THEY MADE ME A CRIMINAL (1939)
580 shots over 1:31:12, read from the Internet Archive copy They_Made_Me_A_Criminal_1939 (they_made_me_a_criminal_1939.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: THEY MADE ME A CRIMINAL No renewal found. JSON
Measurements: black-and-white film on its keyframes (0 of 580 shots judged colour), average shot 9.4s long, a frontal face detected in 47% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Transcript
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 1235 segments kept, 279 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
- 1:00 Oh, yeah.
- 1:28 It's a honey.
- 1:30 Just a minute, fellas. We're there. Just a minute. Good one.
- 1:34 Let's get him.
- 1:36 Come on. I'm going to congratulate you. Say you're a small man. I want to try to-- come on. Where's Johnny? Where is Johnny? Huh? Stop it. All right. You all right? Hey, boys, a little room.
- 1:45 Hey, Johnny, come on, boys. Come on, boys.
- 1:47 Come on, you're gonna say a few words to the public.
- 1:48 Well, I don't know what to say. That thing scares me. Oh, come on. Go ahead. Say something.
- 1:52 Are you listening, Mom?
- 1:53 I won, Mom, and there isn't a mark on me.
- 1:56 Not a market.
- 1:57 I'll be home soon, sweetheart.
- 1:58 Don't wait up for me. Hey, listen, this isn't a private telephone line. You gotta say something to the public.
- 2:03 Hello, folks.
- 2:04 Excuse me for mentioning Mom, but I know you'd do the same thing if you had a mother like mine.
- 2:08 Well, anyway...
- 2:11 On my way up to the championship,
- 2:12 Well, anyway, I...
- 2:14 I guess we're all glad it's back in the good old USA where it belongs.
- 2:17 I guess that's over.
1215 more segments
- 2:23 Great fight, Johnny. You're a world champion. Congratulations, Doc.
- 2:29 Yes.
- 2:31 - Mr. Ennis? - Yeah.
- 2:32 Yeah, over there.
- 2:34 And he never fought again. Oh, hello, Phelan. Got it?
- 2:40 Got a surprise for you, champ. What's this, my birthday or something?
- 2:44 Do you remember this?
- 2:46 My watch.
- 2:48 Gee, I'm glad you found it.
- 2:50 Mom gave it to me. Saved up all year for my household money for it.
- 2:53 Mother's Day again. Yeah, we picked it up at the 6th Avenue hawk shop. We got the guy that lifted it, too.
- 2:59 You know, this watch means more to me than that diamond belt I won tonight.
- 3:03 Nice work.
- 3:04 It wasn't me. It was Brewster. They just sent me up with it.
- 3:06 Yeah, you see, Phelan's too busy down at the morgue trying to keep the stiffs from escaping to make a pinch.
- 3:11 Isn't that right, Marty? If you say so, Inspector, it must be right. Let Doc know who the guy is, and he'll be well taken care of.
- 3:17 Do you mind strapping this arm like a good fella?
- 3:19 You know, now, no pockets in this suit.
- 3:21 Oh, the other is. Sure, that's right. The other is.
- 3:24 i should know you being a southpaw first hole you bet
- 3:28 First hole. They had some risk you got there.
- 3:31 Yeah, I guess I got plenty of this there. Say, I was at the fight tonight. You sure got a funny way of handing yourself in there? Left handed like that with your right stuck out?
- 3:38 That's the first thing one notices about a man, his stance.
- 3:41 More on his face.
- 3:42 You know, a lot of people look alike.
- 3:44 No two people ever stand just the same.
- 3:46 same way.
- 3:47 That's a great theory you got there, Philip.
- 3:50 Is that how you identified Barney Schofield?
- 3:54 Yes, Inspector.
- 3:57 You'd better get along back to the morgue.
- 3:58 Those deadens may start trouble if you leave them alone too long.
- 4:03 Okay, Inspector. Okay.
- 4:06 A new one you're riding?
- 4:08 No one.
- 4:09 Well, he's been with the department ever since I have. Only he's on morgue detail when I'm an inspector.
- 4:14 Funny thing, he somehow got the idea he was a great detective.
- 4:17 Made all kinds of pinches.
- 4:19 till one day he made the wrong one.
- 4:20 Talking about Phelan?
- 4:21 Yeah, remember him putting the finger on Barney Schofield?
- 4:23 and finding out he was wrong after that burned Scofield in the chair.
- 4:36 Wrap it up.
- 4:37 Here's more of your public.
- 4:39 Hello, Donnie. You're a great part, boy. Thanks a lot. I've got to be running away now. There's a gang of news
- 4:43 waiting outside for a feed I promised him after the fight so there's a grand guy wins the championship and the first thing he thinks about is the newsies
- 4:51 Poor old gray-haired mother.
- 4:53 Yeah, Miss, for the million things she gave me... You think that's funny, don't you? Lay off Johnny's can. Oh, don't get sore. I didn't mean anything. Okay.
- 5:03 Just because a guy doesn't drink and fool around with women and respects his mother, you don't have to make a monkey out of him. No, no, no. Don't pay any attention to him, Johnny. The rest of us think you're okay. Sure do. Good night. Good night, Johnny.
- 5:16 There goes one grand guy.
- 5:18 Am I right or am I right? What a grand guy!
- 5:21 Tonight, youth was served again when young Johnny Bradfield won the lightweight championship of the world in the seventh round of a scheduled 15-round battle.
- 5:28 Johnny fights like a real champion, while his right jabs with lightning precision, his left is packed with dynamite.
- 5:34 Red dynamite, I'd say.
- 5:36 But most of all, it has not... How about it, Doc, huh? ...the youth of America, sportsmanship, and decent conduct. Yeah.
- 5:42 Live at home with Mother and stay away from booze and women is the new champ's formula. Says you.
- 5:47 But he's right about the women, isn't he, Johnny? No women in the chance life. Just little Goldie. Yeah.
- 5:54 Come on.
- 6:02 Swear to doc, you sore 'cause you ain't got a girl? No, I ain't sore. Come on, pour us a drink. Come on, come on. Yeah, yeah, and fix one for me too, doc. Well, you got a drink. Well, give me some more.
- 6:12 I want music. Come on. Cheer up, Doc. You're my manager, ain't you? We won the championship, didn't we? We were right up there on the money. You're going to have a lot of things.
- 6:20 Yeah, see ya. Now I've got something. Come on, come on, get her. Let's dance. Come on. Get her out there. No, you don't have to finish that. Come on, let's dance, dance, dance.
- 6:30 That's not bad enough. Now, come on, dance.
- 6:32 Oh, don't stop, don't stop it!
- 6:46 Why do you want to do that?
- 6:48 - I'm gonna get a shot.
- 6:50 Well darling, here we are! I'm glad you could come! It's my friend Charlie McGee. Hello! Come on in, I want you to meet everyone.
- 6:58 This is Doc Wood.
- 6:59 Budgie, Massey, and Mr. McGee. Hiya, Doc. And that is Johnny. Johnny! Johnny, am I crazy to meet you, lady? Did you hear me yelling for you tonight? I almost broke up the joys, didn't I, Charlie, huh? You certainly did. Johnny, is that for me? Well, that's straight ride. Right.
- 7:16 Oh, I can take it. I told you I could take it, see? Hey, why don't girls be prize fighters? Does anyone around here want to fight, huh?
- 7:27 Hey, Johnny! Johnny, hey, you want to fight with me? Hey, Johnny, come on, show me how to fight. Come on, look at that left of mine. Pretty good, huh?
- 7:37 Pretty good, huh? How about you? Bucy, why don't you want to? Oh, shut up. Hey, come on, hit me, Jem. I'm wide open. Oh, will you cut it out? Oh, Jem can't take it. Quiet down, will you? Why don't you wake Mr. Ratty's mother? She's a sound sleeper. Yeah, she's a sound sleeper. She's a sleep slounder.
- 7:57 Why don't you go home?
- 8:00 Oh, Johnny, don't be like that. Budgie was only kidding, weren't you, honey? I don't like that kind of kidding. She's slug nutty.
- 8:05 Listen, you can't talk that way to my friends. Friends, nothing. Nobody's got any friends.
- 8:10 Give me another drink.
- 8:12 What do you mean nobody's got friends? Ain't I your friend?
- 8:15 Yeah, you're my friend. For 50% you're my friend. That ain't right.
- 8:19 Yeah, you're my friend now because I'm up, but you ain't fooling me. You take my role, my watch, and my girl if you thought you could get away with it.
- 8:24 If you were sober, you wouldn't talk like that.
- 8:26 Ah, go on, it's a soccer's game
- 8:29 You mean the fight racket?
- 8:30 I mean, breathe and live and nobody does anything unless there's something in it.
- 8:33 If you do, you're a sucker.
- 8:35 Except your mother, huh?
- 8:38 That's a laugh. My mother, my dear old mother.
- 8:42 I haven't got a month.
- 8:43 That gray-haired old lady's stuff is just a lie.
- 8:46 Alive as suckers!
- 8:47 Well, that's a good line of that. Sure it is.
- 8:50 So is one of our booze and women.
- 8:52 Well, I've lapped up more booze, ran around with more women, and a mother wrangle while I just entered. Can you die of that? Johnny Bradfield ain't got a mother. She was just a prop to catch suckers. Well, there's a story for you paper, Charlie. Yeah, sure. What's that? What'd she say? What?
- 9:12 He said plenty of that monk's a reporter.
- 9:14 Report!
- 9:16 Hey, can't you take a joke, Johnny? That's right, the morning graphic. You wouldn't print what Johnny just said in your paper, would you? Oh, wouldn't I?
- 9:22 Can you think of a better story?
- 9:26 Just a minute, McCade.
- 9:27 You're gonna stick around a while. - Oh, yeah? - Yeah! James, don't powder your nose! - Wait, you wouldn't do anything! - Not that we have to, Strand!
- 9:33 Listen, Ricky, you ain't gonna print that. I'd be a sucker if I didn't.
- 9:36 Now, I'd be a sucker if I didn't take a poke at you. That goes for every time I see you.
- 9:42 Just a minute, McGee. You're not leaving yet.
- 9:47 Oh! What goes on out here? Johnny!
- 9:49 - Johnny, are you hurt? - No, he's all right.
- 9:52 Charlie!
- 9:53 Charlie, what have I done for you?
