, dear. We'll get right to work.
  863. 47:02 - Do you, Jean-Louis Damien? - Well, I...
  864. 47:04 I don't know, Carl. You'd better wait till you see the mess I made with
  865. 47:07 All right, Carl.
  866. 47:10 I'm just dying to hear what you've been up to.
  867. 47:13 You must tell me everything.
  868. 47:14 But there's nothing to do.
  869. 47:15 care of.
  870. 47:16 Come on, let's go to work.
  871. 47:23 You're just wrong, Miss Nidea. You made the whole project. It must be simple and practical.
  872. 47:29 Not for me.
  873. 47:30 You used to be able to drink ten in a row.
  874. 47:33 - Good training.
  875. 47:34 No one would know it, my dear. You seem just like the old Madeline again.
  876. 47:38 if this
  877. 47:38 surrounding
  878. 47:39 What is that we have to do?
  879. 47:42 I've got to...
  880. 47:45 My dear.
  881. 47:47 - Yeah, hello.
  882. 47:48 fortune running in
  883. 47:49 like this.
  884. 47:50 Do you mind?
  885. 47:50 Don't let him fool you about this.
  886. 47:52 You heard me making
  887. 47:55 But I'll deny it.
  888. 47:56 Frankly, I want to.
  889. 47:57 You look very dashing for a hermit.
  890. 48:00 Thank you. We've all missed you desperately.
  891. 48:02 Okay, I'm hungry, I thought.
  892. 48:03 as though our little heart would break.
  893. 48:06 What about a dream?
  894. 48:06 you're all boss.
  895. 48:07 I have a...
  896. 48:08 Whatever it is.
  897. 48:09 I've got all the data we need.
  898. 48:11 Supplement.
  899. 48:12 Good.
  900. 48:12 What about the data on Madeline?
  901. 48:14 No data. Now, if you're
  902. 48:16 Excuse me, I'm... You can't go now. Look who you'll run into.
  903. 48:22 He's seen you.
  904. 48:25 Mr. Garrett no longer graces our stuff. What happened?
  905. 48:29 It got to be Atelier Cobrette.
  906. 48:31 Say nothing of a slight discrepancy.
  907. 48:33 in his accounts.
  908. 48:33 Mr. Gareth believes that the world owes him a gay life.
  909. 48:36 No matter who pays for it.
  910. 48:38 Well, hello, stranger. How are you?
  911. 48:40 Wonderful.
  912. 48:41 Nobody here seems to be
  913. 48:42 particularly glad to see me.
  914. 48:44 Should we be?
  915. 48:46 Oh, well...
  916. 48:48 It's been nice knowing him.
  917. 48:52 There goes my...
  918. 48:53 for my ivory tower. What?
  919. 48:55 Darling, I can't...
  920. 48:57 that they're running into man who
  921. 48:58 I adore you.
  922. 48:58 - I got slews out of those.
  923. 49:00 He's at the mall.
  924. 49:02 I know what you're thinking.
  925. 49:03 I had an odd way of explaining.
  926. 49:05 - Percie, my decision.
  927. 49:06 Okay.
  928. 49:07 Not our darling. Shall we say just, uh, hoody?
  929. 49:12 Well?
  930. 49:14 to memory.
  931. 49:19 May I speak to Mr. Cordell?
  932. 49:21 Just a moment, sir.
  933. 49:28 Just a minute.
  934. 49:46 Come in.
  935. 49:49 Forget it on the phone, sir.
  936. 49:51 All right.
  937. 49:55 Hello, Garrett.
  938. 49:57 I have some interesting news.
  939. 49:59 You know who's here?
  940. 50:01 Madeline.
  941. 50:02 How considerate of you to call?
  942. 50:05 By the way, I've just been through the stones in my safe and one's missing.
  943. 50:09 The sound is not terribly important, but you're the only person who knows about my safe. And the fact is, you did have my keys for quite a while yesterday.
  944. 50:16 What are you getting here?
  945. 50:17 Only that I don't like thieves.
  946. 50:20 But you're being ridiculous. Let me come over and talk about it.
  947. 50:23 There's nothing to talk about. I'm taking it up with the police.
  948. 50:26 But, Cortland, you can't do that.
  949. 50:41 Mr. Garrett again, sir.
  950. 50:43 Tell him I've gone out.
  951. 50:45 I'm sorry Mr. Cortland has just left.
  952. 50:54 Are you all right, darling?
  953. 50:56 Of course I am.
  954. 50:57 You're not going to.
  955. 50:59 back to my tree town.
  956. 51:01 It's raining. Let me drive you home.
  957. 51:04 Oh, no.
  958. 51:05 That, though, wouldn't approve. Good luck, my dear, on your treetop. Bye, darling.
  959. 51:11 Well?
  960. 51:14 Let's face it.
  961. 51:15 changed woman.
  962. 51:17 She'll never change, darling.
  963. 51:19 Just got us off a new set of words, that's all.
  964. 51:23 *sad music*
  965. 51:34 Madeline.
  966. 51:38 I'll be in.
  967. 51:40 I'm waiting for a call.
  968. 51:43 There are no cabs.
  969. 51:44 Get drenched.
  970. 51:46 I'll drop you off.
  971. 51:47 I'm going home.
  972. 51:49 Hello.
  973. 51:50 Come on, in your gear.
  974. 51:55 Come on.
  975. 52:03 Sure, Nathan.
  976. 52:03 touching.
  977. 52:04 quite a coincidence finding you and
  978. 52:06 ring.
