Shots like this one
48 nearest shots across the atlas
Nearest by cosine distance between CLIP embeddings of the keyframes; shots immediately before or after this one in the same film are left out.
Barefoot Boy (1938), 28:15 match 0.95
Barefoot Boy (1938), 28:36 match 0.93
Barefoot Boy (1938), 28:31 match 0.92
Barefoot Boy (1938), 59:18 match 0.86
The Admiral Was a Lady (1950), 1:05:36 match 0.85
Barefoot Boy (1938), 36:47 match 0.83
Barefoot Boy (1938), 59:36 match 0.82
Little Men (1940), 35:42 match 0.82
Inner Sanctum (1948), 45:57 match 0.82
Barefoot Boy (1938), 13:28 match 0.82
Three Came Home (1950), 1:18:02 match 0.81
Doomed to Die (1940), 57:36 match 0.81
Little Men (1940), 35:30 match 0.81
Little Men (1940), 35:16 match 0.81
Calendar Girl (1948), 1:25:35 match 0.81
The Great Dan Patch (1949), 1:07:55 match 0.81
The Great Dan Patch (1949), 1:07:56 match 0.81
Three Came Home (1950), 33:44 match 0.81
Barefoot Boy (1938), 12:50 match 0.81
Waterfront (1944), 36:18 match 0.81
Irish Luck (1939), 29:05 match 0.81
Barefoot Boy (1938), 58:31 match 0.81
Barefoot Boy (1938), 36:57 match 0.81
Private Snuffy Smith (1942), 13:17 match 0.81
Double Exposure (1944), 20:00 match 0.80
Million Dollar Weekend (1948), 27:00 match 0.80
Penny Serenade (1941), 54:28 match 0.80
Double Exposure (1944), 57:15 match 0.80
Waterfront (1944), 58:26 match 0.80
Waterfront (1944), 17:47 match 0.80
Kid Dynamite (1943), 3:35 match 0.80
The Red House (1947), 21:26 match 0.80
War Dogs (1942), 43:24 match 0.80
Three Came Home (1950), 35:06 match 0.80
So’s Your Aunt Emma (1942), 54:38 match 0.80
War Dogs (1942), 41:43 match 0.80
Barefoot Boy (1938), 57:00 match 0.80
Suddenly (1954), 31:25 match 0.80
Texas Terror (1935), 23:01 match 0.80
Barefoot Boy (1938), 13:35 match 0.80
Three Came Home (1950), 57:46 match 0.80
Behave Yourself (1951), 22:14 match 0.80
Waterfront (1944), 36:20 match 0.80
Detour (1945), 56:31 match 0.80
Waterfront (1944), 1:02:36 match 0.80
The Great Dan Patch (1949), 1:09:12 match 0.80
Three Came Home (1950), 33:26 match 0.80
Double Exposure (1944), 4:30 match 0.80