- 9:54 - Jeremy, Jeremy, are you all right?
- 10:04 Holy...
- 10:06 Come on!
- 10:08 Nothing. He's dead.
- 10:10 Is that...
- 10:14 What did you do with that for? She had it coming to her.
- 10:17 Come on, let's blow. - We can't, John. He's out cold. - We got him. Get the ramps.
- 10:24 Come on, help me get him out of here. Where are we going? Up to Mackey's. There's nobody there.
- 10:28 Come on, grab those hats and coat them. All right.
- 10:34 Get in there first.
- 10:35 Go ahead, grab his arm. Try to make a sucker of me.
- 10:59 Come to yet?
- 10:59 No, he's still dead in the world.
- 11:01 Well...
- 11:02 Let's get him in the house.
- 11:04 - Oh.
- 11:09 - Yeah.
- 11:10 - I'd rather have a shot. - Thanks.
- 11:12 Don't need it before the night's over.
- 11:13 What do you mean?
- 11:15 Come here.
- 11:17 - I'm sorry.
- 11:19 We gotta scram out of here and quick.
- 11:21 No, I'm going to stick.
- 11:22 I got a stick.
- 11:23 All right, you stick.
- 11:26 Are you sure he did it?
- 11:27 I'm telling you, you socked him with that left of his.
- 11:30 And when he doesn't go down, he eats him a terrific wallop over the head with a whiskey bottle. Then the guy goes down and conks himself out for keeps.
- 11:38 The whiskey bar.
- 11:38 That dog's all a Johnny.
- 11:40 Tell me he's a killer when he's drunk.
- 11:43 There's no telling what that thing will do when she wakes up.
- 11:45 We'll all be in it. You and me, too.
- 11:47 But we didn't do anything. Yeah. Well, we were there, weren't we? You think he's going to say we didn't do anything? You think he's going to take the rap while we walk out? But we didn't do anything. Oh, shut up.
- 11:56 You said that once.
- 11:58 I'm explaining to you, ain't I?
- 12:00 It ain't that you do anything, it's can you prove it.
- 12:02 Can you prove you didn't do nothing?
- 12:05 But Johnny wouldn't say anything.
- 12:06 No. He'd go to the chair for you, wouldn't he?
- 12:09 You just heard him say he's no sucker.
- 12:13 We're gonna stick together.
- 12:15 You and me, kid.
- 12:30 He said you'd take his rose.
- 12:32 and his watch.
- 12:33 Yeah, this gal.
- 12:34 I'm no sucker either. Come on.
- 12:39 Doc!
- 12:40 Doc, I'm scared. I'm scared stiff.
- 12:41 You'll definitely be scared about honey. We'll be across the border like that.
- 12:44 and we'll hide out in the...
- 12:46 This whole thing goes on.
- 12:47 Come on, Eddie.
- 12:58 Come on now, get some hot!
- 13:00 Okay, baby.
- 13:02 - Oh, yes.
- 13:04 number 2A-1243. Look for Johnny Bradfield.
- 13:08 Possibly traveling with manager Doc Wood and his girl Goldie West.
- 13:11 Reporter killed in his apartment
- 13:12 Doc!
- 13:13 Thereafters.
- 13:14 Don't let him get a stock. It's all right, baby. I won't.
- 13:17 I won't.
- 13:18 Hiccup gray convertible theoden, license
- 13:20 number 2A1243.
- 13:34 This house.
- 13:35 They're after us!
- 14:02 - Ready? - Ready?
- 14:32 - I'm gonna wait to go ahead and smash it.
- 14:47 Amen.
- 15:10 Oh, for crying out loud.
- 15:49 I didn't hit him with no bottle.
- 16:08 I thought you were dead.
- 16:10 No, I ain't dead. What are you talking that way for? You'll kill this man, McGee. I didn't kill him. Listen.
- 16:15 What are you doing here, then?
- 16:17 I want to ask you what all this is about, saying I'm dead. The wristwatch. Yeah, I know. I can read. I read about it in the papers, too. Oh.
- 16:25 He stole my watch, my girl, and my car.
- 16:27 Ah, serves him right.
- 16:29 I'm sorry about Goldie.
- 16:31 She was okay.
- 16:32 She wouldn't have double-crossed me. It was him. Listen, do you know that you're guilty of the murder of this newspaper man? What are you talking that way for?
- 16:38 I started to hit him and then I don't remember. You started to hit him and he's dead. And he a newspaper man.
- 16:43 You're as good as dead.
- 16:44 What are you talking that way for? You're as good as dead. What are you? Officially, you're dead.
- 16:50 You're the guy that burned up in the car.
- 16:52 You came to me for advice.
- 16:54 This is my advice. Stay dead. Let Johnny Bradfield stay dead.
- 16:57 You be somebody else. Be Jack...
- 16:59 Jack Dorney.
- 17:01 Now get out of New York.
- 17:03 Yeah.
- 17:04 Here.
- 17:05 Bye-bye.
- 17:06 I need some money.
- 17:07 I got 10 grand and the National Trust Bank. You can't go to the bank, don't you understand? It's an avort. All I have to do is open the box. I got the key right on me. Nobody will see me. Nobody will see you.
- 17:15 Let me have the key.
- 17:17 I'll get it for you. Would you do that? Why, sure. Here.
- 17:20 Go to this address.
- 17:21 Stay there until you hear from me.
- 17:23 Keep out of sight.
- 17:24 I haven't any money. I haven't got a cent. I hear it.
- 17:27 Here's $10. What am I going to do with $10? Well, what do you think? You're not going to nightclubs.
- 17:31 Okay.
- 17:32 And when will I hear from you, tomorrow? Yes, tomorrow.
- 17:35 This is the address? Yeah. Now don't be seen by anybody. I get you. If you're seen, you'll be tried for murder. Don't talk that way, will you?
- 17:43 Grow a beard. Do something to change your appearance.
- 17:45 Okay.
- 17:46 I'll do something.
- 17:47 I didn't figure that I...
- 17:59 Ahem.
- 18:02 And we find the death of John Bradfield and Goldie West...
- 18:05 due to accidental causes while evading arrest for the murder of Charles McGee.
- 18:10 Well, the papers can't squawk this time. A guy is murdered.
- 18:13 And six hours later, we not only discover who committed the crime,
- 18:17 But we also know that he's dead.
- 18:19 Can you imagine the howl if this hadn't happened?
- 18:21 Killing a reporter is one thing the papers won't stand for. Well, that's that. I'll see you in a minute, Inspector.
- 18:28 sure you got a clue on the mcgee murder that's it exactly i don't think the guy that burned up is johnny brentfield at all oh you're nuts
- 18:35 Remember me putting that watch on his right hand?
- 18:38 Well, the guy they brought in had that watch on all right, but it was on his left, Ash. So what? Can't a guy change his watch from his right wrist to his left for the love of Mike?
- 18:45 Well, there are some things a guy always does the same way, like the side he starts to shave on in the morning and the way he starts to dress.
- 18:51 Same thing with a wristwatch. Now, Phelan, you've been hanging around stiff so much, you're saying things.
- 18:56 That's what's saying things.
- 19:01 I'll tell you another thing.
- 19:03 That watch was in the third hole.
- 19:05 When I strapped it on Johnny Bradfield's wrist, I put it in the first hole.
- 19:08 You heard him tell me to do it himself.
- 19:10 So, one wrist is bigger than the other. Didn't you ever hear of that?
- 19:13 Maybe.
- 19:15 All I ask is that you reopen the case and assign me. Reopen the case?
- 19:19 Now get this, Phelan.
- 19:21 Johnny Bradfield murdered McGee. And it was Johnny Bradfield who burned up on the highway this morning at 5 a.m. Now listen, Chief. Listen to who?
- 19:28 The trouble with you, Phelan, is that ever since you railroaded the wrong guy to the hot seat,
- 19:32 You've been seeing things.
- 19:33 You're screwy.
- 19:34 Why don't you retire?
- 19:37 I'll tell you why.
- 19:39 Because I'm not through. Oh, yes, you are, but you don't know it. I'll show you if I'm through. Yeah? How? I'll prove that guy they brought in isn't Johnny Bradfield. You will, huh? Let me try.
- 19:48 You're afraid to. - Who, me? - Yes, you.
- 19:51 For ten years you've been picking on me just because I made a mistake. Well, maybe this is your mistake.
- 19:55 Maybe if I prove it, they'll put you on more detail like you did me.
- 19:59 I'd love to.
- 20:00 to see it. All right, Phelan, you've got yourself an assignment.
- 20:06 Thank you, Inspector.
- 20:08 Now bring him back, dead or alive. What did I tell you, fellas? He's cuckoo. Just plain cuckoo.
- 20:15 I've been calling you for two days. I've been busy. I want to get out of here. You got my money? Yes, I got your money. Right here.
- 20:23 There's 50, 100, 150, 200, 250.
- 20:27 What's this?
- 20:28 That's yours.
- 20:29 What do you mean, that's mine? No, if I were you...
- 20:32 I'd put as much distance between myself and this city. Where's my money? Where's my 10 grand? The $2.50 is yours. The rest of it is my fee. What do you mean? Where's the rest of my 10 grand? I've explained it to you. It's my fee.
- 20:42 What are you trying to do, make a sucker out of me?
- 20:47 What do you think I am? You hand over the rest of that 10 grand or I'll... Oh, you'll what? Well, you'll go to the chair...
- 20:52 Now listen to me and I'll give you some advice.
- 20:54 Don't use your fists or you're cooked.
- 20:56 If you take that cockeyed stance of yours with your right stuck out and your left pull way back, someone's going to spot you.
- 21:01 What you don't seem to understand...
- 21:04 - Donnie. - What?
- 21:05 Jack Dorney, remember that?
- 21:07 Jack?
- 21:08 Dorney.
- 21:09 I think you can remember that.
- 21:11 Check.
- 21:12 - Go on.
- 21:13 What I started to say, Darnie...
- 21:15 Don't.
- 21:16 Don't take that cockeyed stance of yours.
- 21:19 Don't use your fists at all.
- 21:21 Not at all.
- 21:23 You'll be killing some other man, or if you don't...
- 21:26 You'll give yourself away. You'll give yourself away.
- 21:29 Once they get you, your life isn't worth...
- 21:31 But do as I say, Jack Dorney. Stay away from places. Stay away from all places.