  979. 52:09 I can't lie to you especially.
  980. 52:10 when there's no point to that.
  981. 52:12 I was informed.
  982. 52:14 playing hooky.
  983. 52:16 You're detestable.
  984. 52:17 I'm
  985. 52:18 I'm not detestable at all.
  986. 52:20 very fond of
  987. 52:22 which shouldn't be a crime in your eyes. Please, no debate.
  988. 52:25 that
  989. 52:27 I'm a little...
  990. 52:28 A good dinner will soon take care of that.
  991. 52:32 always hound me.
  992. 52:34 You know, Addison.
  993. 52:35 surprise you.
  994. 52:37 everything you stand
  995. 52:38 Oh, yeah.
  996. 52:39 I may be able to improve your opinion.
  997. 52:41 and your manners.
  998. 52:43 I'm still...
  999. 52:46 You know, yeah.
  1000. 52:46 Very lovely.
  1001. 52:48 Please don't bother.
  1002. 52:50 I'm not listening.
  1003. 53:04 once upon a time.
  1004. 53:06 Pauli
  1005. 53:07 - You said you were taking me home.
  1006. 53:08 got to mention
  1007. 53:10 significant omission as your friend Freud was.
  1008. 53:12 Come on, I'm getting soaked.
  1009. 53:18 I'm going home.
  1010. 53:20 right after
  1011. 53:20 didn't I?
  1012. 53:21 Think how wonderful you feel when you slap my face.
  1013. 53:29 That'll take the chill out of your bones and maybe even your heart.
  1014. 53:32 - Still cold? - No, I don't.
  1015. 53:34 - It's quite warm.
  1016. 53:35 Yeah.
  1017. 53:39 Very warm.
  1018. 53:40 Light.
  1019. 53:42 No, I'm not really detestable, am I?
  1020. 53:47 I am.
  1021. 53:48 Why?
  1022. 53:49 I thought it'd be out of the car home.
  1023. 53:51 In this rain, you mustn't even think of it.
  1024. 53:53 See you out.
  1025. 53:54 And you've been very annoying for months.
  1026. 53:57 Madeleine, we belong to...
  1027. 53:58 You know that. - No, I don't know.
  1028. 54:01 same way about life.
  1029. 54:04 Why make sense?
  1030. 54:05 Doesn't this make more sense than talking and lying? No sense at all.
  1031. 54:09 what would you
  1032. 54:12 and you're wonderful yourself.
  1033. 54:13 - Sweeter than... - Two.
  1034. 54:15 Ah.
  1035. 54:18 I bet you.
  1036. 54:29 All the way up.
  1037. 54:32 I don't.
  1038. 54:57 But I tell you, I'm going to raise the money. I'll pay you, honestly. I don't like dealing with you.
  1039. 55:00 the that's job for the police you swear out of war you'll never get a dime. I didn't sell it I just had it was money temporarily here's the point I'm not interested
  1040. 55:07 - Oh, and tickets, good night, Captain. - But, Carlos, you gotta give me a check. I said good night.
  1041. 55:12 Come on.
  1042. 55:16 I
  1043. 55:28 You've got to let me talk to you.
  1044. 55:29 Let me explain this.
  1045. 55:30 Stupid fool.
  1046. 55:34 We'll have a
  1047. 55:34 Going back, I'll get it to you. I promise I will. All I need is a little more time, just a couple of weeks.
  1048. 55:39 What are you doing?
  1049. 55:39 Call in the police.
  1050. 55:40 You can't do that. I'm not going to let you ruin me.
  1051. 55:44 Come on.
  1052. 55:52 Come on.
  1053. 56:16 I know it, man.
  1054. 56:20 You're looking very lovely this morning, Mrs. Geiger. You wasn't expected back until Friday. That's what I like. I'm sure you're welcome home.
  1055. 56:26 - Dixon upstairs? - I'm here.
  1056. 56:32 Who is it?
  1057. 56:48 My...
  1058. 56:50 - Darling. - Oh, I couldn't wait till Friday. I just said my little piece ran out on them. Oh, I needed you so badly. I've been lost without you. Don't ever leave me.
  1059. 57:00 Gotcha.
  1060. 57:00 depend on.
  1061. 57:02 Say, I've got big news, I'm assuming.
  1062. 57:03 Tell me all about it.
  1063. 57:05 What in the world's the matter with you?
  1064. 57:07 It don't look very good.
  1065. 57:09 I think you better get back in bed.
  1066. 57:12 Now then.
  1067. 57:13 First, I don't have to go back to belly aches in Oregon.
  1068. 57:16 You're not marrying a small-town country doctor, young lady. You're marrying a promising young research scientist.
  1069. 57:22 It's what Dr. Broder says and he ought to know he's got a long white beard. But darling, I'm so proud of you.
  1070. 57:29 I think I'll take your temperature away.
  1071. 57:32 Gee, I wish you could have been there.
  1072. 57:34 When I finished reading my paper, they all got together and offered me my own laboratory in California.
  1073. 57:38 I still can't believe it.
  1074. 57:41 There it is right in the paper.
  1075. 57:42 You'll find it on the bottom of page 10.
  1076. 57:57 I feel that you're really here.
  1077. 57:58 You know what he said?
  1078. 58:00 Madeline, what's the matter?
  1079. 58:04 Darling, you're cool as I should.
  1080. 58:05 Gotta chill.
  1081. 58:07 stay right here I'll be back in a minute. Oh don't go don't need. I'll only be a second I want to get a hot water bottle and some more blank.