- 21:36 Out of sight.
- 21:37 Afraid.
- 21:38 From now on, you've got to be afraid.
- 21:42 Stephanie.
- 21:43 Yeah.
- 21:44 I get you.
- 21:46 That's my advice, and it's worth ten grand.
- 21:48 Good.
- 21:49 Now beat him, sucker.
- 21:52 What can I do with this?
- 21:54 $250? I want to see you a long way.
- 21:56 And what do you want more for? You don't want to use any train with those people. You don't want to use an automobile.
- 22:01 You go hop a freight so it won't cost you anything and keep the money for food.
- 22:05 That ought to last you at least six months.
- 23:15 Amen.
- 23:15 Mm-hmm.
- 23:20 Hey, you got your foot on my money. That's why you're wrong, buddy. Hey.
- 23:26 That's my money, not your money. Hey, wait. Take it, Aiden, Bill. Shut up.
- 23:33 *Dramatic music*
- 23:37 What's the matter with you?
- 23:39 Mm-hmm.
- 23:43 Take a walk.
- 23:46 I'm sorry.
- 25:00 WHISTLE BLOWS
- 25:02 Hey, Peggy. Hey, Peggy, come here. What's the matter? Look, I'm not a tramp. I'm not a tramp.
- 25:16 Hey, wipe the dude, will ya?
- 25:18 There, Jeanette, one less tree to pick.
- 25:20 Would Al be swell, huh?
- 25:22 There's the Nutter City Slicker on the moosh.
- 25:24 What do you think?
- 25:26 Hey, what's the idea? Look, we got company. Hey, where's the dame? No dame, you're dope. You're good.
- 25:32 - I'm not funny, I'm not funny.
- 25:33 Take a look, baby.
- 25:37 Amen.
- 25:38 I wonder if there's a chance to get... Yes, there's a big chance. There's a ladder back there and some baskets and some dates.
- 25:43 And after you pick three basketfuls, you get a handout. Well, I'm no trap. Ha, ha. I know. You're a big oil man, and you came all the way down here to study about anticlines.
- 25:53 I suppose you have a limousine parked down the road. Suppose I told you I did have a limousine.
- 25:57 Two of them.
- 25:58 Look.
- 25:59 I know all the routines, but if you want to eat, you gotta pick.
- 26:06 I got a hunch I wouldn't care for the meals here anyway.
- 26:10 It's all right with me.
- 26:12 You know, the Waldorf's right around the corner. You ought to try the caviar. Thanks. I'm a sucker for caviar.
- 26:19 I'm going to go.
- 26:40 Grandma!
- 26:41 Grandma Efferty! Quick! Now, now what's the matter?
- 26:47 Amen.
- 26:47 Oh! Oh! Here, here, what's the matter? He's beat us. Well, come on, get him out of here. We don't want him. Now look out, he's staggering in the middle. Come on.
- 26:57 I'm not.
- 27:02 I don't know.
- 27:09 I'm going to go.
- 27:15 Goldie.
- 27:17 Is that you, Goldie?
- 27:18 No, it isn't.
- 27:18 Gordy.
- 27:19 Where am I?
- 27:20 Where's Doc?
- 27:21 Get easy.
- 27:22 I want to know.
- 27:24 Well, you're at Rancho Rafferty, about 20 miles from Kalinga, Arizona, if that means anything to you.
- 27:32 I...
- 27:33 Yeah.
- 27:34 Yeah, yeah, yeah, I get it.
- 27:37 I must have taken the car.
- 27:39 Long count, I'd say you've been out for two days.
- 27:42 Where was I hit?
- 27:43 On his stomach. I don't think you've eaten for a week. Here, come on.
- 27:48 What's that?
- 27:49 It's milk every year.
- 27:51 No, no.
- 27:51 Sure, sure.
- 27:53 They make umbrella handles out of it.
- 27:56 Amen.
- 27:58 No.
- 28:04 Nice and...
- 28:05 quiet around here, huh?
- 28:08 Uh, nobody much around?
- 28:10 No, just me and Grandma and the kids.
- 28:15 I'm sorry.
- 28:17 What do you do with yourself all day?
- 28:19 Ranch?
- 28:20 I don't get it.
- 28:21 You're not the kind that-- - No.
- 28:23 You don't look like the rancher's daughter to me.
- 28:26 Look, suppose you tell me about yourself.
- 28:29 All right.
- 28:34 Listen, you do that again and you'll be out for a week. I told you once I wasn't Goldie.
- 28:38 You can't arrest me for trying.
- 28:44 Well...
- 28:45 Here we are. Again. Hello, Sheriff. How's it been?
- 28:49 That's good. Oh.
- 28:51 So this is the young fella that passed out on you, huh? Uh, Sheriff, this is the boy, all right. Where you from, boy?
- 28:58 Texas, I've been cutting down there
- 29:00 Throats?
- 29:01 No, no, no, beef. Got any folks around here?
- 29:04 No, no, no. My folks are back in Texas now.
- 29:07 I've been just looking for work...
- 29:08 till things pick up down there.
- 29:11 Or leave the boy alone, Shilf. He's been out of his head for a while.
- 29:14 two days. Sure, sure, it's all right. I'll be on my way now.
- 29:17 Just want to stop in and see about the kids. I got to make my report to the board, you know. Ah, not they care about us.
- 29:22 Hey, sir, I'm possibly getting a picture of you, huh? My picture? Why not? Okay, I'll hear what it's like.
- 29:27 That's a like a looking young fella.
- 29:29 Yeah, he's likely to get out of here as soon as he can walk.
- 29:34 All right.
- 29:37 Come on.
- 30:04 Hey, where you going?
- 30:11 What are you doing, you sponge? You're walking out on the job. Go away, Peter. Hey, Grandma! Peggy! Shut up, you...
- 30:18 Why, you biggum.
- 30:21 Wait a minute, Chaplunker, put up your doof. I'll be seated, kiddo. You'll really get hurt. A fine thing to be hit in a little bit of a boy half your size. For two pins, I boxed the sassy. Yes, but I... Oh, I just touched him.
- 30:31 Can't a guy take a walk without some kid firing off a 21-gun salute?
- 30:34 Oh, so you were running away without saying a word to anybody.
- 30:37 Well, you don't want me to hang around here forever, do you? I told you I was looking for work. Well, it's 20 miles to the nearest town. Oh, why don't you let him go? The sheriff has a place for hobos. I tell you, I'm looking for work. They can't do nothing to a man for that. You talk like I was a criminal. See here, if it's only work you're looking for, you know there's plenty of that hanging around here. I get it.
- 30:54 You kept me a couple of days, now you want me to work it off, huh? For what else would I be asking the great big lazy lummox of a face like yours to be standing around here? Well, what do you want me to do?
- 31:03 Well, till you get a bit of colour into that face he used...
- 31:06 You can sit around in the sun and...
- 31:08 and amuse the kids.
- 31:12 Amuse the kids.
- 31:41 We're not a mule.
- 31:45 Hey.
- 31:46 You're from New York, ain't you?
- 31:47 Yeah, I've been there.
- 31:49 Boy, do I miss that East Rift. Yeah, that reform school you was going to. I guess you missed that too, huh?
- 31:54 Ah, reform school ain't so bad. Me brother's been up there twice.
- 31:57 He don't get out 'til he's 21.
- 31:59 Yeah, he got a lease on a joint.
- 32:04 Mm.
- 32:07 Pfff.
- 32:09 Uh.
- 32:11 Just what is the setup here?
- 32:14 Oh, we got too hot in New York, so they sent us out here to reform us. Yeah? Who did?
- 32:18 Father Rafferty, did you ever hear of him?
- 32:20 He was never in my church. Mine neither. Well, anyhow, he was a priest down on the east side, see? Till he died about a year ago.
- 32:26 He got up that Help Thy Neighbor Fund to send tough kids out to his sister.
- 32:30 That's the old lady. What for? To get degenerated.
- 32:33 Regenerated, you dope. Regenerated. That means reformed.
- 32:38 A reform school for kids, huh?
- 32:42 Yeah, but they ain't gonna regenerate me, 'cause I'm going back to the east side.
- 32:46 How you going, by Pullman, you're going to take a special airplane?
- 32:48 I'm going to tour back, Joe. I'm going to tour back, like him. Oh, you ain't got the noise. You ain't got the noise.
- 32:54 Hey.
- 32:55 Who's the dame?
- 32:56 Oh, that's Tommy's sister. Yeah? What'd she do? She didn't do nothing.
- 33:00 She's supposed to watch Tommy get degenerated. Regenerated? Fuck. Cut it, Dougie.
- 33:05 Yeah, the judge would have sent Tommy to reform school if she hadn't promised to play copper to him. Until he gets degenerated.
- 33:10 Ah, shut up!
- 33:13 Hey, what are you trying to do? Mind him me? No, only cut your trot.
- 33:16 No.
- 33:18 You know, Tommy's a pretty tough guy.
- 33:20 They caught him robbing a warehouse. They got me for slashing tires on Cherry Street in a parking car wreck.
- 33:24 You got a match? What do you got there?
- 33:26 A corn silk butt. You want one? Oh. I wonder you kids wouldn't know where a guy can get some real butts, would you? Yeah, they sell them over at the stand. Yeah?
- 33:34 What's the use of smoking grass when you can help yourself?
- 33:37 Yeah.
- 33:38 We wouldn't see nothing around here.
- 33:40 No stealing from me. I thought you kids were tough.
- 33:44 Wait a minute.
- 33:46 What about you, Freighton?
- 33:47 - Afraid?
- 33:48 I ain't afraid of nothing. Who can beat my line, that's all. Leave him alone.
- 33:52 Wait a minute.
- 33:54 I dare you to get me something.
- 33:56 Oh dear dear, you gotta take a dance.
- 33:58 All right.
- 33:59 Ain't gonna take a death? Tell me it could take a death.
- 34:12 Hey, can I have a drink? Yeah. Yeah, I'll get one for you.
- 34:19 Here.
- 34:37 Boy, just hit the spot.
- 34:52 Did you get him, kid?
- 34:53 Yeah, here you are.
- 34:55 Nice work.
- 34:57 Very nice work.
- 34:58 Getting kids to steal for you. If there's anything lower than that, I haven't met it yet.
- 35:07 Come on, Fox. Come on.