  1082. 58:21 Madeleine Dixon at home?
  1083. 58:22 I don't know. Friends of hers? We're from police headquarters. Where's her room? Upstairs. What do you want to see Miss Dixon about? We'll tell her.
  1084. 58:28 Perhaps you'd better tell me first,
  1085. 58:29 - Dixon isn't well. - Who are you? He's a doctor. He lives here.
  1086. 58:32 If it isn't important, I suggest you come back tomorrow. It's important.
  1087. 58:36 Could you get some extra blankets and a hot water bottle please? Your friend of Miss Dixon?
  1088. 58:39 - Yes, what? - Just asking.
  1089. 58:40 What is it, an accident or something? I wouldn't call it an accident.
  1090. 58:44 We should cut out this mystery and tell me what it's all about. OK Doc, take it easy.
  1091. 58:51 Madeline.
  1092. 58:52 These men are from the police. They want to ask... We'll take over from here, Doc. I'm Sergeant Patelio. This is Sergeant Bartlett.
  1093. 58:57 You were a friend of Felix Cawthorn's, weren't you? Matter of fact, you were with him last night. No, no, I wasn't. Did you see Mr. Cawthorn any time yesterday? No, I didn't.
  1094. 59:03 Now look, Miss Damien, we wouldn't be here asking questions unless we already knew most of the answers.
  1095. 59:07 Wait a minute, her name's not Damien. I think you've got the wrong party.
  1096. 59:10 I think maybe you've got the wrong party, Doc.
  1097. 59:12 The name happens to be Damien, this happens to be a case of murder.
  1098. 59:15 Take a look at that newspaper.
  1099. 59:20 I want to know what's going on in here. This is my house and I've got to know. Sorry, madam. We'll talk to you later. As long as I've been here. There's never been police in the house. Take her and see what you come around, lady. Come along.
  1100. 59:29 Now, Miss Damien, tell us what happened last night. What time did you leave Cortland's house? Oh, Dave. You and this guy, Cortland, were pretty sweet on each other, isn't that right? Oh, but it isn't. It isn't true. Now, according to the chauffeur, you got to Cortland's house a quarter to seven. What time did you leave? But I didn't go into the house. I met him by accident.
  1101. 59:44 David, don't look at me like that.
  1102. 59:46 How long have you known Miss Damien Duck?
  1103. 59:48 Not very long, only a few months.
  1104. 59:50 Know that she was mixed up with this guy, Cawthon?
  1105. 59:51 David, it's a lie. David, it's a lie. Okay, so he didn't go to the house with Cortland? No, I didn't. He wanted me to come to the house, but I wanted
  1106. 59:58 Oh, it didn't go into the heart.
  1107. 1:00:00 I did not tell you who you tell me the doctor. You get anything she came in about nine and I can't know she was walking in the rain when he said she looked kind of wild what about caught up.
  1108. 1:00:11 He was here, he visited her a couple of weeks ago.
  1109. 1:00:14 Yeah.
  1110. 1:00:15 April 10th, around midnight. Anything else?
  1111. 1:00:17 The landlady thought that Cortland had a key to this place.
  1112. 1:00:20 She was kind of vague as to how he got it.
  1113. 1:00:23 I didn't give him a key.
  1114. 1:00:24 David, you can't believe that.
  1115. 1:00:26 I've got his key ring here.
  1116. 1:00:28 This one fits.
  1117. 1:00:29 You had a key, all right.
  1118. 1:00:31 But I didn't give it to him.
  1119. 1:00:36 Where are you going? Oh, Dana, don't leave me. I didn't kill him, I swear. I didn't kill him.
  1120. 1:00:42 Who cares whether you killed him or not?
  1121. 1:00:44 Oh, my God.
  1122. 1:01:12 Could I see him for just a second?
  1123. 1:01:15 Well, it isn't regulated.
  1124. 1:01:18 Okay, 60 seconds.
  1125. 1:01:23 Baby.
  1126. 1:01:25 lied to him.
  1127. 1:01:27 You've always lied to me. But I'm not lying now.
  1128. 1:01:29 I didn't want to go with him. He said he'd drive me home. And he made love to you, didn't he?
  1129. 1:01:33 Oh, don't deny it. Of course he made love to you.
  1130. 1:01:35 He had a key to your room.
  1131. 1:01:38 I should have told you many.
  1132. 1:01:40 I try to.
  1133. 1:01:44 If this thing were so innocent, you would have told me.
  1134. 1:01:46 When I said I was in love with you,
  1135. 1:01:47 when I asked you to marry me.
  1136. 1:01:53 bet I would.
  1137. 1:01:55 I met you.
  1138. 1:01:56 I was horrible.
  1139. 1:01:58 - I've changed all that.
  1140. 1:01:59 You made me so...
  1141. 1:02:01 Why keep on lying? You tried that upstairs and it didn't work.
  1142. 1:02:04 Look.
  1143. 1:02:05 I was in love with you. All right, I made a mistake.
  1144. 1:02:07 I thought you were something wonderful and you turned out to be...
  1145. 1:02:10 something else.
  1146. 1:02:11 So let's just
  1147. 1:02:12 forget about it.
  1148. 1:02:13 The only thing that you can do for me is let me alone.
  1149. 1:02:20 I love you.
  1150. 1:02:50 And so, ladies and gentlemen of the jury, the prosecution will prove beyond a shadow of a doubt
  1151. 1:02:56 Madeline Damien.
  1152. 1:02:57 guilty of the premeditated murder of Felix
  1153. 1:03:03 We will prove that she was in his apartment the night he was murdered.
  1154. 1:03:07 We will prove that her fingerprints
  1155. 1:03:09 or on the table lighter with which he was murdered.
  1156. 1:03:13 And we will prove further that
  1157. 1:03:14 she had a movie.
  1158. 1:03:15 Paul, am I?
  1159. 1:03:17 For after all, this is
  1160. 1:03:18 This is a very simple story.
  1161. 1:03:21 To one man, Dr. Cousins, she was a pure and noble woman.
  1162. 1:03:25 To the other, Felix Cortland,
  1163. 1:03:27 An irresponsible light of love.
  1164. 1:03:31 too self-indulgent to be faithful to the man she wanted to marry
  1165. 1:03:35 to weak and lacking in character.
  1166. 1:03:37 to break with Cortland.
  1167. 1:03:40 For a twisted soul was bent on a heartless
  1168. 1:03:43 to make one man believe
  1169. 1:03:45 what all others knew
  1170. 1:03:47 be alive.
  1171. 1:03:50 and when caught and threatened to expose her,
  1172. 1:03:53 She went to his apartment.
  1173. 1:03:55 to plead with him.
  1174. 1:03:56 the only way she knew.
  1175. 1:04:00 She embraced him.
  1176. 1:04:02 She made love to.
  1177. 1:04:04 And what in spite of that?
  1178. 1:04:06 He threatened to expose the lie that she was living.
  1179. 1:04:10 She silenced him forever.
  1180. 1:04:13 Ladies and gentlemen of the jury,
  1181. 1:04:15 The state asks you to find Madeline Damien guilty.
  1182. 1:04:20 guilty of murder in the first degree.
  1183. 1:04:24 On the night, Mr. Smith.
  1184. 1:04:25 He was caught and called on the defendant.
  1185. 1:04:27 Did you let him into her apartment? I certainly did not.
  1186. 1:04:29 How did he get in then?
  1187. 1:04:31 - Your uncle had a key of his own. - A key of his own.
  1188. 1:04:35 Where was the defendant when he arrived?
  1189. 1:04:37 Out of the doctor, I suppose.
  1190. 1:04:39 pulling the wool over his eyes.
  1191. 1:04:46 Thank you, Mrs. Geiger.
  1192. 1:04:48 Your witness, Mr. Mitchell.
  1193. 1:04:50 Definitely.
  1194. 1:04:54 No questions.
  1195. 1:04:56 I can't defend you properly.
  1196. 1:04:57 if you will, Kathy.
  1197. 1:04:58 We've got to put up a fight.
  1198. 1:05:00 What for?
  1199. 1:05:03 And now, Mr. Garrachoff, what was the nature of the work you did for Mr. Cortland?
  1200. 1:05:10 Confidential secretary, I suppose you'd call it.
  1201. 1:05:13 And in that capacity, you were in a position to learn a great deal about his private life?
  1202. 1:05:16 Yes, of course.
  1203. 1:05:18 Did Mr. Cardinal know that Miss Damien was lying to Dr. Cousins and...
  1204. 1:05:22 concealing her true character from him,
  1205. 1:05:25 I'd rather not answer that question.
  1206. 1:05:27 Brian.
  1207. 1:05:28 see.
  1208. 1:05:30 Jamie and I.
  1209. 1:05:33 friends of mine.
  1210. 1:05:35 I understand.
  1211. 1:05:37 Let's go to the airport.
  1212. 1:05:39 What was the attitude of the defendant?
  1213. 1:05:41 - When Corbin's done.
  1214. 1:05:42 Saw it, Dr. Cousins.
  1215. 1:05:44 - Embarrassed, naturally.
  1216. 1:05:47 She's embarrassed, naturally.
  1217. 1:05:52 Your witness, Mr. Mitchell.
  1218. 1:05:54 I've got to cross it.
  1219. 1:05:55 If I don't, we haven't a chance.
  1220. 1:05:57 Don't ask.
  1221. 1:05:59 No questions.
  1222. 1:06:02 Were you a close friend of the defendant?
  1223. 1:06:04 Yeah, s'all well.
  1224. 1:06:06 Did she confide in you on matters of a personal nature?
  1225. 1:06:09 Yes.
  1226. 1:06:10 She did.
  1227. 1:06:11 If you were asked in this court, do you think you could recall any...
  1228. 1:06:14 of those intimacy.
  1229. 1:06:15 I could recall some of them in lower detail.
  1230. 1:06:19 Your Honor, I object.
  1231. 1:06:21 - Objection, sir.
  1232. 1:06:21 Well, let me ask you this, Miss Royce. Would you say in general that men found Miss Damien attractive?
  1233. 1:06:27 Definitely.
  1234. 1:06:28 And would you say that Miss Damien found men attractive?
  1235. 1:06:32 I'm afraid I most certainly would.
  1236. 1:06:34 would
  1237. 1:06:36 What were the relations between Miss Damien and her former employer, Mr.
  1238. 1:06:39 creamish.
  1239. 1:06:40 They were...
  1240. 1:06:41 Friendly.
  1241. 1:06:42 In your opinion, was there anything more than friendly? I object to your honor.
  1242. 1:06:46 The question calls for
  1243. 1:06:46 conclusion of the witness and his prejudicial.
  1244. 1:06:49 Objection sustained.
  1245. 1:06:54 But the cousin.