- 35:16 Frank it up. Frank it up.
- 35:18 Hey, what's the matter with you? Ah, look out. Come on, Tommy. Keep that lift out, my boy.
- 35:23 - I'll put your butt on the ring. - What did I do? - I don't know what's that right, Tommy. - Come on, George, fight! Come on, go ahead, fight!
- 35:30 Oh, not the strength. One guy gets knocked down. Come on. Bow! Bow! Bow! Bow! What do I do?
- 35:38 Shut up.
- 35:39 Hey, you saw it, didn't you? We didn't see nothing. Sure, it was a foul. He can't put nothing over on me. As long as the referee sees you, it's a foul. Sure, I know my Marquise of Queen Berry Rolls. Marquise. I cut it out, you bitch.
- 35:51 - He's not.
- 35:52 If you're going to be smart, you do it in the infighting.
- 35:54 May I show you?
- 35:54 Here, Tommy, stand up there.
- 35:57 So you're leading with your right.
- 35:59 And you move in like that. OK. While you're turning your right around, you fake a left hook.
- 36:03 And you jab him in the guts with your left elbow. See?
- 36:05 Yeah, but that ain't fair. Of course it ain't, if the referee sees you. The trick is to get the other guy between you and the referee says he won't see you.
- 36:11 Come on, Jack, let's box, huh? I don't know anything about it. Oh, I say you. Come on.
- 36:17 Come on, Jack. Get him out of the yard. What's that light? What's that light? Holy smokes. That guy's really a-- Take it easy. Come on, Jack. Take it easy. Take it easy.
- 36:31 What are you doing?
- 36:32 It's already taking your picture.
- 36:34 Lay off.
- 36:34 Don't you ever do that again, sweetie? What's eating you?
- 36:37 Never mind, but lay off with that camera.
- 36:40 Okay, okay. Didn't so about, Jack.
- 36:50 Now look.
- 37:00 If you can't get the stand on his feet, give him the thumb in the eye, like this.
- 37:03 Ow!
- 37:03 I get it. Only harder and quicker, but make sure you got the other guy between you and the referee...
- 37:08 Okay, kids. Feed it, feed it, feed it.
- 37:10 Gee whiz Peggy, you're always butting in. Why don't you leave us men alone? Are you sure I can get in my hat? I was just teaching a kid how to take care of himself. Yeah with dirty tricks.
- 37:20 Well, somebody will pull him on him. He might as well learn to pull him first.
- 37:23 You don't believe anything's on the level, do you?
- 37:25 Do you?
- 37:26 I know you're not. And what about you? Well, what about me?
- 37:29 You're playing probation officer, aren't you? So what?
- 37:31 - Getting dough for it? - No.
- 37:33 Oh, give me that. I know all about that priest in New York. He's dead.
- 37:37 Yeah?
- 37:38 What about the funds?
- 37:39 There isn't any fun. It stopped when he died.
- 37:42 He trying to tell me you and the old lady are supporting these kids on the cuff, huh?
- 37:45 That's right. What for?
- 37:47 You wouldn't understand.
- 37:48 Uh, you must have some angle. I wonder if you're as tough as you think.
- 37:53 You are.
- 37:55 I ain't so tough.
- 37:56 But I ain't a sucker either.
- 37:58 What do you call a sucker?
- 37:59 Well?
- 38:00 You're a sucker. What you tell me is true. So is that old lady. So is that dead priest. Why? Because he put out a helping hand? Help yourself is my slogan. And what does that get you?
- 38:08 Well...
- 38:09 A lot of it.
- 38:11 Thanks for the listen.
- 38:17 Type B-16.
- 38:19 Single pump, 500-gallon, fireproof pump.
- 38:23 Uh, dry sea.
- 38:25 $1,938 in the house.
- 38:28 that
- 38:29 I saw one.
- 38:30 Tommy's figuring an opening up a service station. Yeah? Where at? Oh, in front of the store.
- 38:35 Tommy joined the Big Brother movement. Yeah, well, that fella's got a right to look out after his own sister, ain't he? What's the matter with your sister? She was doing all right when I seen her last.
- 38:42 Plenty worried about the rain.
- 38:44 Only selling enough dates.
- 38:45 Pay for food and uptrends.
- 38:46 You've been behind in taxes.
- 38:47 ever since money stopped coming from New York.
- 38:50 - I lose a place, but I don't.
- 38:51 Huh?
- 38:52 Who told you all this?
- 38:54 That's all she and Grandma talk about.
- 38:56 Yeah, I heard him too.
- 38:57 So what? So we followed up that ranch and got back to New York. Boy, that'd be something.
- 39:01 They're in a gas station on our road, 42 miles one way and 28 the other.
- 39:05 About 200 cars a day pass out place during weekdays and twice as many on Sundays.
- 39:09 I think if we...
- 39:09 to put the red on gas.
- 39:11 Well...
- 39:12 It looks like he's degenerated, all right.
- 39:15 What did you say that gas station was gonna cost?
- 39:17 Oh, but...
- 39:18 Granny.
- 39:19 What do you expect to use for money? He thinks he'll stick up a bank when he gets big enough.
- 39:23 Shut up, that ain't funny. Ah, it's too hot for pipe gas.
- 39:28 Is that the tank you're talking about?
- 39:30 Yeah, that's it. The East River of the West.
- 39:33 Go!
- 39:34 Now listen kids, get this. We went down the road to the mines to that new date ranch where they were irrigating. We watched them for a while and sort of forgot about the time, see?
- 39:40 Anybody that squeals who went swimming gets the works. Understood?
- 39:43 I'm checked. First one is a yellow dog. First one is a heel. Shut up, will you? One old man, honey, come around and chase us. Don't rush. We got all day. Boy, wait like getting that. Whoa!
- 39:53 Let's go! Boy, this is all right. I'll call you.
- 39:56 boys.
- 39:56 Here I go!
- 40:01 How's the water, Jack? It's the catch! Yeah! Oh! Wait for me! The Olympic champ's coming now!
- 40:08 Speed water, hear that crap!
- 40:11 Oh!
- 40:14 Come on in!
- 40:16 - What are you scared of? - I ain't scared. Hey, he's from right there, none of them kids know how to swim. Who doesn't know how to swim? I'll show you.
- 40:33 What's the...
- 41:14 Come on.
- 41:23 Hey, fellas!
- 41:24 I got a little water!
- 41:26 I... I... I... this reason's harm. They must be irritating. Irritating, you dope! Irritating!
- 41:33 Okay, okay, you're a dating.
- 41:45 I just...
- 41:47 I can't wait to talk!
- 41:49 - Dad, you better help him 'cause he can't swim very good. - Okay, kid, up you go to.
- 41:59 I want to get up. Get me up. Shut up. What's the matter with you? I want to get up. Hey.
- 42:05 No, I don't think.
- 42:06 Go, Sierra. Come on.
- 42:08 Hey Jack, the water's running out. Right out here. Hold on, will you?
- 42:16 Good.
- 42:19 It's a comic man. I'll be your own angel.
- 42:21 Look, I'm gonna go down and lift you by anchors and lift you way up to the top and you'll grab hold. Ready, will ya? Okay, let's go. Ready?
- 42:31 Right there.
- 42:32 - You ready? - Yeah, man.
- 42:39 Spit, are you sure you're telling me the truth?
- 42:42 Cross my heart. Honest pig, I don't know where he went.
- 42:45 Well, didn't they say where they were going? They just took the truck and left. How long ago? About an hour.
- 42:54 It's down at 10 feet and still falling.
- 42:59 All we have to do is stick together.
- 43:01 Wait till the water goes down, we can touch the spot. You get him tired?
- 43:11 - Hey Jack, the water stopped going down. - Are you sure? - Yeah, you keep going to the same rock. - What do we do now?
- 43:21 Hey!
- 43:34 Ed, I'm gonna go down and see what's at the bottom of this tank. Will you hold him for a few minutes? Yeah, I'll hold him.
- 43:39 Come on, Mommy, go down. Quick.
- 43:47 There's a valve that I'm in and lets the wire out, but you gotta keep it open.
- 43:52 I'll get down this time. Take the kit. Here I go.
- 43:56 Up!
- 43:59 I'm going to go.
- 44:15 I couldn't hold it by the way. It's all right, Tommy.
- 44:17 I think it's going down. There.
- 44:20 Hold on, will ya? I'm gonna take a try. Take it easy, kid. Take it easy.
- 44:32 Get it? I touched bottom. One more time, I'm going to do it.
- 44:40 Go ahead, Jack.
- 44:45 Oh, Peg, we've been looking all over the place. We can't find those guys. Yeah, and we was all the way down the road, too.
- 44:53 Grandma, they couldn't have taken the truck to town. Oh, well, don't worry, Peggy. Maybe the truck broke down. They're all right.
- 44:59 What? I can't. Come on.
- 45:01 Here we go. Now, Tommy and Angel...
- 45:12 Reach for that ladder and bring it down.
- 45:14 Okay, guys. Come on.
- 45:23 It's up.
- 45:24 Hey, this guy's bought water like a fox.
- 45:29 Keep his face down. This bumping up and down will do him good. Johnny, you think he's drowned it, maybe? No, no, he'll be all right. Now, listen. Nobody talk, see?
- 45:37 He got away from us, he fell in the water and we fished them out. Get that?
- 45:41 - Understand? - Yeah, sure.
- 45:43 Well, we haven't seen him since about 2 o'clock this afternoon.
- 45:47 I left in the truck.
- 45:50 I don't know, Sheriff. I don't know where they went.
- 45:53 What'd you say?
- 45:56 Hey, look, here they come.
- 45:58 Never mind, Sheriff. They just came in. Thanks.
- 46:07 Where have you been?
- 46:08 We took the truck and went way down to... Down where they was irrigating that new ranch, and we stopped to watch them, and... Yeah, and before we knew it, it was getting dark, wasn't it, Angelo?
- 46:18 Yes.
- 46:19 *laughs*
- 46:20 I
- 46:23 By your wit to the skin!
- 46:25 Oh, get some towels, quick, and get them glasses. Come over to the stove and get warm.
- 46:30 Well, what did you do to him?
- 46:31 He fell in an irrigation ditch.
- 46:34 Sure, sure, mate.
- 46:35 Did you all fall in the same irrigation ditch? Yeah, we got wet fishing them out.