  1246. 1:06:55 I'm Dr. Kalins.
  1247. 1:06:57 Damien's a patient of mine.
  1248. 1:06:59 I don't think she's guilty of murder.
  1249. 1:07:03 No, I don't.
  1250. 1:07:03 She may be guilty of other things, but in there she's being tried for murder.
  1251. 1:07:07 And she won't even defend herself.
  1252. 1:07:09 Got a pretty good lawyer, hasn't he?
  1253. 1:07:10 She needs your help, Doctor.
  1254. 1:07:12 In her own mind, she's not on trial for murder. She's on trial for those others.
  1255. 1:07:16 And it's not the judge who's trying that case, it's you.
  1256. 1:07:19 I don't want to be rude, doctor, but I don't think you know what you're talking
  1257. 1:07:22 Sorry to disappoint.
  1258. 1:07:23 grave.
  1259. 1:07:24 You see, I've been treating Miss Damien for some time.
  1260. 1:07:27 I happen to be her psychiatrist.
  1261. 1:07:29 Dr. Calum.
  1262. 1:07:31 Sorry to bother you.
  1263. 1:07:51 Your name?
  1264. 1:07:54 for psychiatrists?
  1265. 1:07:55 I am.
  1266. 1:07:56 - Mrs. Damien came to you as a patient?
  1267. 1:07:59 Did she come of her own free will?
  1268. 1:08:02 Isn't it true, Doctor, that people do not go to a psychiatrist unless they consider themselves
  1269. 1:08:07 Well, shall we say, not well balanced.
  1270. 1:08:10 In general, that's correct.
  1271. 1:08:11 As a matter of fact, wasn't Miss Damien on the verge of committing suicide when she made her first visit?
  1272. 1:08:16 Your Honor, I object.
  1273. 1:08:18 Well, no matter. We'll prove that by other ways.
  1274. 1:08:20 However,
  1275. 1:08:21 Is it not true?
  1276. 1:08:23 The people who come to you as patients
  1277. 1:08:25 come with problems.
  1278. 1:08:26 Objection.
  1279. 1:08:27 Objection overruled.
  1280. 1:08:31 Well, Doctor?
  1281. 1:08:32 There would be no point in coming to me if they didn't have problems.
  1282. 1:08:37 So the defendant came to you with a problem.
  1283. 1:08:40 Do you mind telling us doctor in your opinion just what was Miss Damien's problem?
  1284. 1:08:45 That is--
  1285. 1:08:45 a confidential matter between doctors
  1286. 1:08:47 I'm afraid I can't do that.
  1287. 1:08:50 Well, during the course of your treatment of Miss Damien, did you ever discuss her relationship with
  1288. 1:08:54 Dr. David Cousins?
  1289. 1:08:56 Yes, we did.
  1290. 1:08:57 But bearing in mind the fact
  1291. 1:08:59 that she's engaged with marriage to Dr.
  1292. 1:09:01 Do you think she was a friend with her?
  1293. 1:09:03 as you should have been.
  1294. 1:09:04 As a matter of fact, I urged her to tell them everything. Did you?
  1295. 1:09:07 Not to my knowledge.
  1296. 1:09:08 Well, why not, Doctor?
  1297. 1:09:09 Why didn't you?
  1298. 1:09:11 I'm afraid you'll have to ask Miss Damien about that.
  1299. 1:09:15 Did you ever meet Dr. Cousins?
  1300. 1:09:17 Yes.
  1301. 1:09:17 just a few minutes ago.
  1302. 1:09:19 Well, I'm sure you will.
  1303. 1:09:20 You found him reasonable?
  1304. 1:09:22 A talented young man?
  1305. 1:09:23 and yet the defendant refused to confide in him.
  1306. 1:09:26 Having met Dr. Cousins, I think I can see why Miss Damien
  1307. 1:09:30 hesitated.
  1308. 1:09:31 fight is.
  1309. 1:09:33 Do you mind telling us why?
  1310. 1:09:36 It's my impression that Dr. Cousins hasn't the capacity
  1311. 1:09:39 either emotionally or intellectually, to understand the problem
  1312. 1:09:42 like Miss Damien.
  1313. 1:09:50 How's this?
  1314. 1:09:51 How's the trial going, Doctor? Not very well, I'm afraid.
  1315. 1:09:54 There's a doctor cousin.
  1316. 1:09:55 your office.
  1317. 1:09:56 Oh?
  1318. 1:09:57 weren't expecting
  1319. 1:09:59 As a matter of fact, I was excited.
  1320. 1:10:01 expecting you
  1321. 1:10:02 Hello, Doctor.
  1322. 1:10:04 Sit down, sit down, relax.
  1323. 1:10:06 Joey.
  1324. 1:10:08 Is this a professional or a social call? Dr. Caleb.
  1325. 1:10:10 You said some pretty rough things about me
  1326. 1:10:13 Yes, I did, didn't I?
  1327. 1:10:15 I think I'm entitled to an explanation.
  1328. 1:10:17 So do I.
  1329. 1:10:19 Matter of fact,
  1330. 1:10:20 I'm very glad you came over.
  1331. 1:10:23 I wanted to talk to you about Miss Damien.
  1332. 1:10:25 I'm not interested.
  1333. 1:10:26 Ms. Damien.
  1334. 1:10:28 glad to see you're still in love with him.
  1335. 1:10:30 And I'm not in love with you.
  1336. 1:10:31 All the better.
  1337. 1:10:33 Then we can approach the subject of Miss Damien as one scientist to another.
  1338. 1:10:37 I'm interested in Miss Damien because she's a patient of mine.
  1339. 1:10:41 I believe I was well on the way to solving her problem.
  1340. 1:10:44 It would be most distressing to me if she were to die now for a crime she didn't commit.
  1341. 1:10:49 It would be as though you had lost one of your white mice.
  1342. 1:10:51 One that you had just inoculated.
  1343. 1:10:54 What's all this got to do with me?
  1344. 1:10:56 Only this.
  1345. 1:10:58 that when you testify tomorrow,
  1346. 1:11:00 You'll be asked to tell the truth.
  1347. 1:11:02 The whole truth.
  1348. 1:11:04 The whole truth about a human soul is a complicated proposition.
  1349. 1:11:08 Now, I'm not going to tell you anything about Mr.
  1350. 1:11:10 Damien that you haven't already heard.
  1351. 1:11:13 But isn't it possible that you've picked up a few stray facts?
  1352. 1:11:16 and added them up to a conclusion that's entirely wrong.
  1353. 1:11:38 Hear ye, hear ye, hear ye. The court is now on stage.
  1354. 1:11:43 Call your next witness, Mr. O'Brien. Dr. Toslin.
  1355. 1:11:50 be their last witness. You've got to let me put you on the
  1356. 1:11:53 I tell you quite frankly, Miss Demian,
  1357. 1:11:55 If you won't testify,
  1358. 1:11:56 We haven't got a chance.
  1359. 1:12:01 Raise your right hand.
  1360. 1:12:02 - Is the army's very tell the truth of the Hall of Truth? Nothing about the truth to offer you guys? - I do.
  1361. 1:12:07 Your name, please.
  1362. 1:12:08 David Cousins.
  1363. 1:12:09 Under what name did you know the defendant?
  1364. 1:12:12 Madeline Dixon.
  1365. 1:12:12 Did she ever tell you her true name?
  1366. 1:12:14 No, sir.
  1367. 1:12:15 Did she ever lie to you about her identity?
  1368. 1:12:18 Yes, sir. How long has she continued to lie to you?
  1369. 1:12:20 'Til the morning the police came.
  1370. 1:12:22 Did she ever tell you about her relations with Cawthon?
  1371. 1:12:24 No, she doesn't.
  1372. 1:12:25 You propose marriage to the defendant that she accepted you.
  1373. 1:12:28 Yes, sir.
  1374. 1:12:30 Still, she didn't tell you about Corp.
  1375. 1:12:32 No shit.
  1376. 1:12:34 When did you first know
  1377. 1:12:35 true relationship
  1378. 1:12:37 Same morning, the morning the police came.
  1379. 1:12:39 Oh, I see.
  1380. 1:12:41 And from the moment you met her until the day she was taken into custody,
  1381. 1:12:45 You didn't know the truth about her character.
  1382. 1:12:47 I object, Your Honor.
  1383. 1:12:49 Mr. O'Brien, haven't you covered your point?
  1384. 1:12:51 Well, Your Honor, I'm merely trying to clarify for the jury.
  1385. 1:12:54 True nature.
  1386. 1:12:55 of the defendant's motive.
  1387. 1:13:00 One more question, Dr. Cusman.
  1388. 1:13:02 If you had known the truth,
  1389. 1:13:05 Would it have affected your love for the defendant?
  1390. 1:13:07 Your Honor, I must protest.
  1391. 1:13:09 Fed him answer.
  1392. 1:13:10 Objection withdrawn.
  1393. 1:13:14 And now, Dr. Cousins.
  1394. 1:13:15 If you had known the truth.
  1395. 1:13:17 Would it have affected your love for the defendant?
  1396. 1:13:25 I was in love with Miss Damien then.
  1397. 1:13:28 And I'm in love with her now.
  1398. 1:13:32 Pure witness, Mitchell.
  1399. 1:13:34 No pleasure.
  1400. 1:13:42 really mean?
  1401. 1:13:45 I really met her.
  1402. 1:13:48 I can't believe it.
  1403. 1:13:50 Now will you let me put you on the spot?
  1404. 1:13:58 You admit you went to Corp. Lose a pop in that match? Yes.
  1405. 1:14:00 He made love to you?
  1406. 1:14:03 Yes.
  1407. 1:14:03 Did you have any conversations about Dr. Cousins?
  1408. 1:14:06 No.
  1409. 1:14:07 Positive?
  1410. 1:14:08 Yes, I am.
  1411. 1:14:10 Tell me, Miss Damien.
  1412. 1:14:11 Were you another Phoenix Corbin? No, I wasn't. Were you another Dr. Cousins?
  1413. 1:14:16 Oh.
  1414. 1:14:17 But you've worked the quarters apart, but nevertheless.
  1415. 1:14:20 Yes, I told you that.
  1416. 1:14:21 You're in love with one man.
  1417. 1:14:22 yet you chose to visit the apartment of a man you didn't love.
  1418. 1:14:25 is you go of your own free will.
  1419. 1:14:27 Mr. Cortland doesn't force you or threaten you?
  1420. 1:14:30 Then why did you visit?
  1421. 1:14:33 I don't know.
  1422. 1:14:34 I made a mistake.
  1423. 1:14:36 You've made a mistake.
  1424. 1:14:38 As you told us on several occasions that you and Mr. Corkton were interrupted by a mysterious intruder.
  1425. 1:14:42 Can you tell this jury anything definite about that person? Anything at all?