- 46:40 Well, they've got telephones, you know.
- 46:43 Not where we was.
- 46:46 I don't expect to get the truth out of you.
- 46:48 Or out any of them while you're around.
- 46:51 In fact, I think we have enough here.
- 46:52 Get out.
- 46:53 It's okay with me. When do you want me to go? The sooner the better.
- 46:56 I'll leave right now, if that's how you feel about it.
- 46:59 - Peggy, you don't know what he... - Shut up.
- 47:04 Good morning.
- 47:06 Ah, it ain't right until today. Ah, it's okay. There we was, caught like cats in a trap. You mean rats. I mean cats. You know, Jack, just like when you drop a bunch of kittens to drown in a bucket of water. Sure, that's right. There we was, on a drink of death. Great stuff.
- 47:20 Oh, cut that out. Well, every time you do that, you make me nervous all over. Think that's good for me?
- 47:24 Well, anyway, in the water, its drinker's dead.
- 47:26 We'd all be dead ducks if it wasn't for Jack. Sure, of course. Certainly.
- 47:32 Why won't you let us tell her?
- 47:35 She'd say it was my fault for taking you.
- 47:37 You haven't thought of taking anybody with you, have you? Who?
- 47:39 Who do you mean, you? You?
- 47:41 Well, lots of ranch help travel around in pairs like that.
- 47:44 What about that gas station?
- 47:45 Well, that can wait till I earn enough dough and come back.
- 47:49 I'd like to take it, kid, but your sister would have the militia out after me for kidnapping.
- 47:53 - Oh, I only thought that.
- 47:54 Sure, Tommy.
- 47:56 and I appreciate it.
- 48:01 Button in again, huh?
- 48:03 Haven't you caused enough trouble for one day?
- 48:05 I'd like to talk to Jack.
- 48:07 Alone.
- 48:08 Okay, kids.
- 48:09 Feed it.
- 48:15 What's on your mind?
- 48:16 Come on.
- 48:17 Nothing, Johnny, except that...
- 48:19 Well...
- 48:21 Angel told me the truth about what happened this afternoon. I said I was sorry, didn't I?
- 48:26 Called you heel, but I guess you're a heel. Is this a build-up for another sock on the nose?
- 48:30 No, I think you're all right.
- 48:33 Sure, I ain't a bad guy. I told you so before.
- 48:35 I know, so did Grandma, but I didn't believe it till now.
- 48:38 You were...
- 48:39 Don't have to leave unless you want it.
- 48:46 You know?
- 48:48 There's only one reason I want to stay.
- 48:52 Do you want me to stay?
- 48:59 Really?
- 49:00 At that?
- 49:01 Um...
- 49:02 As long as you're all cleaned up and everything, would you like to drive me to town?
- 49:06 I got some errands.
- 49:08 today.
- 49:09 All right, then you grab yourself some supper and I'll change.
- 49:12 Fifteen minutes.
- 49:25 Mine?
- 49:27 Say, I know a spot on the side of the road where no cars ever passed.
- 49:35 What for?
- 49:36 I'm crazy about you. Ain't that enough?
- 49:39 Yes, a lot, but it starts the wrong way. How the wrong way?
- 49:44 I don't know anything about you or who you are except your name.
- 49:48 Maybe it isn't, you name.
- 49:50 You sound like I was proposing marriage.
- 49:52 What are you for?
- 49:54 Oh, nothing like that.
- 49:56 Oh.
- 49:57 You're Frank anyway. Why don't you be Frank too?
- 50:04 Do you want me to?
- 50:06 Aye.
- 50:08 You're a nice-looking lady. Thank you, kindly, for the ride home. Ah, good.
- 50:12 the wrong head.
- 50:14 Because I try to make love to you?
- 50:17 No.
- 50:17 Because you're trying to get away with murder.
- 50:21 You know, I'm from the big city, too, and I've heard a lot of lines before.
- 50:25 So it's up to me to think of a new line, huh?
- 50:28 Wouldn't hurt.
- 50:30 All right. I'll think of one.
- 50:34 I'll be waiting.
- 50:37 - Hi, Jack. Hi, Peggy. - Hi, Spade. You get some gas. I'm going over to the hardware store to see Mr. Heyman on some business. Back in a minute.
- 50:46 Right. Fill her up.
- 50:48 Yeah, with the chief.
- 50:49 Why don't you get some good gas this time so you can try out my new pump?
- 50:53 If I ever try to put good gasoline in this jalopy, she'd probably explode. Say, I've got some soil in the world over there, if you can use any. Just came in. Yeah? How much? 30 cents.
- 51:03 30 cents, that's too much.
- 51:25 Hey, you gonna take that in? I hear he's good.
- 51:28 If he were any good, he wouldn't be barnstorming in the sticks.
- 51:31 Well, he must be pretty good if they're gonna give $500. Anybody can stick with him.
- 51:35 That's a lot of money.
- 51:37 Mmm.
- 51:39 I guess that is a lot of money.
- 51:42 It's not enough to tempt me, though.
- 51:46 Yeah?
- 51:46 Say, I wouldn't get in the ring with that big ugly moose for $5,000 a round.
- 51:51 Wild bull of Europe.
- 51:53 Looks like a killer to me.
- 51:54 Hmm?
- 51:55 All set?
- 51:56 Yeah, she took eight gallons. That's $1.28.
- 51:59 Charge it. Say, Jack, that bill's getting kind of high. How about a little on account?
- 52:03 What are you talking about? You get paid.
- 52:05 Sometime. Okay.
- 52:07 I guess I can do my bit for Pavey and the old label if things get better for him. It's a nice pump.
- 52:11 You do pretty good around here, don't you, Speed? Oh, I can't complain. That's one thing they can't save on them. When they've got to have gas, they've got to have gas. What this pump set you back, about two grand? Just about. And say what a big improvement that is over this old hand pump.
- 52:23 I'm not.
- 52:24 Listen, I'm going across the street for a few minutes. If Peggy comes, tell her I'll be right back, huh? All right.
- 52:30 You're not big enough. You're too late. What's that got to do with it, if I'm willing? I'm not worrying about you. It's the customers. They don't pay dough to see setups, you know. I'll give that guy plenty of fight. Look.
- 52:39 I'm having a fight, not a murder. Go on, Fran, will you?
- 52:43 I got a lot of work to do. Listen, I want a chance at that mug. Go on, Scram. I'm busy. Keep your hands off of me or I'll clip you. Oh, you will.
- 52:52 Come on, do I get that fight or no not?
- 52:54 Yeah.
- 52:56 You'll get it.
- 52:57 It'll be a pleasure.
- 53:01 What's the matter? Something on your mind? Yeah, I thought that Ted Heyman had helped us out with an advance on the next crop. He's strapped on himself this year. Don't worry about anything. Your troubles are over. We're going to open a gas station.
- 53:13 -Gastig. -Sure. -Why do you happen to think of that? -Well, um, statistics.
- 53:18 You know, there isn't a gas station on our road, 42 miles one way and 28 the other.
- 53:22 Have you any idea what a gas station would cost? I looked into that.
- 53:26 You hear about the big fight they're having at the Legion Stadium in a couple of weeks?
- 53:29 About the Palooka that's offering $500 a round for anybody that can stick with them for more than two rounds?
- 53:34 Yeah, I read something about it. Well, I'm going in there and fight them. All I have to do is stand on my feet for four rounds. Four times 500, that's 2,000 bucks.
- 53:41 What's in the bag?
- 53:42 Oh, but, Jack, you're crazy.
- 53:44 Why, he's a professional fighter. You...
- 53:47 You'd get badly hurt.
- 53:48 Well, gee, anybody who'd stand up against a fighter like that would be a... A sucker?
- 53:52 Yeah, a second.
- 53:53 And if I did get hurt,
- 53:57 Would it matter much to you?
- 53:58 Yes, Jack, I would. Lots. That's all I want to know. If you're rooting for me, I'll go in there and bang the ears off the biggest guy in the world.
- 54:10 Come on, keep that. I don't want to get a boy.
- 54:40 What do you know about it? Plenty, you big, fat, clumsy lummox. How's your wind? My wind? Oh, it's all right. Well, I'll find out about that later. Go on now. Hit it. Don't. I'd love to. Hit it, I tell you. That's it. Working hard?
- 54:55 Yeah, I kind of like it.
- 54:57 What you blow peg? I wish a woman would stop aggravating the champ while he's working out. Mind your own business, will ya? That is my business, training the champ. Your business?
- 55:05 This one of you training him.
- 55:07 Come on, Jack. About three more minutes and we'll break. Now, let's have a... Yeah, chop my boy. I said be cool. Chop my boy.
- 55:15 Chop.
- 55:18 By a waterfall, I'm calling.
- 55:22 By a waterfall. Hey, hurry up with that water, will you guys? Take it easy, Caruso. You'll last longer. How's the water, Jack? How'd you get a truck? By a waterfall. I'm calling. Woo-hoo! Woo-hoo!
- 55:34 Hey fellas, get a load of this, will ya? What do you got, kid? I just won three bucks. What do you mean you just won three bucks? Hey, amateur picture contest on Salt Lake Times.
- 55:42 Here's the three bucks, if you don't believe me. Well, come on, show us the picture. Where is it?
- 55:47 Come on, get it out there.
- 55:48 Look.
- 55:49 Right there.
- 55:50 What do you know about that? It's Jack! Jacky!
- 55:52 Hey, Jackie, look, there's a picture in the paper. That's right.
- 55:59 When did you take that?
- 56:01 Once when you wasn't looking...
- 56:02 I thought I told you to lay off of that stuff. What did I tell you about taking my picture? Oh, what harm did I do?
- 56:09 I ought to flatten you for this, you double-crossed little chiseler. I'll lay off me, will you? I didn't do nothing. I made three bucks, didn't I? Ah, shut up.
- 56:25 But look at the way he's got his right hand stuck out.
- 56:28 So, a guy gets up out of his grave, sticks out his right hand just so you can make the pinch, and prove that all the rest of us around here are dopes. I tell you, I got a hunch that's Johnny Bradfield. It'll take me maybe a month to find out, but it's worth trying.
- 56:40 Take two months.
- 56:41 Take two years.
- 56:43 Write us picture postcards. Go on, laugh.
- 56:46 Well, you'd laugh too, Phelan, if you knew how funny you were. Maybe I would.
- 56:50 Maybe I'll laugh later.
- 56:56 These gloves used by Kid McNeil when he knocked out Sailor O'Shea. A buy in eight busts.
- 57:01 I bet that's lucky leather. Yeah, we could get him for Jack if we had $7.60 more. Yep. My aunt had whiskey, she'd be my uncle. Ha, ha, ha, ha, ha.
- 57:09 You know that's on fire. Hey, look over there, will ya?
- 57:12 Lamp that you're lucky. Lamp what's in it? You're lucky. Wait a minute. Guys, wait a minute. I got an idea. Come on.
- 57:17 Let's go. Look at that. Isn't it for you? Hey, what is that?
- 57:22 It's alive.
- 57:24 I don't know, maybe something I can't say. J. Douglas Williamson.
- 57:27 - J. Douglas Williamson. - Whoa, whoa.
- 57:30 And what's your name? Jay Markmorency Spitt Jr. I wonder who books you get that out of, kid.
- 57:35 Tell me something, what are you doing here?
- 57:37 We just stopped to have a flat fixed.
- 57:39 We shall be off as soon as Dad and Mater return from the telegraph office.
- 57:42 Oh, it ain't gonna stay. He's breaking my heart. Hey, what's a mater? A mater? That's his old lady, you dope. Don't you read any books?
- 57:50 No. You think you're smart, don't you?
- 57:52 They call us the six geniuses.
- 57:55 Hey, what kind of camera is that?
- 57:57 It's a motion picture camera.
- 57:59 - Let me see that. - Wait a second. I'll give it by the second.
- 58:03 Yeah, yeah, I know just what you're thinking. Well, it's a cinch.
- 58:08 We gotta get it honestly, see ya. Jack wouldn't like it.
- 58:10 Oh, yeah, yeah. Hey, Angel.
- 58:14 I can't see it. - Oh, my God. - Get our hands off that good camera. - Let's see it, will you, Douglas?
- 58:20 Hey Doug, how do you like this one? Come on gang, we've got to get you home. You want to come alive kids? Where to? We're just going to play.
- 58:27 marbles?
- 58:28 Marvels?
- 58:29 That's a sissy game. We're gonna play poker.
- 58:33 You know how to play poker?
- 58:34 No.
- 58:35 Oh.
- 58:36 If we could teach you how, it's very easy.
- 58:38 Boy, he ain't got no time to learn beginners. Eh, he's too young anyway.
- 58:42 But I'm 12 and I could learn.
- 58:45 Well...
- 58:46 What do you say, gang? Should we let him in? Oh, no. Come on, Doug. Step right out. That's the way. I've only got 25 cents. Oh, that's okay, kid. You don't need no dough to play strip poker. What strip poker?
- 58:57 Well, I'll take it like that. Give me some cards for change. Give us a couple of good ones. That's mine. I don't know what you want. Yeah. Oh.
- 59:05 Why?
- 59:06 Oh my God.
- 59:09 I got six, seven, eight, nine and ten. Isn't that any good?
- 59:12 No.
- 59:14 Keep the tendency We'll try to draw something better
- 59:18 Hey, Dippy, four cards for Douglas, Jr.?
- 59:24 Give me three.
- 59:26 Is that any good?
- 59:30 Well, it's between you and Angel now. What do you got, Angel?
- 59:33 I got a pair of sevens.
- 59:35 Oh, but mine are all the same suit. Yeah, yeah, they are, but there ain't a pair in the points.
- 59:40 Angel's pair of sevens wins.
- 59:42 Oh, I see now.
- 59:44 You've got to have pairs.
- 59:46 Oh, you'll catch on to this. Yep, Douglas Jr. and I can take off the coat and belt.
- 59:50 Oh, you mean I lose that? Well, you don't win. Well, maybe you'll win it back next time. Sure, it's pretty easy. Yeah, just put it over there. Don't get it, Franco. Forget to come back. I'm not looking.
- 1:00:00 We'll handle it. Hey, come on. Hurry up. Come on. Come on. Come here with them. Hey, uh, bless God. Look at this. Well, there's my witness. You certainly have.
- 1:00:12 Hold on. We're staying pat.
- 1:00:14 - All right, I'm in love with this rock. - I'm taking three.
- 1:00:20 I got it.
- 1:00:21 Well, what do you got, Tommy?
- 1:00:22 Oh, just a measly pair of twos.
- 1:00:24 I will, don't I?
- 1:00:25 No.
- 1:00:26 He's got twos. You only got ones.
- 1:00:28 I see. Thanks for the lick you get your mitts. You're winding already. Now that didn't take long, did it, darling?
- 1:00:37 Douglas!
- 1:00:39 Why, what has happened?
- 1:00:52 Oh, man.
- 1:01:18 So
- 1:01:20 - You're by all right, huh? - Yeah.
- 1:01:24 Doctor said I was 100% okay. I hit the scale of 153.
- 1:01:27 Let me tell you something. If I get in that ring first, you'll never get a whack at that guy. I thought that way about it. Funny what us guys will do for money, isn't it? Hey, wait a minute. What are you fighting for?
- 1:01:38 My wife's gonna have a kid.
- 1:01:40 Yeah?
- 1:01:41 Tough fracking, ain't it?
- 1:01:44 Good luck.
- 1:01:46 I'm going to go.
- 1:01:49 Got any good seats left for tonight? Yeah, I have a few left. Where are they? How near do you want them? As close as I can get. Well, how about a ringside? Fine. Say, this guy Jack Dorney, is he a southpaw?
- 1:02:05 You can search me, mister.
- 1:02:06 That'll be 3.30, please.
- 1:02:07 Okay. Thank you.
- 1:02:22 Hey, you think we need some more crepe? No, we don't need no more crepe.
- 1:02:26 Yes, sir, you're a dead pigeon.
- 1:02:28 Water, water everywhere. Hey, he passed! He passed! He passed the medical exam. He passed the flying collars. How do you know? Cy Kimball just told me. He just drove by in his truck. And he said that the doctor said that if Jack was any health, he couldn't live. Oh, that's a real good spot. Nobody's...
- 1:02:50 Here he comes! Come on, come on! Come on, take it! Take it! Take it! Take it!
- 1:03:13 Quiet! Champ!
- 1:03:15 On behalf of the gang and myself and Grandma and Peggy,
- 1:03:18 We take this occasion on the eve of the big fight.
- 1:03:20 to present you with this little token of our esteem.
- 1:03:23 Look, I'm sorry it did this. You see, I can't fight.
- 1:03:43 Doc turned me down there. Something the matter with my ticket.
- 1:03:55 I'm sorry.
- 1:03:57 Come on, boys.
- 1:04:12 Come on.
- 1:04:22 What's the matter with everybody?
- 1:04:24 I know you're lying, Jeff.
- 1:04:26 Who, me?
- 1:04:27 You passed that medical examination.
- 1:04:29 Listen, Peggy, I told you, the doctor said that the-- Si Kimball was here and told us what the doctor said.
- 1:04:35 All right.
- 1:04:36 So I'm...
- 1:04:38 I'm young.
- 1:04:41 You're not there. I'm a liar and I...
- 1:04:45 I lost my nerves.
- 1:04:46 Let us go with that.
- 1:04:48 Jack, tell me something, will you?
- 1:04:52 Were you lying to me when you told me that you loved me?
- 1:04:55 No.
- 1:04:56 Oh, what's that got to do with it?
- 1:04:57 everything.
- 1:04:59 because when you love someone, you don't lie to them.
- 1:05:01 You don't hold anything back.
- 1:05:03 What are you talking about? Hold what back?
- 1:05:08 Listen. Listen.
- 1:05:11 I love you too.
- 1:05:13 And I know you're not a queen.
- 1:05:15 There's something else.
- 1:05:17 Yeah, yeah, yeah, that's right. Something else.
- 1:05:21 Something else turned up. I heard about a small job, see? And I was gonna...
- 1:05:27 Wasn't it my idea about the fight?
- 1:05:30 Well, I changed my mind, see? The guy's too big, he's too tough.
- 1:05:33 I'm no sucker, see? Why should I get my head knocked off when I can get the dose the mother way?
- 1:05:37 That's all there is to it.
- 1:05:39 Leave me alone, can't you?
- 1:05:50 Jack.
- 1:05:53 Will you leave me alone?
- 1:05:59 Come on.
- 1:06:03 Good night.
- 1:06:05 I'm going to go.
- 1:06:10 See you.
- 1:06:11 Yes.
- 1:06:15 Yes.
- 1:06:18 Hmm.
- 1:06:19 Amen.
- 1:06:27 He took one look at that stumble-gum he was supposed to fight and he gave up. That's all he lost his night. Yeah, they get that way sometimes. Not if they got what it takes. Oh, Moxie, oh, Moxie. Boy, it's that guy chicken.
- 1:06:37 Shut up.
- 1:06:39 Jack ain't afraid of nobody, see?
- 1:06:40 Oh, no, Jack ain't afraid. Not much of you, ain't. Shut up!
- 1:06:43 I'll need a kid alone. Sure he's afraid.
- 1:06:46 with like a yellow dog.
- 1:06:48 What a slut, blaming it on his ticket.
- 1:06:53 Amen.
- 1:06:55 I'm going to go.
- 1:06:59 I'm sorry.
- 1:07:13 Come on.
- 1:07:14 Jack.
- 1:07:17 Amen.
- 1:07:19 Mm-hmm.
- 1:07:28 Going away, Jack? Why?
- 1:07:30 I'm going to get you.
- 1:07:33 He's here, well.
- 1:07:34 What I said about going with you still goes. Forget it, kid. Nobody goes with me.
- 1:07:42 I just thought that maybe... I don't need nobody.
- 1:07:49 I...
- 1:07:50 I travel alone.
- 1:07:51 Yes.
- 1:07:53 Here, show Jack.
- 1:07:55 I'm going to go.
- 1:07:58 It don't make no difference to me what the kids and the women say.
- 1:08:00 I know you ain't afraid of that guy. No, I ain't afraid of him. You ain't afraid of anybody. I know that. Shut up. Stop talking about him.
- 1:08:06 Don't get excited, Jack. What I wanted to say was that...
- 1:08:09 If you made up your mind, you can't... Yeah, I made up my mind.
- 1:08:12 You must have your reasons. Sure, I got my reasons.