  1426. 1:14:45 No, I didn't see him. You didn't see him. I only heard his voice. You seem very certain it was a man.
  1427. 1:14:50 What did he say?
  1428. 1:14:52 I don't know they were talking the whole life I could
  1429. 1:14:55 Yes, you heard a voice.
  1430. 1:14:57 You're willing to swear with the man.
  1431. 1:14:59 And you couldn't hear what he said?
  1432. 1:15:00 What sort of a person do you think would be calling at that time of day?
  1433. 1:15:03 A bill collector?
  1434. 1:15:05 A man selling magazines, or perhaps even a burglar?
  1435. 1:15:07 Why not a burglar?
  1436. 1:15:09 Mr. Cawthorne was a very wealthy man. He must have been a very timid back then.
  1437. 1:15:12 because nothing was stolen.
  1438. 1:15:14 Of course you realize that Mr. Cortland kept his jewels.
  1439. 1:15:17 In a vault of...
  1440. 1:15:17 store.
  1441. 1:15:18 Not all of them.
  1442. 1:15:19 ...and get some at home.
  1443. 1:15:21 - And it's safe. - Safe what's safe?
  1444. 1:15:22 The one in his living home? You didn't by any chance see that safe, did you, Miss Damien?
  1445. 1:15:26 Yes, I did.
  1446. 1:15:27 The court, please, this is the first we've heard about a safe. I asked for a recess to examine the apartment.
  1447. 1:15:32 Well, Your Honor, we've been all over the apartment. But if there is a safe, and if it has been robbed... Gentlemen?
  1448. 1:15:37 adjourn until tomorrow morning.
  1449. 1:15:39 I suggest a district attorney
  1450. 1:15:41 Attorney for defendant.
  1451. 1:15:42 examine the apartment again.
  1452. 1:15:49 What about this safe, Mr. O'Brien?
  1453. 1:15:53 on the inside.
  1454. 1:15:54 Boys better wait outside.
  1455. 1:15:58 Huh?
  1456. 1:16:01 Why, are you sure? The fine witness
  1457. 1:16:02 turned off it.
  1458. 1:16:03 help that too.
  1459. 1:16:04 All right Jack where's the safe. Me.
  1460. 1:16:06 Mr. O'Brien.
  1461. 1:16:07 I don't know if any's safe in here.
  1462. 1:16:08 If you want an unbiased opinion, I don't think there is no one.
  1463. 1:16:11 up.
  1464. 1:16:12 Well, here's a letter of counsel. Perhaps he knows.
  1465. 1:16:15 Where's the state, Mitchell? My assistant.
  1466. 1:16:16 - I was checking the location with Miss Damien
  1467. 1:16:18 - We'll be along in a minute. - Oh, you're on a dead end.
  1468. 1:16:20 While we're waiting, maybe Mr. Garrett could tell us where the safe is. I've asked him, he doesn't know. I don't understand that, Mr. Garrett. You were very close to...
  1469. 1:16:26 weren't you?
  1470. 1:16:27 That's right.
  1471. 1:16:28 We're sure there's
  1472. 1:16:29 safe in here I would have known about it.
  1473. 1:16:30 At least I would have seen the key to it.
  1474. 1:16:32 The answer's very simple. There is no safe.
  1475. 1:16:35 What did you find out? I got the dope on him, Mr. Mitchell. Spend it.
  1476. 1:16:37 It's over here in this bookcase.
  1477. 1:16:39 You were wrong for once, Mr. O'Brien. What be?
  1478. 1:16:46 What do you know about that?
  1479. 1:16:47 Have you got caught on the skis? There you are. Thank you.
  1480. 1:16:52 That looks to me very much like a safe, Mr. O'Brien. Yes, it does, doesn't it?
  1481. 1:16:59 but not like a slave that's ever been robbed.
  1482. 1:17:01 I don't think a good burglar would leave those behind.
  1483. 1:17:03 I guess we're right back where we started from. Well, that's, you know, all I want. How about you, Mitchell?
  1484. 1:17:07 You win this round. - Pack it up, sir. - Yes, sir.
  1485. 1:17:10 See you in court, son. May I give you a lift, Doctor?
  1486. 1:17:13 Sergeant, I have some
  1487. 1:17:15 I'd like to put in order. Do you mind if I stay?
  1488. 1:17:17 It's all right with me. We're finished.
  1489. 1:17:18 the place.
  1490. 1:17:19 Thank you very much.
  1491. 1:17:22 And is your own way to be your actor?
  1492. 1:17:23 Oh, I was just curious about something.
  1493. 1:17:27 I've never seen a safe like that before.
  1494. 1:17:29 One that operated with the key.
  1495. 1:17:31 Come to think about it, I guess I haven't either.
  1496. 1:17:33 Normal assumption about a safe is
  1497. 1:17:35 The lock works on a combination.
  1498. 1:17:37 Yes, I guess most of them.
  1499. 1:17:40 I was wondering how you knew that this one worked with the keys.
  1500. 1:17:42 You said you'd never seen the key to it.
  1501. 1:17:43 Thanks, Peter.
  1502. 1:17:45 said something I didn't mean.
  1503. 1:17:46 Oh.
  1504. 1:17:47 Oh, I see.
  1505. 1:17:49 There could be another explanation.
  1506. 1:17:51 Really?
  1507. 1:17:53 that you were lying
  1508. 1:17:54 said you'd never seen the safety.
  1509. 1:17:57 You're not serious, are you, doctor?
  1510. 1:18:01 I'm a scientist.