- 1:08:15 I suppose it's okay.
- 1:08:18 I feel bad.
- 1:08:24 What I'm trying to tell you is that
- 1:08:27 I'm with you. If you want to take me.
- 1:08:39 Uh...
- 1:08:40 Gone away.
- 1:08:42 Ingo and...
- 1:08:44 I'm going to stay right here.
- 1:08:46 You're gonna fight? What do you think? It was a rib. It was a rib. I knew it was all the time.
- 1:08:51 Boy, what did I tell the guys? Attaboy, you tell them. Tell them all!
- 1:08:54 Come on.
- 1:09:16 What do you say, Father?
- 1:09:18 I'm not.
- 1:09:33 I suppose that Dick didn't see no son.
- 1:09:38 You wouldn't be so sure was Johnny Bradfield.
- 1:09:42 Wait.
- 1:09:55 He's got the pick. I'm with him. Take it. Take it. Take it. Take it.
- 1:10:08 Hey, there's only two here. Where's the others for them? Who's then? There's only two with me. One, two, one, two, one, two. That's all. Jim, watch that thing.
- 1:10:38 - Yeah, who ain't got a ticket? What's that, Wood? - Come in, good night!
- 1:11:00 - Hey, are these the guys I'm gonna fight? Yeah, shake hands with the boys. - They don't shake hands, they show 'em plenty of hands in the ring.
- 1:11:05 Hey, come here, you.
- 1:11:07 Let me see your hand.
- 1:11:10 All right. Hey, wait a minute. We ain't the ring yet. Hey, son. He.
- 1:11:14 Fire!
- 1:11:18 Come over here. What's the matter? Are you scared?
- 1:11:20 No.
- 1:11:20 I'm not afraid of anybody.
- 1:11:23 Attaboy.
- 1:11:24 Hey, take it easy, will ya? He's only kidding, he's just a big baby, doesn't he?
- 1:11:30 Hey, you, come here.
- 1:11:32 Watch your way
- 1:11:38 Get your smeary hands off me. I know that racket. Oh, you're a fighter, eh? Ah, no fighter. Oh, what'd you come up here to fight me for?
- 1:11:45 seeing your picture in the paper, and I couldn't wait to get you along.
- 1:11:47 Oh, yeah, go away. Yeah, come here. Cut it out. What's the matter with you guys? Cut the clown. I'll take him fuck. Go on, get him out of here. Take care of him. Are you crazy?
- 1:11:56 - I thought that guy will cut you to pieces in one round. - That's what you think.
- 1:12:17 All set. They're ready. 12. Oh, not you, Gary. Change his mind. Come on, Colucci. Hurry up. They're waiting on you.
- 1:12:22 Yeah, John, he's trying to get my goat.
- 1:12:24 soften them up for me kid
- 1:12:25 Come on, Lynch. We're gonna need you up there.
- 1:12:27 Come on.
- 1:12:33 He's making me wait, too.
- 1:12:35 Sure, he's afraid of you.
- 1:12:36 Think so?
- 1:12:37 Really?
- 1:12:39 - Damn. - I'll box his ears off you.
- 1:12:44 Come on.
- 1:12:44 Come on, sit down, will you? Relax. What's the matter? You worried about the wife?
- 1:12:48 I'll stay in there till I get that hospital bill paid, or I'll...
- 1:12:51 Come on, sit down, will ya? Buck up, buck up.
- 1:12:54 I wonder how Colucci's doing.
- 1:12:56 We'll find out pretty soon.
- 1:12:58 Well, the bull ain't afraid of fellas like him.
- 1:13:01 He ain't afraid of hitters.
- 1:13:03 He's afraid of boxing.
- 1:13:04 Sure.
- 1:13:06 Don't let him worry, Lieutenant.
- 1:13:08 Oh, he ain't worried about me.
- 1:13:10 I'm going to go.
- 1:13:14 What's that?
- 1:13:16 Must be Colucci.
- 1:13:18 Think so?
- 1:13:19 See? See? That's what he gets for coming in. He should stay away from it. That's what I'm going to do.
- 1:13:25 Unless you take them first.
- 1:13:26 You won't let him come into you.
- 1:13:28 Boxer.
- 1:13:30 Spear them.
- 1:13:30 I fear I'm going away.
- 1:13:31 That's what I'm gonna do, box his ears off.
- 1:13:33 All right, you take them.
- 1:13:35 That's coming up. Where's Clutch?
- 1:13:38 - Just took him away. - No fussing up.
- 1:13:40 You see? You see? That's what he get for coming in. Yeah, yeah, I know. Okay, okay, let's go. All right, you get him on Smith.
- 1:13:46 Oh.
- 1:13:47 Me?
- 1:13:48 Still trying to get my goat, huh? All set, kid.
- 1:13:50 Yeah, well, no, I've only got one handbag. Okay, we'll take the other one in the ring. Come on.
- 1:13:58 Well...
- 1:13:59 You're all right now, aren't you, Dorney? Are you a ton of chicken?
- 1:14:02 Me?
- 1:14:03 I'll box his ears off. His ears are upstairs. Come on.
- 1:14:07 Good luck, kid.
- 1:14:08 Right to the jaw, a left to the face. Boy, is he a killer. Is he murderous? The bull lands a terrific right to Smith's jaw, and Smith is down. But you better for Smith if he stays down, because this is downright murder. Smith's face is red pulp. Red, red pulp. Eight.
- 1:14:22 Nine.
- 1:14:23 10! And Smith's out. Am I glad that's over.
- 1:14:30 Now the next fighter to meet in the ball is Jack McClendon.
- 1:14:34 Dorney!
- 1:14:38 - Hey, there he is, the champ! Hurry, John! - Hey, John! - Hold on, Jack! Jack! - Jack! - Here we are, over here in the patrol!
- 1:14:52 Jack will show that big gorilla. Oh, I don't know, Bram. He's awful tough. Why, so, Jack. Did I train him myself? Lay it in, Jack. Lay it in. I beg your pardon. I beg your pardon. Oh, Jack will knock his ears back for him. Ha, ha.
- 1:15:20 Hey, Johnny.
- 1:15:24 Hey, Johnny.
- 1:15:27 Hey, there's a guy down there calling you, kid.
- 1:15:31 How are you, Johnny?
- 1:15:34 Know him?
- 1:15:34 Uh, never seen him before in my life.
- 1:15:41 Quiet! Quiet, please! The last challenger!
- 1:15:45 Come eat in the wild, bull!
- 1:15:47 Jack!
- 1:15:47 Dorney! Come on! All right, come on. Come on. You fellas will fight the straight markets of Queensbury rule.
- 1:15:55 No low blows, no holding and hitting.
- 1:15:57 Shake hands now and come out and fight.
- 1:16:19 - Hit him! - Hit him! Hit him! - Right down, you're sure getting lost, would you?
- 1:16:29 Killer is working Dorney across the ring. He reps a terrific right to Dorney's heart and drives Dorney up against the rope.
- 1:16:34 Jacket on our case is but huh
- 1:16:43 That's a cotton. Cotton, Chuck, cotton. We can't take it. Get in the front, Biscuit. Get in the front, Biscuit. The left, the left. The more left.
- 1:16:52 Come on, come on!
- 1:16:59 That gorilla do that to you Jack
- 1:17:02 - Get him back! Get him back!
- 1:17:04 I may get a problem.
- 1:17:05 coming around the corner. The Bullard's right after him. He jazzed his left.
- 1:17:08 You send Stoney's head back?
- 1:17:14 He lands a terrific right to Dornies draw.
- 1:17:16 comes through with the left of the jaw, and another hard bite with the heart.
- 1:17:19 It goes down. On your feet, Jackie, my boy. On your feet.
- 1:17:24 Oh, he must have slipped! Over right up to the jaw. Come on.
- 1:17:29 Jack, get up! Please get up, Jack!
- 1:17:42 Suck him!
- 1:17:43 I beg them.
- 1:18:03 What's the matter?
- 1:18:04 finish him up this time kid finish him
- 1:18:07 You do better this, Ronnie. He ain't begun to fight. You wait. I'm with him. I'll put a zipper on that truck. No, no, no.
- 1:18:37 No. Get him!
- 1:18:44 There comes the bull again. He's got Dorney back into a corner. Rips lefts and rights to the body.
- 1:18:49 Let's Dorney over his feet with a terrific right uprocut.
- 1:18:54 Here he goes. Dorney's down from a terrific right to the jaw.
- 1:18:57 Get up, Jack!
- 1:18:58 Get up! Do you hear me?
- 1:19:00 Didn't I hear someone say she's framed up for the good?
- 1:19:06 Jesus!
- 1:19:07 He's up!
- 1:19:08 Well, not for long.
- 1:19:16 Go after him with your laughter!
- 1:19:18 I beg you.
- 1:19:32 It's hard to make a great fellow out of you if that guy don't kill you.
- 1:19:35 I don't know whether I'll need a manager or not.
- 1:19:38 This is only costing us 1,500 bucks. Do you think that's hay, you dope?
- 1:19:41 Well, a bell saved him. A bell saved him. If you'd taken him in the first round, there wouldn't have been no bells.
- 1:19:45 How'd you like the fight?
- 1:19:46 This goes one more round, you'll pay, sweetheart, not me.
- 1:19:55 Jack!
- 1:19:56 You sound him wrong!
- 1:19:58 But he falls all right.
- 1:20:01 Oh, my God.
- 1:20:16 You ain't gonna let that big palooka lick ya.
- 1:20:18 Hiya, Johnny.
- 1:20:19 Come on, quit stalling. Stick out that right and stick.
- 1:20:23 I know who he is.
- 1:20:25 You ain't fool.
- 1:20:27 Six. Seven. Eight. Eight.
- 1:20:42 - South far, eh? - Yeah.
- 1:21:16 What did I tell you? Ah, pipe down.
- 1:21:20 Say that again.
- 1:21:22 Pipe down.
- 1:21:30 Good boy, Jack. You did it. Go on, kid. Bring it. Ah, come on. Beat yourself, wise guy. Out of boy, Jack. Out of boy. Get it.
- 1:21:35 We got the dough now. You can quit. I can't.
- 1:21:37 Yeah, but you're more contact and we don't need any more dogs.
- 1:21:40 Still need some more. Go on, scrap, scrap. Wait, Jack, you're off.
- 1:21:43 He hit hard on the left.
- 1:21:47 Here, take a word for this.
- 1:21:48 I'm sorry.
- 1:22:17 Get up, Jack! Get up! Please get up!
- 1:22:20 All right.
- 1:22:20 Six. Seven. Eight. Nine. Ten.
- 1:22:40 What do you think, Doc?
- 1:22:41 Well, he took a pretty bad beating, but he'll come out of it all right.
- 1:22:45 Jack! Jack, are you all right? How is he, Doctor? Just about the same. Oh, Jack!
- 1:22:52 get up
- 1:22:53 Yehye! Get up!
- 1:22:54 Did you try vinegar? We've done all we can for him. Well, you ain't going to do much with that silly little tinny ear trumpet, you know. Oh, Jack, come out of it, please. Oh, Jackie. Jackie, come out of it. You're all right. Listen, oh, he did it all for us. He went off and got himself killed just for us.
- 1:23:10 Oh Jackie.
- 1:23:11 It's all right, dear. We got the money.
- 1:23:14 Oh, my head.
- 1:23:16 How are you, Johnny?
- 1:23:19 Jack's the name.
- 1:23:21 Who's he?
- 1:23:22 Oh, he's just a friend of mine. Oh, boy.
- 1:23:25 You fought a good fight, you know.
- 1:23:34 Yeah, so I says, who's got a better ride in there but his brother's?
- 1:23:36 How you feeling, Jack? I feel fine. Yeah, what did I tell you? Just a little wind of that sort. Give him another chance with that gorilla and he'd take him, wouldn't you?
- 1:23:47 I, uh, I gotta go now. Go? I mean, I, I, I gotta get dressed. Come on, now, boys. Come on. Get out of here. Oh, good.
- 1:24:01 I'll wait after that.
- 1:24:02 All right.
- 1:24:14 - Oh, I'm tired.
- 1:24:16 You're all right. Come on, get dressed.
- 1:24:18 I'll be right with you, Phelan.
- 1:24:21 I'm
- 1:24:32 Jack, are you all right now?
- 1:24:33 I'm fine, I'm fine.
- 1:24:36 Will you wait just a second, Phelan? I gotta tell Peggy something.
- 1:24:39 All right.
- 1:24:40 I get sniped.
- 1:24:41 Come on, I want to talk to you back.
- 1:24:44 I'm sorry.
- 1:24:45 No kidding.
- 1:24:46 He's booked a couple of fights for me back east. He's my manager.
- 1:24:49 That's all there is to it, honest.
- 1:24:51 You're lying to me, aren't you, Jack?
- 1:24:52 No, no.
- 1:24:53 Hmm.
- 1:24:55 He's lying to me, isn't he?
- 1:24:57 I'm sorry.
- 1:24:58 Tell me the truth. No, Einstein, he's my manager, aren't you?
- 1:25:01 Sure, I'm his manager. You see, he's going to take me back east, and he's got a lot of bots lined up for me. I'm going to pick up some easy cash...
- 1:25:06 Then I'm gonna come right back to you. Honest I am.
- 1:25:08 About 10 years. He's just clowning, that's all. That's all he ever does.
- 1:25:12 Anything for a gag.
- 1:25:14 Maybe if he behaves himself real good, you'll see him sooner.
- 1:25:17 You know, he wants me to go on a barnstorming tour, you know, one night stands and things like that, but none of that's for me. I'm coming right back to you.
- 1:25:23 I'm going with you. No, no, I'm here.
- 1:25:24 You can't.
- 1:25:25 Yes. You can't because... because, um, this is a...
- 1:25:30 - What's that?
- 1:25:31 Wait.
- 1:25:32 Going stag.
- 1:25:33 Aren't we failing?
- 1:25:34 Yeah.
- 1:25:35 Hold him in.
- 1:25:36 There's something wrong, Jack.
- 1:25:38 What is it? Tell me, please.
- 1:25:40 There's nothing wrong. I'm coming right back to you.
- 1:25:42 I swear I am.
- 1:25:44 I don't care if you've done anything wrong, honey.
- 1:25:47 I'm sticking with you.
- 1:25:49 You got to stick with Grandma and the kids.
- 1:25:51 Come on, son.
- 1:25:53 We gotta get going.
- 1:26:00 I won't go to the station with you.
- 1:26:02 Janet.
- 1:26:04 If you just kiss me once and then go quickly...
- 1:26:07 Because if you don't...
- 1:26:09 I'm gonna make an awful mess with you.
- 1:26:19 Baby. Just.
- 1:26:43 You know, Phelan, you would have made a great detective if you had started sooner. I'm not complaining. Don't know why today, am I? Sure, sure.
- 1:26:51 When you get back to town, the mail will probably give you a ride down Broadway with confetti and everything.
- 1:26:55 You'll probably be a bit shot in headquarters from now on. You said it.
- 1:26:59 Say, kid, we've got to travel together for three days.
- 1:27:01 - Can I depend on you? - Don't worry.
- 1:27:03 I won't give you any trouble.
- 1:27:05 Okay, come on, sit down.
- 1:27:10 Hello, Jack.
- 1:27:12 What do you mean, hello?
- 1:27:13 Go on home.
- 1:27:14 Going away? I'm going to beat it, kid. We don't need you around here. Who's talking to you? You're a fool.
- 1:27:18 Hey, would you let me come with you? I told you to go home. Yeah, but would you take me with you? I told you to go home.
- 1:27:22 Mr. Fenn and I got a deal on and it's kind of private.
- 1:27:25 I'd like to take you with me, but I...
- 1:27:26 I can't.
- 1:27:28 It's a big deal.
- 1:27:30 And it's so?
- 1:27:31 That's right. Now, go on away, kids.
- 1:27:36 You see?
- 1:27:37 You gotta go back and get that...
- 1:27:38 gas station started.
- 1:27:40 You know...
- 1:27:41 It was your idea.
- 1:27:59 That kid kind of thinks of the works.
- 1:28:01 Yeah.
- 1:28:03 He's a good kid.
- 1:28:05 It makes no difference to me.
- 1:28:07 See?
- 1:28:08 On the coffee.
- 1:28:08 I've got a room with Julie. I know.
- 1:28:10 Whether I like it or not.
- 1:28:12 I'm not saying you don't.
- 1:28:14 I'll give you one tip. What?
- 1:28:17 McGee was slung with the right hand.
- 1:28:20 Yeah, yeah get yourself a good lawyer might play that up
- 1:28:25 You being a South Pole and all that.
- 1:28:27 If I get a good lawyer. Well, not that it's any business of mine.
- 1:28:38 She is now.
- 1:28:40 Now let's go.
- 1:28:43 That's a swell-looking dame, me leaving behind, kid. I feel kind of sorry for her. All right, all right. Come on, come on, come on.
- 1:28:48 That guy I sent out, the guy that burned...
- 1:28:51 He had a wife.
- 1:28:53 When that dame said goodbye to you, she looked just like her. Her mouth all twisted up like from the hurt inside. That old lady and them kids.
- 1:29:02 You sure think you're the white-haired boy, don't you? Look, Fennon, I'm going back and take whatever is coming to me. But this sort of stuff ain't included, see? No, I was just thinking, a smart guy like you, if you hadn't laid yourself white open for a dame and them kids, I'd never have found you. Come on.
- 1:29:15 You're a terrible sucker.
- 1:29:17 You coming, man.
- 1:29:18 But I do it again.
- 1:29:21 Now, will you please lay off of me?
- 1:29:26 I made one mistake in my life.
- 1:29:31 Say!
- 1:29:32 Maybe I'm making another.
- 1:29:34 Maybe I got the wrong guy.
- 1:29:36 Maybe you... Yeah, maybe you have, wise guy. I'm not quite sure. All right!
- 1:29:41 Go on, kid. Beat it. Say, keep that kiss of yours out of the camera. You don't photograph good.
- 1:29:50 So long, Doherty!
- 1:29:53 So long, sucker.
- 1:30:08 Tommy!
- 1:30:12 You darn fool, kid. Where do you think you're going? You.
- 1:30:17 Come on!

BY over BY LHAUSER AW MARIE DIX



































































HOME New World Champion Sought As Murder Quiz Opens French Manager and Aga







EXTRA IN OF ah COMPANION IN Coroner's Jury To teil wit bas lel


IN SMASH-UP Coroner’s Jury To rm Investigate Gr ico IS SEEN IN Re STARTLING DISCLOSURES PREDICTED En Earil to All

yen north two policemen

ver wae side Drive here later the body of Charles Magee was ale following phone call to the police station by woman known as She said there had red no during which Johnnie Bradfield Magee with causing immediate death At the inquest lier investigate the death of companion. The case presents number of angles lo ere and the police indicate or will make some star tne



























































































































































































































































or U.S.A Taking on ALL Comers Here Soon






Wil pull EETIN TOURING Taking He




























































ALL COMER SMITH KALUTCHE























































































































































