  1511. 1:18:02 to go.
  1512. 1:18:03 When we get hold of an odd fact,
  1513. 1:18:04 to consider every possible explanation.
  1514. 1:18:07 We make some of our most
  1515. 1:18:08 discoveries that way.
  1516. 1:18:10 What must be.
  1517. 1:18:10 fascinating work.
  1518. 1:18:12 Yes, it is.
  1519. 1:18:14 Suppose I had known about that safe, which I didn't.
  1520. 1:18:17 What would that prove?
  1521. 1:18:19 Frankly, nothing.
  1522. 1:18:21 But it does suggest it.
  1523. 1:18:23 You were very close to Cortland.
  1524. 1:18:25 You knew about this?
  1525. 1:18:27 Maybe the safe was robbed.
  1526. 1:18:29 Perhaps he found out about it.
  1527. 1:18:32 quarreling with a man in the hall the night he was killed.
  1528. 1:18:35 Maybe that man was you.
  1529. 1:18:38 very interesting theory.
  1530. 1:18:41 Yes, isn't it?
  1531. 1:18:43 Well, as I said, I'm a scientist.
  1532. 1:18:45 We hit on a theory like that, the next thing we...
  1533. 1:18:47 Test it.
  1534. 1:18:51 That's all I'm doing.
  1535. 1:18:53 I see.
  1536. 1:18:56 Then you...
  1537. 1:18:58 You won't mind having a little talk with the police?
  1538. 1:19:01 No, no, why should I?
  1539. 1:19:04 Fingerprints.
  1540. 1:19:05 But then, of course, if you've never seen the safe place,
  1541. 1:19:07 or you won't mind them checking it for yours.
  1542. 1:19:10 Certainly next.
  1543. 1:19:17 The number is Spring 73100.
  1544. 1:19:36 Okay, Doc.
  1545. 1:19:37 No hard feelings.
  1546. 1:19:40 Don't you think this sort of thing is rather out of your line, though?
  1547. 1:19:43 I guess maybe you're right.
  1548. 1:19:45 Bye, Doctor.
  1549. 1:20:19 Bring 73100, wasn't it, Mr. Garrett?
  1550. 1:20:32 I guess maybe I underestimated you, Doctor.
  1551. 1:20:41 I'm going to go.
  1552. 1:20:47 Oh.
  1553. 1:20:50 Come.
  1554. 1:21:22 Extra, extra, we're all about it. Melody McLeod of Minnesota.
  1555. 1:21:29 Madeline Damien and
  1556. 1:21:30 Moderator.
  1557. 1:21:31 Come on, please.
  1558. 1:21:32 Hold confession by an accident.
  1559. 1:21:33 - The employee, Jack Garrett.
  1560. 1:21:36 It was a trial marked by many surprises.
  1561. 1:21:40 ...of the defendant's fact and disclosure...
  1562. 1:21:42 - Popping to late diamond.
  1563. 1:21:44 The beautiful Madeline Damien goes
  1564. 1:21:46 and Broadway is tipping its hat today to young doctors
  1565. 1:21:48 to engage the murderer in a battle royally.
  1566. 1:21:51 Mr. Steiger.
  1567. 1:21:52 I've been looking for Miss Damien. Have you seen her? She's gone. She asked me to give you this.
  1568. 1:21:56 Gone.
  1569. 1:21:57 - Well, where did she go? - I couldn't get a word out of her, but I know she left the airport more than an hour ago.
  1570. 1:22:14 that corduroy.
  1571. 1:22:15 And I'll never forget it.
  1572. 1:22:18 You did much.
  1573. 1:22:19 save my life.
  1574. 1:22:20 you made my life.
  1575. 1:22:22 I can't see it.
  1576. 1:22:24 I can love.
  1577. 1:22:25 Mary.
  1578. 1:22:26 But right now, that wouldn't be...
  1579. 1:22:28 I'm going away for a while.
  1580. 1:22:30 I want to be terrible.
  1581. 1:22:33 that I can use.
  1582. 1:22:34 that kind of
  1583. 1:22:36 thought I would.
  1584. 1:22:37 Maybe after a while, that's what we're doing.
  1585. 1:22:40 And then,
  1586. 1:22:41 My apples show.
  1587. 1:22:43 Please, Arthur.
  1588. 1:22:45 Good times.
  1589. 1:22:46 Yeah.
  1590. 1:22:59 Passengers on flight 41 loading at gate 6.
  1591. 1:23:03 Will you try and see?
  1592. 1:23:04 last in a while.
  1593. 1:23:05 Of course.
  1594. 1:23:06 - You see?
  1595. 1:23:07 I want to.
  1596. 1:23:08 Oh, Mr.
  1597. 1:23:10 I'm sure.
  1598. 1:23:12 Are you really?
  1599. 1:23:13 After what you've been through, I'm very sure.
  1600. 1:23:15 All aboard, please.
  1601. 1:23:18 I still think...
  1602. 1:23:19 if you're making a mistake.
  1603. 1:23:37 I'm going to go.
The video itself is not here and never will be; only the shot list, one small frame per shot, and text read off the frames by OCR. The status badge is the registry's finding about the copyright record, which is separate from whether this particular Archive copy is the film it says it is.
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Director of LUCIEN Supervising Fi E. NEWCOM Film Editor JOHN M. FOLEY Assistant Art Director. Hair Stylist Decorator ROBERT PRIESTLY Director JOHN CARTER Sound se KANE owe MARS ae ARTISTS
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